Fat Talk: Fat-Shaming and My Secret Decoder Ring

So, with the fat shaming. I am over it. I’ve been over it. So over it that I’d think my over-it-ness would be glowing off me like a radioactive cloud. Trouble is, the assholes who have what to say about my body can’t actually see me. They just see FAT WOMAN. I am a faceless, ageless, blob, existing only to poison their fields of vision and offer myself up for their instruction, ridicule, scorn. Yes, sure. But really: I’m not the one.

Man behind me at the bagel place this morning sucks his teeth when I order a cinnamon raisin with cream cheese, says; “And you wonder why you don’t lose weight.”

I turn to give him some heavy side eye (pun entirely intended), say: “Actually, I’m wondering if I’d also like jelly. And of course I’m wondering how it is you think what I eat is any business of yours.”

He screws up his face, asks, “You ever look in the mirror?”

If he only knew! My vanity and I spend more than enough time gazing dreamily into looking glasses. But here is the thing. His answer — asking if I ever look in the mirror — is straight-up stupid. Because here’s the other thing. A fat body is only his business if it’s his body. Punto. And then here’s the last thing. I’ve been clear just how few fucks I give about his opinion,  and yet he keeps it going. What could be his problem?

I smile at him — as if he could ever deserve one of my smiles — and tell him the mirror and I have been in a long-term, committed relationship for many years. Surprisingly, he isn’t amused.

“You big black women,” he says, “you always have too much attitude.”

“And it really hurts your feelings, doesn’t it?”

“Nothing about you is worth my time.”

I laugh. “And yet, you’re wasting all this time thinking and talking about worrying about what’s going on with me. Interesting.”

He pulls out his phone, suddenly very interested in the facebook. Right.

I’ve written about foolish, fat-phobic people like this before, people who think they have the right to comment on my body simply because I have the audacity to have my body. In public. Where anyone can see it.

Sigh.

I sound cocky and comfortable in that exchange, but that’s not entirely the case. Yes, I am good with comebacks. I have so many years of practice, I’d better be good. But the bagel place is crammed with people, some of whom I see on a regular basis. It’s never my idea of a good time to be fat-shamed, and certainly not in front of a crowd. I receive no support or warm smiles or acknowledgment of any kind from the people around me — because of course — so I step up and shut this fool down all by myself. Because I am grown and I know know to do that shit. Because there’s no authority I am bound to obey that says I have to take anyone’s crap any day of the week. Still, the whole business leaves me pissed off and uncomfortable. Leaves me playing the moments over and over in my head. The ugliness has been silenced, but its sting and stench linger.

*

I’ve also said in the past that, whenever someone comments on my body, I know they are really talking about themselves. It’s really just always true. Always and always and always. It’s hard to see sometimes, so you have to look carefully. It helps if you have a Fat Shame Decoder Ring. I’ve got one. It’s lovely, forged in the fires of Mount Doom and everything. One ring to read them all.

the-one-ring-3d-model-max

And so, I’ll decode this man’s comments. His snarky, “And you wonder why you don’t lose weight,” is clearly directed at himself, wondering why he hasn’t been able to achieve some goal he thinks he’s supposed to want. And when he looks in the mirror, he’s reminded of that perceived failure, of just how much he hasn’t achieved. It would be sad if he weren’t so annoying, so ready to scrape some of his self-hate off and try smearing it on my beautiful brown skin.

His next comment is definitely for me. I do have far too much attitude. Far too much. Much more than I am supposed to have given how society sees me. I should be humble, should be trying to hide myself, should be well and truly ashamed that other people are forced to see the grotesquerie that is me. Instead, I walk around like a person who deserves life, who deserves a bagel and a schmear. My audacity really gets on his nerves. After all, if he knows how deeply he has failed at whatever task he’s set himself, how can I — so clearly failing to meet society’s standard of female beauty — have the nerve to mind my own damn business standing in the bagel shop? How can I dare to order breakfast in the sight of hardworking assholes like him, people who are really out here trying?

His last comment is a toss-up. It’s meant for both of us. He wants me to know he’s not actually focused on me — because of course — but he’s also breaking my heart just a little bit by telling me that nothing about himself is worth his time.

That’s a sad declaration to make about one’s self, so yes, breaking my heart … but only the tiniest of bits. Because, as unfortunate as it may be that this man doesn’t find himself worth his own time, his insecurity and self-loathing don’t make his behavior toward me any more acceptable. It’s always true that the things people say to me reveal the things they fear or despise in themselves. I’m still left with the public shaming, with that effluvium drying on my skin and stuck in my hair.

The decoder ring only works after the fact, long after the ugliness has passed. Because it’s for me, not for whoever’s words I’m decoding. No matter how well or poorly I handle the unpleasant moment, I need to handle it on my own. Telling whichever awful person is in my face that they’re really talking about themselves will serve no helpful purpose. So I say whatever I say, hold whatever silence I choose, keep my head up. But than I carry that bitterness around with me, even after I think I’ve moved on. It keeps creeping back in.

That’s when I need to slip on the decoder ring and remind myself what was really going on so I can remember that I am exactly the same as I was before encountering that stranger and their mess — just as tall, just as black, just as fat, just as fine, and that nothing they’ve had to say changes any of that.

I’m glad to have the ring in my jewelry box, though I think sometimes it would be preferable to move through the world in a sound-proof booth.


One in a series of essays inspired by reading Roxane Gay’s memoir, Hunger.
If you haven’t read my ground rules, please take a look before commenting. Thank you.For 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I dedicated my NaNoWriMo to writing essays, and did a pretty good job of catching up! I’ve got to move house before the end of December, so I’m unlikely to reach 52 essays. Still, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

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Losing Ground

In high school, I had a grand plan. Despite my understanding that college was my post-high-school future, I had an alternative fantasy, a between-high-school-and-college fantasy. I’d step out my front door and not step back in until I had walked across, through, around, over the whole of the country. Yes. The full-on adventure of hiking the United States—at least the 48 contiguous ones.

I started mapping a route when I was a sophomore. I can’t remember now when I first had the idea for the trip. I certainly didn’t know anyone who’d done it. None of my friends were talking about doing something similar. Maybe I read something somewhere that inspired me.

I knew better than to mention this grand plan to my parents. There was no such thing as a gap year back then. Not heading to college immediately after high school, would just be seen as slacking, and neither of my parents would have thought it was a good idea. There were people who took time off between high school and college, but that was usually so they could save money, or because they were having a child. It definitely wasn’t a thing that was seen as the normal course of events. I probably could have told my aunt, Mildred, but I didn’t know that then. I was only 15. I hadn’t yet recognized Mildred for the big-brained family eccentric she was.

I lived in a family with a surprising number of road atlases, so plotting my path was easy enough in the beginning. I studied the maps, at first thinking there was a way to trace a path that wouldn’t require any back tracking, then plotting a course that looked like painting broad horizontal stripes across the country with me trekking west then east then back west again until I’d covered the country. In the end, I decided north-south stripes would be best, moving steadily west then flying home from California or Washington State depending on the direction of the final stripe.

I loved making this plan. Truly. It filled me with so much excitement. One thing that became clear early in the mapping was how long a trip I was talking about. The United States is enormous, and I wasn’t planning on race-walking my way across the continent. (No race-walking, despite the fact that I lettered in race-walking–seriously. The things you don’t know about me! 😉 )

When I’d originally started planning, I’d foolishly imagined I’d need to approach my mother with the idea of a one-year pause between high school and college. Sitting with the road atlas made it clear that the one-year idea was a ridiculous notion. One year? As if! No, I was going to need two, maybe three years. At the least. And, even if there might have been a way to convince my mother to say yes to a year-long hiatus in my education, there was no kind of possibility of getting her to go along with me stepping outside my life for some unknown number of years. Not a chance.

I soon realized I had problems that were bigger than time. First, I realized that leisurely cross-country treks that take years to complete also take lots of cash. My family had lots of lots of things–pets, board games, puzzles, musical instruments, books–but cash we did not have a lot of. I was rich in fantasies about doing things only rich people could do easily, however, and my full-country trek was clearly going to fall into that category.

The only jobs I’d ever had were babysitting–which I was singularly bad at–and collecting payments for my brother’s paper route. Neither of these things a) paid well enough for me to have saved a tidy bundle of travel funds or b) taught me much of anything about the world of work that might have made me a good candidate for picking up short-term jobs along the way to pay for my trip. How was I going to eat? Where was I planning to sleep? I wasn’t mapping out a cross-country camping trip. There was no chance I’d be bedding down in parks and campgrounds across the nation. It was going to be a “hotel, motel, Holiday Inn” kind of situation.

Right. On whose dime?

So, yes, money was my first stumbling block. But it started to look like an easy problem when the real problem revealed itself.

The real program was that the country I was planning to explore alone, on foot … was my country, the good ol’ US of A.

When I started mapping routes, I was planning with an eye to full coverage, to making sure I spent a little time in every state. I traced my finger along path after path, drawing a winding ribbon around the atlas maps.

And then one day I stopped and really looked at the map. Looked at the map … and saw the path I was making through Mississippi.

You may not know this about me, but Mississippi is no-go territory for me. I’m pretty certain I’d never articulated that truth for myself at the time I was planning my adventure, but I for-sure felt it when I looked at the map that day. How had I managed to spend so much time planning my grand tour without taking history, reality, and my Blackness into account?

Because of course Mississippi wasn’t a singularity. Once I viewed the map through my Black lens, suddenly I was carving pieces out of the map all over the place. My meandering stroll across my country began to look like a crazy game of leapfrog, with my feet touching down in a scatter-shot polka-dotted array.

It wasn’t the trip I had in mind. Not even close. I regrouped and spent most of junior year trying to map a course that would work. Instead, I found myself becoming more and more discouraged as my “possibly safe” zones got smaller and smaller still.

Something I didn’t consider until well into this process was the built-in danger of planning to do even the shortest leg of that trek alone, as a teen-aged girl. Really. What was I thinking? I already knew quite well that boys and men were capable of doing me harm, knew I needed to maintain vigilance and full wariness … and yet I was going to decouple myself from everything familiar, from my home and family, and send my 17-year-old self out on the road alone?

Clearly, my ability to fantasize wasn’t just strong enough to make me forget I wasn’t a trust-fund baby. It was powerful enough for me to ignore the truth of predatory men and racism. The rest of my body might have been soft and out-sized, but my fantasizing muscle was toned, Olympics-ready, practically bionic.

I kept fantasizing about the trip, but I set the actual planning aside. There was no way I was going to imagine myself past all the obstacles I’d finally recognized. My cross-country adventure became a pretty dream I’d call up every once in a while to sigh over with regret.

*

Eventually, I had the opportunity to trust my life to the kindness of strangers. I went to Europe for my junior year of college and did some traveling, including a summer of hitchhiking. And after graduating, I went back and hitched around some more. And here I am writing about it, so obviously I survived. (Thank you all the strangers who didn’t turn out to be killers.)

I saw my European travel as dramatically different from my US-trek idea. And, while I thought about that Euro-hitch in terms of race, race was the only filter I used when thinking about my trip. It’s interesting to me how entirely I was able to erase the issue of being a young woman on my own. I was surely in as much danger of rape in Europe as I was in the States, but I didn’t think about it once during trip prep.

That obliviousness to my gender and my body was surely part and parcel of my belief that, as a fat woman, I had made myself undesirable to men and therefore invisible. And my imagined invisibility allowed me to do crazy things like plan solo cross-country trips without ever thinking of my personal safety as a woman.

My safety as a Black person, however, was paramount in my thoughts, and it seemed to go without saying that Europe was safer for me at that time–the early 80s–than my own country.

There was plenty of anti-Black racism in Europe in the 80s, of course. It wasn’t so much directed at me, though. It was also different from the racism I saw, experienced, and expected at home. And somehow those differences gave me a feeling of security.

Those European tours lasted a few months each. And both, but especially the second trip, included extended stretches of me traveling alone, me standing alone on the shoulder of a highway with my thumb out and my face hopeful. There were some dicey moments along the way, yes, but even during those moments, I would still have said I was safer on those French or Spanish or Austrian or Belgian or Czech or German streets than I would have been anywhere at home.

*

I hadn’t thought about my high school trek planning in many, many years … and then suddenly there it was a few months ago, in the front of my brain, called up by who knows what.

It started me thinking about what that trip would look like today. I still don’t have much money, but I certainly have more than I had as a teenager. And I have marketable skills and work experience that could enable me to support myself in random towns across the map. I also have credit cards. I would still be a woman alone, and now I’d have sometime-y knees and a cane, making me look that much more like an easy victim. And, importantly, I am still most definitely Black.

I think about all the places I removed from my tour plan in the late 70s … and I realize that there are far more places I’d need to cross off the trip list today.

If I marked out the road atlas now, it would be the visual aid of the conversation I’ve been having with myself and online for the last three years: the fact that my country, my home, has become that much less welcoming, less mine.

Today, in 2017, the NAACP has issued not one but two different travel advisories for Black folks—one for St. Louis, the other for American Airlines. In 2017.

Had I attempted my trek after graduation, it’s a pretty good bet I’d have come to a bad end—an accident, a rapist, a serial killer, a bear—something. Sure. But I might have had a great time before running headlong into whichever life-ending force would have had my name on it. I’d have covered some ground, maybe seen a handful of states at least, gotten a good look at some of this crazy-huge country I call home. Today, I can’t convince myself that I’d make it out of New York State.

*

I’m not the only Black person who has intentionally narrowed her range of motion. The need for organizations such as Outdoor Afro and Journey Outdoors is real. As is the fact of terrible encounters with whiteness in the wild—I can’t stop thinking about the Black family whose reunion at Rollins Lake, Nevada was cut short when an armed white man threatened their lives. And the number of people creating lists of places that aren’t safe for Black folks to travel. I don’t know how to reconcile these clashing truths. I don’t like feeling that I’m losing my country, but I can’t pretend that very real dangers don’t exist.

 

I don’t have any answers here. I see the tiny pockets of places–both in the US and elsewhere–in which I can imagine being safe. The Europe I hitched 35 years ago is, sadly, dramatically different today, and I’d have little to no chance of a safe, months-long hitch now.

And I don’t see a way to reverse any of this. In high school, the US was a place in which I could imagine being safe exploring on my own … almost. Today I can’t imagine that at all. There are so many consequences of the intolerance and hate that is rolling rampantly across this country and others. The extreme shrinking of my universe is clearly one of them, but I didn’t see it happening because my lens wasn’t trained on that. These last few years, I’ve been focused more acutely, focused on feeling safe right in my own city. And while I was nearsightedly pre-occupied, I managed to miss the larger shift in my landscape.

I have no intention of swearing off travel. I’m currently planning for a big writing trip for next year that will land me in entirely unfamiliar territory, and I can’t wait for that. Still, revisiting my long-ago plan of hiking my country and seeing how much less viable an idea it is today frustrates and saddens me. This is my home and has been my family’s home for generations. And while it is true that this country has never wanted to accept my family or others like mine, we are still here. This additional reminder of the fact that my country sees me as alien is sitting hard with me. It’s not news, but it still hurts.


For 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I dedicated my NaNoWriMo to writing essays, and did a pretty good job of catching up! I’ve got to move house before the end of December, so I’m unlikely to reach 52 essays. Still, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

Your Fave Would Never

I wrote this essay a few weeks ago. I sent it around to a handful of outlets, but it didn’t get picked up, so I’m posting it here. Sadly–though entirely unsurprisingly–the subject remains current.

__________

In response to the calling out of predators in entertainment, media, politics, sports, and all over the damn where, a Yashar Ali tweet linked to a satirical news story saying Tom Hanks had been revealed … as being extremely kind. The actress’ claims refer to her time working with Hanks on The DaVinci Code. She states: “The entire time I was on set he repeatedly exposed himself to me as a thoroughly decent human being.”

It’s funny—or almost funny—but also annoying and problematic. I understand the urge to call attention to (put on a pedestal) the men you think are above this fray, men who would never, ever be implicated in anything like any of the accusations we’ve heard. I do get it. But it’s troubling, too.

Because you have no idea. None.

Yes, there were apparently a raft of open secrets about many of these scumbag men. But there are also accusations being made against men who don’t come with open secrets. And those accusations shock us in large part because we’ve been loving on these men for years, long enough to believe we knew them.

And that was our mistake. We never knew those men.

We so want there to be men who aren’t horrible—if only to affirm our belief in our ability to assess character, to choose friends, to read people. And, of course, there are men who aren’t horrible … but we don’t get to decide who falls into that category. We don’t get to designate who the “good” men are based simply on whether or not we like them. Do I want to believe Tom Hanks isn’t an abusive lout? Of course. Do I know he isn’t an abusive lout? Nope.

That “news” piece is meant to be a joke, but it annoys me because, while it’s giving Hanks a nod to let him know he is loved and trusted … at least by the person who wrote it, it is also telling a woman who might have something to say that she won’t be believed because we all “know” Hanks would never.

One of the things this moment is making clear is how many women have been silenced and how effectively. The story about Hanks plays into the silencing—surely not intentionally, but intention has to take a backseat to impact.

The other thing I’ve been seeing in the last week is women starting to name men they are holding their breath over, men they hope against hope aren’t going to get pulled into this particular spotlight. I could make one of these lists, too—Bill Withers, Chadwick Boseman, Michael B. Jordan, Mark Ruffalo, Anthony Mackie, Goran Višnjić, Viggo Mortensen, Danny Glover, Denzel …

There is no point to this list-making. Of course we don’t want to learn that the actors or musicians or socially-conscious businessmen we love as assholes. But what is true is that we don’t know. We don’t know at all.

George Takei was accused. When I read that, I had to consciously fight my urge to dismiss the accuser. I surprised myself each time I had to do that. How could I so readily believe the women who’d come forward but dismiss this man and give Takei a pass? The voice in my head just kept saying: “But Takei would never …”

Yeah. But I don’t know that, do I?

Don’t forget: these famous, celebrity men we want to believe the best of are beloved because of the characters we’ve seen them play or the public personas we’ve seen them project.

Don’t forget: we don’t even know the men we think we actually know. Take Bob, a young man who was a favorite counselor at the summer camp I attended for years. I certainly thought I knew Bob, but he turned out to be a man who would sidle up to 13-year-old me and ask if I sold sex and for how much.

And of course there’s also Alain, a man I was friends with who raped me after a night of running around the city laughing and dancing and—I thought—enjoying our city and our friendship.

My point is that we want to believe our faves would never, but we can’t know that. A man can only prove he’s not a predator by not being one, so we can never know. We can never know. Alain never seemed like a rapist any of the times we went to dinner and hung out talking about our plans for our lives and where we imagined traveling and what work we thought we’d do. He just seemed like any guy I enjoyed being friends with. He was just any guy.

They are all just any guy. Until they’re not. If they looked like predators, we’d know to steer clear of them. They know that. And we have to know it, too.

I don’t fault the women who are posting names of the celebrities they hope no one steps up to accuse. My own list can go on and on. It can, actually, include every man who hasn’t yet been accused because I don’t want there to be any more predators.

But I know better. I know—as much as I hate knowing—that my fave … might. And yours might, too.


For 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I dedicated my NaNoWriMo to writing essays, and did a pretty good job of catching up! I’ve got to move house before the end of December, so I’m unlikely to reach 52 essays. Still, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

Cultural Awareness as Deflector Shield

I adored my auntie. I am, as it happens, an auntie my own self, a role I absolutely adore filling. Yet still, there is my absolute distaste at hearing white folks use this term in relation to Representative Maxine Waters.

Since my essay about Maxine Waters was published last month, I’ve been thinking about the most popular, annoying reactions I’ve seen. A lot of people on a lot of different threads had a response similar to one of these:

“Oh, in my family, we call all older women and men “aunt” or “uncle” as a sign of respect, even if they aren’t related to us.”

“Oh, in the [fill in your not continental American cultural background here] culture, the term is used to show respect.”

“Oh, that seems like an American thing. In my country it’s totally different.”

“Oh, my students from [name any other country in the world] call me “auntie” all the time, and they mean it respectfully. I like it.”

“Oh, you can’t assume everyone has the same understanding of that term as you do.”

“Oh, if you tell people not to say “auntie” you could be hurting their feelings because it means something else in their culture.”

Did you notice a pattern? I saw the same thing happen over and over. The moment one person posted one of these “what about this other culture” comments, there are suddenly a bunch of replies from other people talking about the traditions of other countries and cultures and how interesting the similarities or differences are … and suddenly we’re having a whole other conversation that has nothing to do with what I was writing about.

Feh.

On almost all these threads, someone eventually stepped in–and then stepped in when it happened again and then again … because of course–and pointed out that these discussions were missing the point. And some of the Cultural Awareness people were able to hear and understand that. Others really struggled with it. Hard.

And I’m feeling the need to shine my light on why seeing that “other culture” conversation kept springing up drove me nuts.

People seemed to want to be sure everyone understood that “auntie” doesn’t have a negative connotation round their way. Fine. But you know what? The word doesn’t have a negative connotation right here, in the States. It is a term of love and respect, a term used for elders we care about, whether they’re in our families or not. Same meaning and use as in whatever other culture you heard about or studied or lived in during your gap year or whatever. Same.

That’s the point.

The term has always been familial, has always been used to show love and respect. Subverting that meaning and use of the term was surely one of the reasons the term was chosen for this distinctly American, disrespectful use. My essay draws that line, specifically states that using “Auntie” was a way for polite-seeming white people to speak impolitely to Black women, it allowed them to sugar-coat their disdain, their insult, their race prejudice with a kind-seeming honorific. They subverted “Auntie,” made it ugly.

So, if you read the essay, it should have been easy to see that there was no need to call out the traditions in other countries. None at all. And yet there were all those comments, again and again and again.

Here, I’ll insert the other, somewhat-related comment I also saw quite a bit:

“Oh, I’ve never heard this use before so when I say it I am, obviously, not using it that way, so there’s no problem.”

It’s easy for me to believe people wouldn’t have been aware that they were hearing “auntie” used in a demeaning way, but they’ve surely heard the term used for Black women–because, hello, they must absolutely have heard of Aunt Jemima. But even if you never knew there was some nasty history attached to “Auntie,” I’m telling you that there is, I’m telling you exactly what that nasty history is. So yes, you could have called Rep. Waters “Auntie” before you learned the backstory, but now that you know the backstory, why would you still want to use the word? If I’m saying I feel a way hearing that word in your mouth, why would you still want to use that word?

To get back to everyone else, making the case for using the term today because it’s used respectfully in another culture is just as insulting. In some ways, it’s actually more insulting. If I tell you there is a very specific use of the term that is particular a) to this country and b) to white people and Black women, and if I tell you that hearing white people in 2017 refer to a Black woman using this term makes me feel a way … one thing I’m not asking is for a cultural awareness lesson so that I can learn how other peoples use that word and why I shouldn’t only associate it with negative ideas. And by telling me all of that, you are letting me know either that you missed the point of my essay entirely, or you are intentionally harping on this side point to move the conversation away from racism.

Guess which one I think you’re doing.

I’m sure it’s uncomfortable to hear about the tools of racism and to learn that you’ve been using one of them when you didn’t realize it. And I imagine it’s much easier and far more comfortable to deflect, to resist the focus on something ugly and wax poetic about an alternative story that makes you feel better.

I get all of that. I’m not here for it.

I’m always talking about how white folks need to step up and do their work. Feeling uncomfortable? That’s part of the work. White people need to “suffer” through the few moments of feeling Ill at ease and hear what’s being said. My essay wasn’t an attack or an accusation. It was me letting people know how I hear the word “Auntie” when white folks use it in reference to Rep. Waters. It was a request that white folks stop using the term. It was an opportunity for folks (maybe primarily white folks) to learn something about this country’s history–because I decided to trust that people really mightn’t know about that bit of ugliness in our national past. And it was an opportunity for white people–once they learned about the derogatory use of “auntie”–to make the decision not to continue saying something that could be hurtful.

I’m going to extend my benefit of the doubt a little further and say it’s likely that most of the people talking about the ways other cultures around the world use “Auntie” aren’t fully aware that they are trying to change the subject and turn the conversation away from the sticky discomfort of talking about racism. I’m being this generous because I know that many of the ways white folks deflect to insulate themselves from having to deal with racism are unconscious.

Let’s forget racism for a minute. Suppose you were in a meeting that included a person who smacked you really hard across the head every time you saw them. You decide to say something about this awful smacking crap, and you hope that saying it in the group will finally get this person to stop because the group will rally around you and condemn that violent behavior.

You say, “You know, I have to tell you that it’s really painful and enraging when you smack me in the head.” And that person nods and says, “Oh my God, have you ever noticed how 2-year-olds can be slap-fighting one minute and then kissing like crazy the next?”

And, before you can point out that this has.not one thing to do with your point, someone else says, “Oh, my partner always gives me a little slap on the shoulder when she walks up to me. We call them ‘love taps,’ and I really like it.”

“Oh, my partner and I have love taps, too!” another group member says. “I thought that was just our little thing. How funny that you have that, too!”

And suddenly everyone is talking about love taps and the boy who pulled their hair on the playground in kindergarten who proposed after college … and the issue of you being assaulted by your colleague has been disappeared.

Frustrating as hell, isn’t it? Frustrating as hell.

To be most clear: the sidelining of my point about white people and “Auntie” is like this disappearing of calling out your colleague’s violence.

Does it seem like a lot to ask white folks to change their behavior, to sit down and listen when someone tells them something they’re doing is hurtful, silencing, derailing? It shouldn’t be, but clearly, it is a lot to ask … and the truth of that is maddening.

Yes, this is another one of those moments when I say a whole lot of stuff and then just say, “I’m tired. Beat to my fucking socks.” Because … yeah.

I’m glad a lot of people read my essay–more people than have ever read anything else I’ve ever written. That’s a wonderful thing. I just wish more of them had allowed themselves to actually hear what I had to say.


For 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I dedicated my NaNoWriMo to writing essays, and did a pretty good job of catching up! I’ve got to move house before the end of December, so I’m unlikely to reach 52 essays. Still, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

Un Rêve Parisien

In the wee small hours of Monday morning, I dreamed this wonderful, crazy dream:

I was in Paris, and I was with Lisa Ko. We were walking along the Seine, and decided to scale a building — one we had apparently scaled once before, back when I was in my 20s. We wanted to get to someplace on the top floor, no idea why we didn’t just go inside and up the stairs. We climbed the façade, then had to shimmy along a ridiculously narrow ledge the full length of the building. We reached the uppermost corner and had to go up and around it. There were decorative touches to the architecture that made crossing it hard — weird bits poking out that should have made good foot and handholds, except they were made of wood instead of stone, and they were frighteningly rickety. Lisa was behind me, giving me encouragement, but I was terrified. I made it about halfway then froze because the next several decorations moved when I tested them, and I knew they wouldn’t support me. Lisa was really good at giving me a pep talk, but I was still convinced I was going to fall. Finally, I decided to just go for it, that if the decorations had withstood big storms, surely they’d withstand me. [Writing this, it’s so clear how much sense that doesn’t make! My logic was that the storms had to have had at least 100 mph winds … first, I doubt Paris has had a single storm like that, let alone many … and, too, I weigh a good deal more than a hundred pounds, so how would any of those storms have been relevant?] I told Lisa that, if I died, I wanted her to “tell everyone I love them,” and then I started up the last bit, which turned out to be quite simple: I swung my leg up over the top of the corner — bypassing the scary bits entirely — and pulled myself over to slide down the smooth back side onto a much wider ledge. Lisa came over easily — despite the fact that she was wearing six-inch metallic gold platform heels! — and together we came down from the ledge and directly into someone’s apartment. Lisa looked a little sheepish and said, “We should probably get some writing done,” and I agreed. But first, she said, we should get some food. She led the way through the beautiful apartment to the great room. there were people at the dining table — a young woman and a teen-aged boy — and an elderly and middle-aged woman in the kitchen. The middle-aged woman was dishing up food while the older woman watched. Lisa went up and took a seat at the breakfast bar, and the woman put a plate in front of her. “Jay’s mother always feeds everyone,” Lisa explained, and that was when I realized the woman was Jay-Z’s m other. She put a serving of deep, green, delicious-looking cucumber soup into a tall plastic cup and set it beside Lisa’s plate then started on my plate. The older woman leaned over to read the side of the cup, which said: “Happy birthday, Bitch,” then looked at Jay-Z’s mom and asked, “Are you the bitch?” And Jay-Z’s mom nodded and said, “That’s right.”

And then I woke up.

I find this dream supercalifragilisticexpialidociously fabulous for a few reasons:

  1. I love that I was in Paris. I haven’t been in many years, so it was a lovely gift from my subconscious to suddenly be on the streets (and the façades!) of that city.
  2. I love that I was traveling with Lisa of all people. It’s true that we’ve been on a trip together once before and are planning a trip for early 2018, but nothing so grand as spontaneous wall-climbing in Paris!
  3. I love my subconscious’ decision to make Jay-Z’s mother so generous and welcoming. Other than the fact that she’s Jay-Z’s mom, I don’t know a single thing about Jay-Z’s mom — not even her name — so her appearance in my dream is both wonderful and hilarious.
  4. I love Lisa’s six-inch heels and here ability to scale that wall while wearing them. Lisa is fabulously talented, but I had no idea how for and in which directions her talents would manifest!
  5. I also love how patient and supportive she was when I was afraid to start the last piece of the climb. I generally tend not to tell people when I’m afraid of something, and don’t often ask for or admit the need for help (yes, that’s a problem, and it’s on the “Work on This!” list). So that moment in the dream was a nice illustration of what it can be like to let your friends step in and be your friends and help or encourage or support you when you need it.
  6. I love that, even in the dream world, Lisa – who is one of my writing accountability buddies – was still thinking about writing, and reminding me that I should be doing more of it!
  7. I love that the food that made the deepest impression on me was the cucumber soup. It was so green and pretty, and I just knew it would be cool and clear and tart and yummy.

One of the things I love the most is that I tried to encourage myself to remember this dream. Someone recently told me that if, as you’re falling asleep, you tell yourself to remember your dreams, you have a better chance of remembering. I don’t know why that would ever be true, but why not, right? So I said that to myself a few times as I was drifting off … and here I am, recounting this wacky dream. Obviously, I’ll be trying that again!

The other thing I love most is that being able to remember the dream also means being able to see all the places where my conscious self steps in to mess with whatever’s happening in the dream. Because I’m a lucid dreamer.

I’ve written a few times about my dreams and specifically about lucid dreaming. I got interesting in studying lucid dreaming … but then I got busy and tired and captivated by something else. So I didn’t do much study. I’ve learned the tiniest sliver of a bit about lucid dreaming. But this Paris dream makes me want to pick up the research where I left off.

In one of my older posts about lucid dreaming, I mentioned that it was a long time before I knew there was a name other than “dreaming” to describe what I experienced because I thought that was the way everyone dreamed, thought everyone dreamed and was aware that they were dreaming. It never occurred to me that there was anything special about it. Once I learned that it wasn’t so common, I won’t lie: it started to seem a little shinier, a little more special.

Because I’m aware that I’m dreaming, my conscious mind can alter things about the dream or pause and think (or, as is often the case, laugh) about particularly odd things I see and do in the dream. In the Paris dream, my consciousness stepped in a couple of times. First, I gave myself a play-by-play as Lisa and I climbed the building, wondering what the hell I thought I was doing climbing some building in a dress and pumps. I don’t have a great history with climbing things. I fell from a rock wall in southern Portugal. I got stuck on a different rock wall in Jamaica, hanging on for dear life above from unfriendly-looking surf, terrified to move forward or back. I’m not a climber, not really, so what did I imagine myself to be doing scaling that façade with Lisa?

The second consciousness intervention was during the scary part of the climb, the part where I convinced myself to take a chance because, if those weird and rickety wooden decorations could withstand 100-mile-per-hour winds, they could certainly support me and my not make of wind self. That was clearly my conscious mind on drugs, desperate to get me over that wall, even if the “how” of it made no sense.

The final moment of consciousness came when Lisa and I found ourselves in Jay-Z’s mom’s apartment. I laughed as I came down from the wall and saw that I was in a room. I have had so many dreams in which I wind up in strangers’ homes uninvited. And quite often I wind up in the kitchen. In one, I broke into someone’s house just so I could cook. In that dream, I was busy making a big pot of spaghetti sauce. Clearly, there’s something that needs interpreting about me and kitchens, me and breaking and entering, me and strangers’ houses …

* * *

Generally speaking, my conscious self only comments on what she’s watching dream-me do. There have been a few times when I’ve changed the course of the dream action. I usually only do that when things aren’t looking good for dream-me. I remember a dream in which I was being chased – when I think about that dream, I always say I was being chased by a monster, but as I type this, I’m remembering that I was actually being chased by the first wife of my most awful ex (talk about things to unpack!!). She was armed, I think with a knife, and wanted my blood. I was running through a wooded area and found myself face to face with a wall. There was no way around or over it (I guess I wasn’t aware at that time of my fabulous wall-scaling skills). I could hear her closing in … and then I just moved myself to safety on the other side. I didn’t want to see where that story was headed. I literally narrated myself beyond the problem: “Well, somehow I got over it,” conscious-me said in the dream as dream-me reoriented herself on the safe side of the wall and made her getaway. I do love the Deus-ex-machina-ness of that.

In a comment conversation on one of my other lucid dreaming posts, someone talked about being able to bring other people into her dreams and pointed out that I could use my ability to control the dreams to give myself a little Jamaica vacation whenever I wanted one. I haven’t tried either of these things, but now I’m inspired anew by the pleasure I felt at seeing Paris – the Paris I remember from living there decades ago, the Paris I know does and doesn’t still exist. I was happy, at home.

I’m interested in dream interpretation – because of course I want all this wacky fabulousness to also mean something – but I’m okay with the mystery of that. For now, I want to play with this blurred and blurring line between my conscious and unconscious mind, learning what kind of fun I can have poking into my dream world.


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I decided to dedicate my NaNoWriMo writing to writing essays, and I’ve been catching up! Whether I reach the goal or not, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

The Queen of Oversharing

I like describing myself as the Queen of Oversharing. This naming is kind of a lie. I tell a lot of stuff about myself … but not really. When we were crashing and burning for the final time, one of the things The Morphine Man accused me of was talking too much and saying nothing. He said I told a million stories about myself, but they were all surface, I never let people get close to my real self. This is pretty true … but it’s also kind of a lie.

I do tell a lot of stories about myself—practically this whole blog is stories about myself. A lot of my stories are told for entertainment value. My stories about traveling, about my various experiences with hitchhiking, about bad boyfriends (The Morphine Man included, of course), about growing up in a very particular kind of small, insular town—these are the kind of stories that fall into this category. They’re almost like long-form jokes, told to amuse the listener, show you how funny, or silly, or charmingly naïve, or comically vain … or whatever I can be.

Some of my stories are “Learn from my wacky mistakes!” stories, instructive but comical at the same time. When I was teaching, there were a lot of stories about that, and I still tell some of those. I loved teaching, and I learned so much from my students, and so many of my experiences in the classroom make for good stories. Those are generally more heartwarming or educational than comical, but there’s plenty to laugh about in those anecdotes, too.

So The Morphine Man wasn’t wrong. I absolutely do tell a lot of stories. I talk a LOT. And most of that telling doesn’t reveal the deepest, darkest corners of my soul, but I would argue a) that no one wants to have to look at the cluttered back rooms of my soul all the damn time, b) that there’s more to seeing and understanding who a person is than watching them take rib-spreaders to their own chests and dump their heart on the table for you every time they open their mouths, and c) if you actually listen to the stories I choose to tell about myself—even the foolish ones—there’s a lot you can see about who I am and what’s important to me and how I tick.

Do I also keep people at arm’s length? Yes. A lot of the time I do. I’ve had a lot of experience with people showing e how totally they couldn’t be trusted with my confidence, with not feeling safe showing much more than my surface. So I got good at learning to look as if I was sharing while keeping my soft underbelly well protected. So The Morphine Man was right on that score as well. I don’t think this skill, this form of protection, is particularly unusual. Don’t we all hold our vulnerabilities close to our chests? With luck, we meet people we begin to feel close enough to, begin to trust enough that we stare more of the deep-dark-corners stuff. I am glad that I have a strong circle of these kinds of friends now. I wish I’d had them in the past, but the storytelling helped me muddle through.

Which was, in the end, the problem with and for The Morphine Man, wasn’t it? He clearly hadn’t become one of those people for me. Or, he had, during our first go-round … but he proved unworthy, using some of the painful things he learned about me to inflict more pain. So during our last go-round, I withheld myself a little more adeptly, waiting to see if I would feel safe with him again.

But this blog is one place where I truly am Queen of Oversharing. I tell things here that I never say to anyone. Those are the other stories I tell, the “full-disclosure” stories where I share some close-to-the-bone stuff.

Those are the stories I write and, just before I post them, I send my family a heads-up email, cluing them in to this information about me that they didn’t know so they can hear it before I make it insanely public.

So what the hell is that? Why do I feel entirely comfortable telling ugly, painful stories about myself online when I’ve never told my family or closest friends those stories? I mean, sure, there’s the anonymity aspect of “telling it to the internet.” No one is sitting across a table watching and listening. You don’t have to see or hear anyone’s response in real time. You create distance simply by choosing to write rather than tell.

All of that makes sense to me. But, like the things I said at the start of this essay, it’s kind of a lie, isn’t it? It isn’t as though I’m writing anonymously online. My friends and family know where to find me and some of them regularly read what I post. That’s precisely why I send my family those heads-up emails before I publish the worst of my mess. I want them to hear it from me directly rather than stumble across it on FB or during their occasional scan of my blog.

But, if I want them to hear these stories directly from me, why haven’t I told them any of these things directly? Why do I only choose to tell them because I have suddenly decided to share the stories with the world?

Last week I wrote a post about my current experience with apartment hunting. It quickly ballooned into a post about a lot of other things—my infertility, the mass of debt I struggle under, racism, fear of homelessness. A jumbled mix of ways I clearly don’t have my shit together. It was hard to post that because I like looking like a person who most definitely has her shit together. I know that under the surface and behind closed doors, I am an entire mess, but I don’t like showing that off. But that house hunting post pulled back the curtain on my well-crafted façade.

It’s a weird set-up to have created: now, people I don’t know well or at all can do the most basic level of search and learn all kinds of unkempt, ugly things about me. If these were the things I kelp close to my vest in the past, does my sharing them here mean I’m no longer doing that … or that this is just another form of TMI performance and I have an even deeper, darker set of personal truths that I’m holding onto?

Of course, the answer to both questions is yes. And I also suspect I’ll eventually get around to writing those stories here.

I already know there are things I am both itching to write about and desperate to keep buried. These are things I hide because they make me look bad. But hiding them also holds me back, and that’s frustrating.

Yeah. So … stay tuned?

__________

I am lucky in that my family have never responded badly to anything I’ve shared  or to the fact of my sharing. Their response is always a reaffirmation of how much they love me. (As I said: lucky.) Sometimes my mother worries about what parts of myself I expose because she doesn’t want anyone to use information against me. And I suppose there are ways info I share could be used against me, but I’m pressed to come up with a likely scenario for that.

I’m wondering how other people navigate this king of sharing/not-sharing line-straddling. Do you just dive in and tell all the things? Do you keep your telling strictly surface? How do your families respond when you go deeper, telling your more private-seeming stories in a public forum?


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I decided to dedicate my NaNoWriMo writing to writing essays, and I’ve been catching up! Whether I reach the goal or not, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

By Your Leave

Louis CK wants your permission. He wants you to make it okay that he whips out his penis in front of women who have expressed no desire to see it. He wants you to read his apology and decide that you can still like him, still stan for him, still want to see his comedy routines and his shows and his movies.

I mean, of course that’s what he wants. That’s his livelihood. So yes. That’s what he wants.

But he also wants your permission … to pretty much continue being exactly the same. He wants you to understand that his relationship with his penis is about using it to exert his privileged power over those he sees as his to dominate. He likes showing it to women, likes playing with it to their sometimes hysterical horror.

Some of us recoiled in anger and disgust when we heard Donald Trump say that, when you’re a famous man, you can do whatever you want to women. We may have recoiled, but that is exactly what Louis CK and Harvey Weinstein and every other man who’s being called out right now has banked on. They have been allowed to believe that, because of their fame or power or wealth or combination of the three, they can do whatever they want to women and to men they deem less famous, less powerful, less wealthy. Our allegiance to rape culture has allowed these men to believe in their right to behave as they wish. Our refusal to accept women’s autonomy has allowed these men to believe in their right to behave as they wish. Our refusal to believe women, our adherence to a strict code of victim-blaming, our knee-jerk slut shaming … all of these things have allowed these men to believe they can do whatever they want to women.

But Louis CK still wants your permission, still wants you to like him, to like his insistence on talking about his penis and the wacky hi-jinks he gets up to with it. He wants you to hear all the right words he has carefully crafted into his so-called apology … and ignore–or, better still, smirk at–the wrong ones he’s added for effect. And he wants you to see that he admits to the things his accusers claim: “These stories are true,” he says. And by saying that, he is expecting your instant forgiveness. He has admitted his guilt … even though he qualifies that admission, qualifies it so hard, the admission almost disappears. But he does own up to what he did. Now let’s welcome him and his penis back into the parlor with the polite company.

I will admit that it’s interesting to watch the different ways these famous men are choosing to respond when they are called out for what they’ve done. Louis CK is the first who response has so generously plumped itself up with both angry defiance and a begrudging, blame-y admission of guilt. It’s not a mix that’s completely unexpected, but it’s still unusual.

You can read his statement over at the NYTimes.

My first reaction when I read the statement was annoyance. That he had to talk about how he “never showed a woman my dick without asking first,” read like a slap in the face to every woman he abused. Here you are, performing apologetic remorse, and you need to talk about whipping it out … and you need to make the point that you only did that after asking permission first? Are you fucking kidding me?

The words in his apology statement–the ones after the repeated mention of his penis–fall into line in a way that seems right, that seems like saying sorry. They don’t totally get the job done, however. There’s far too much calling out of the fact that people admire and look up to him, of his fame and popularity.

There are other issues, too, but it’s that, “Hey! People like me!” shit that has my attention. This is why I said CK wants your permission. He wants to be able to start an “apology” for sexual aggression by talking in a sexually aggressive way, and then he wants you to nod with him when he tells you how important and well-liked he is–even by the women who are coming forward to accuse him. he can’t be truly bad if even his accusers look up to him and think he’s swell. Right? Right?

Obviously, his statement tells us, he’s not like these other men we’ve been hearing about. He asked first before assaulting anyone. Asked first! If these women could give him permission, surely you can, too.

The statement is almost a great apology. Almost. Almost. It mostly reads right, but it still goes wrong. Louis CK wants you to remember what you’ve come to know about him. You’ve loved his jokes about his desperate need to masturbate anywhere, any time. So how can you not feel for him now when you realize all of that was true?

For me, forgiveness–if there will be any offered–comes when there’s remorse, where full responsibility is taken, when the offending party apologizes to the person or people they offended. I don’t see that between the lines of Louis CK’s angry, petulant statement. And I most certainly have no desire to grant him an inch of permission.

None of the stories we’re hearing are surprising, are they? Men in positions of power have abused their power for the whole of recorded history, and surely for all the time before that as well. This isn’t news. Victims of abuse have tried to speak up … and have been slapped down, penalized, black-balled, criminalized. Silenced. By any means necessary. All in service of protecting powerful men. (Mostly we’re talking about powerful white men, yes, but let’s not kid ourselves that the buck stops with them. Despite the realities of racism–and because of the realities of racism–the system spends some of its energy protecting powerful Black men, too. Not as much, and usually not with the same level of dedication or success, but yes.)

The moment we are living in is interesting, this sea tide of accusations swamping our news feeds, this rush to believe the accusers. Not in every case, but that it’s true at all is new and different. I won’t pretend this signals the end of powerful men being given a pass no matter their crimes. I mean, hello, this country elected the poster child for white male privilege a year ago. We ain’t changed that fast, friends.

No. But something’s happening. Yes, part of this is about numbers. So many women–mostly women–have come forward that a) they are hard(er) to ignore and brush off and b) they are creating a space in which more people can come forward. Suddenly, we don’t have one woman we can call hysterical and dismiss by saying she made a mistake and is trying to make someone else pay for it.

But is it only about numbers? It feels like something else, something more. We are still fighting back against men who abuse power, but this is different, and I wonder where it will go–how far, how deep. I want to see it wend its scorched-earth way through the careers and reputations of every man who has thought his rights extended to another person’s body, safety, autonomy.

We have had hundreds of victims step forward and name their abusers. We have millions of victims share their #MeToo stories. What we’re seeing cannot be compared to anything that’s happened before. It feels like … well … like an actual opportunity for change.

I’m not as naive as that sounds, but I do think something different is happening now. We’ve had accusations in the past, but we’ve never had such a welling up of powerful, angry energy. There are too many people caught in this storm for this to be but a moment, something to casually quash and wave on its way as the accused move on to abuse again.

I assume there will be some hideous backlash. There always is. We already see men lamenting their inability to know how to interact with women, their apparently abject terror at being called out. There are already people (women!) comforting those men, telling them not to worry about their behavior, because they are so not the kind of men who would … Feh. We already have cable news talking heads fretting over innocent ment being swept up in the rush to accuse, to judge. There are already jokes about men we “know” won’t be accused, could never be accused.

So, slowly and inevitably, the status quo of our male-dominant society has begun pushing back. I still believe what’s happening now is and will continue to be stronger than that.

 

Do I feel for Louis CK and his fraternity of abusers, particularly for those who are or will suffer real consequences (finally) for their choices? No. Really not at all. Not at all. Not because I don’t believe people can change. I absolutely believe in our ability to transform ourselves.

These men, however. Yeah, not so much. They’ve hurt people, emotionally, physically, professionally. They’ve done it repeatedly. They’ve been made aware that what they did was problematic, was upsetting, was frightening, was damaging … and they didn’t opt to change their behavior, to make better, more decent, humane choices. No, they knew they were safe, knew they could deny successfully, knew they would be protected, so they continued to do exactly what they wanted to do. Louis CK even turned his abusive behavior into jokes, making his audiences complicit in his crimes.

No, I don’t feel even a tiny bit sorry for any of these men. I am full-on disgusted with each and every one of them. I am thrilled to see them called out and, at long last, held responsible for themselves.

Maybe they can change. Maybe–if they can get past their angry, I’m-the-real-victim-here bullshit–they will find ways to change. And I’ll be happy for them then … and happier still for all the women and men who will be safe in their presence.

 

Louis CK wants your permission. Refuse him. He wants your forgiveness and acceptance. Make him–make all of them–earn it.


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I’m months behind on my #GriotGrind, and it’s unlikely that I’ll write 52 essays by year’s end. But I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!