Euphonious Exhortations

My voice is having one of its moments. These come around from time to time. This week I’ve been told not once, not twice, but five times that my voice … “has something.” This morning, I gave a family directions on the subway and both the mom and a random person who overheard me commented on how pretty and comforting my voice is. The homeless man I gave my half sandwich to in Grand Central Market yesterday said I sounded like a fairy godmother. A friend who wants to work with me on a film project hopes I’ll do some narration because I have a good voice. And the young woman who sells me my iced chai every morning told me on Monday that I talk like I’m singing.

I’ve had that last before. A woman once asked if I was a jazz singer because she said my voice sounded like I should be. A coworker once told me I should record bedtime stories because my voice is soothing. A friend’s baby sister told me I could scold her and it wouldn’t feel like scolding because I said everything “in a warm tone.”

It’s not always cute and sweet, however, the reactions to my voice. A man who was trying to date me (quite unsuccessfully, as this will illustrate) insisted I had to be faking my voice, that there was no way I could look like me and have this voice. Clearly, I have a face and figure made for radio! Another man said I should do audio porn, that my “Snow White sound” would make sexy text that much more titillating. Yup.

My voice is fine. It has probably gotten better with time. It certainly used to be glass-shatteringly high. My students used to tease me by repeating my instructions to one another in squeaky mouse voices. I don’t know that I really sounded that awful, but my voice is high. My dream of a Lauren Bacall or Kathleen Turner deep sexiness will never come true, but my voice is fine. Like I said, better with time. I’ve come to terms with it. I think of it the way I think of my face, thoughts perfectly articulated by this limerick:

As a beauty I’m not a star,
There are others more handsome by far.
But my face, I don’t mind it
For I am behind it.
It’s the people in front that I jar.*

I don’t think anyone is particularly horrified by the sight of my face. Certainly, the whole of me has elicited startled responses, but that’s generally about racism, and those folks can’t actually see my face. I’m not always aware of the reactions people have to my face, but reactions to my voice are much more noticeable. I can hear the change in other people’s voices when I’m on the phone, can see people turn and look when I’m out and about. And, of course, there are the folks who just tell me.

I like to say it doesn’t matter, that it’s just how I talk. I know I’m lying, however. I know how I respond to certain voices. And there would be no way to count the number of times I’ve successfully used my voice to impact a situation. It matters. And that seems so unfair. We can’t help the voices we wind up with. Yes, there are classes that teach people to sound different, but why should anyone have to take those classes when they already come equipped with perfectly serviceable voices?

I can’t change that random inequity. But I suppose I can try to use my gift for good, right? What does that mean? Well, maybe it means my friend with the film project is on the right track. That baby who told me that my scolding her didn’t feel like scolding because of my dreamy, “warm tone,” was the clue. Instead of only writing my anger, maybe it’s time to put my voice to it, time to start telling people all the ways they need to step up, just how they can straighten up and fly right, just how fiercely they can work at being anti-racist, at dismantling the structures of racism that are destroying us all.

Let me just clear my throat.

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* This limerick credited both to Woodrow Wilson and a poet I never heard of named Anthony Euwer. I have no idea whose poem it actually is, but I am choosing to believe it is Euwer’s poem and that Wilson was known to recite it (I’ve seen two different stories of people saying Wilson recited it for them).


Sending a warm thank you to my friend Lisa at satsumabug.com. Her decision to start making space for short-but-with-a-whole-arc musings was a good push for me. My essays of late have been getting longer and longer and longer … so long that I cannot find my way to the end and so have nothing to post on this blog. So I’m going to try writing shorter pieces, no more than 1,000 words, and see if I can’t get through some of the topics on my pages-long list of essay ideas! If this works, I may catch up with my #52essays challenge by year’s end!

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The Queen of Oversharing

I like describing myself as the Queen of Oversharing. This naming is kind of a lie. I tell a lot of stuff about myself … but not really. When we were crashing and burning for the final time, one of the things The Morphine Man accused me of was talking too much and saying nothing. He said I told a million stories about myself, but they were all surface, I never let people get close to my real self. This is pretty true … but it’s also kind of a lie.

I do tell a lot of stories about myself—practically this whole blog is stories about myself. A lot of my stories are told for entertainment value. My stories about traveling, about my various experiences with hitchhiking, about bad boyfriends (The Morphine Man included, of course), about growing up in a very particular kind of small, insular town—these are the kind of stories that fall into this category. They’re almost like long-form jokes, told to amuse the listener, show you how funny, or silly, or charmingly naïve, or comically vain … or whatever I can be.

Some of my stories are “Learn from my wacky mistakes!” stories, instructive but comical at the same time. When I was teaching, there were a lot of stories about that, and I still tell some of those. I loved teaching, and I learned so much from my students, and so many of my experiences in the classroom make for good stories. Those are generally more heartwarming or educational than comical, but there’s plenty to laugh about in those anecdotes, too.

So The Morphine Man wasn’t wrong. I absolutely do tell a lot of stories. I talk a LOT. And most of that telling doesn’t reveal the deepest, darkest corners of my soul, but I would argue a) that no one wants to have to look at the cluttered back rooms of my soul all the damn time, b) that there’s more to seeing and understanding who a person is than watching them take rib-spreaders to their own chests and dump their heart on the table for you every time they open their mouths, and c) if you actually listen to the stories I choose to tell about myself—even the foolish ones—there’s a lot you can see about who I am and what’s important to me and how I tick.

Do I also keep people at arm’s length? Yes. A lot of the time I do. I’ve had a lot of experience with people showing e how totally they couldn’t be trusted with my confidence, with not feeling safe showing much more than my surface. So I got good at learning to look as if I was sharing while keeping my soft underbelly well protected. So The Morphine Man was right on that score as well. I don’t think this skill, this form of protection, is particularly unusual. Don’t we all hold our vulnerabilities close to our chests? With luck, we meet people we begin to feel close enough to, begin to trust enough that we stare more of the deep-dark-corners stuff. I am glad that I have a strong circle of these kinds of friends now. I wish I’d had them in the past, but the storytelling helped me muddle through.

Which was, in the end, the problem with and for The Morphine Man, wasn’t it? He clearly hadn’t become one of those people for me. Or, he had, during our first go-round … but he proved unworthy, using some of the painful things he learned about me to inflict more pain. So during our last go-round, I withheld myself a little more adeptly, waiting to see if I would feel safe with him again.

But this blog is one place where I truly am Queen of Oversharing. I tell things here that I never say to anyone. Those are the other stories I tell, the “full-disclosure” stories where I share some close-to-the-bone stuff.

Those are the stories I write and, just before I post them, I send my family a heads-up email, cluing them in to this information about me that they didn’t know so they can hear it before I make it insanely public.

So what the hell is that? Why do I feel entirely comfortable telling ugly, painful stories about myself online when I’ve never told my family or closest friends those stories? I mean, sure, there’s the anonymity aspect of “telling it to the internet.” No one is sitting across a table watching and listening. You don’t have to see or hear anyone’s response in real time. You create distance simply by choosing to write rather than tell.

All of that makes sense to me. But, like the things I said at the start of this essay, it’s kind of a lie, isn’t it? It isn’t as though I’m writing anonymously online. My friends and family know where to find me and some of them regularly read what I post. That’s precisely why I send my family those heads-up emails before I publish the worst of my mess. I want them to hear it from me directly rather than stumble across it on FB or during their occasional scan of my blog.

But, if I want them to hear these stories directly from me, why haven’t I told them any of these things directly? Why do I only choose to tell them because I have suddenly decided to share the stories with the world?

Last week I wrote a post about my current experience with apartment hunting. It quickly ballooned into a post about a lot of other things—my infertility, the mass of debt I struggle under, racism, fear of homelessness. A jumbled mix of ways I clearly don’t have my shit together. It was hard to post that because I like looking like a person who most definitely has her shit together. I know that under the surface and behind closed doors, I am an entire mess, but I don’t like showing that off. But that house hunting post pulled back the curtain on my well-crafted façade.

It’s a weird set-up to have created: now, people I don’t know well or at all can do the most basic level of search and learn all kinds of unkempt, ugly things about me. If these were the things I kelp close to my vest in the past, does my sharing them here mean I’m no longer doing that … or that this is just another form of TMI performance and I have an even deeper, darker set of personal truths that I’m holding onto?

Of course, the answer to both questions is yes. And I also suspect I’ll eventually get around to writing those stories here.

I already know there are things I am both itching to write about and desperate to keep buried. These are things I hide because they make me look bad. But hiding them also holds me back, and that’s frustrating.

Yeah. So … stay tuned?

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I am lucky in that my family have never responded badly to anything I’ve shared  or to the fact of my sharing. Their response is always a reaffirmation of how much they love me. (As I said: lucky.) Sometimes my mother worries about what parts of myself I expose because she doesn’t want anyone to use information against me. And I suppose there are ways info I share could be used against me, but I’m pressed to come up with a likely scenario for that.

I’m wondering how other people navigate this king of sharing/not-sharing line-straddling. Do you just dive in and tell all the things? Do you keep your telling strictly surface? How do your families respond when you go deeper, telling your more private-seeming stories in a public forum?


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I decided to dedicate my NaNoWriMo writing to writing essays, and I’ve been catching up! Whether I reach the goal or not, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

Deadlines, Doubt, and Dealing with Impostor Syndrome 

I had an important deadline Saturday, had to submit something or I’d miss my chance. I found out about this deadline in January. Jan.u.ar.y. I’ve had many weeks to make this happen. Here’s how I worked on it:

  1. Stared at the information.
  2. Thought about how much I wanted that thing.
  3. Stared at the information.
  4. Wondered why anyone would ever consider me for that thing.
  5. Clicked away from the page, telling myself I couldn’t work on it then because I had so much going on and I had to do some homework before I’d be ready to work on that.
  6. Ignore it for a few days.
  7. Repeat from step one.

Over. And over. And over again.

I finally started working on this on Sunday. Yes, when I had hardly any time left to get my work in order. Of course.

Every night last week, I sat down to work, and every night I pushed away from my computer, telling myself I would never finish and shouldn’t be trying anyway because I’m all wrong for this opportunity.

Needless to say, this is horrifically frustrating.

So what’s my story? Clearly, as is true for so many people, particularly women, particularly women of color, I keep running smack into the solid granite wall of Impostor Syndrome.

There are plenty of reasons to love the amazingly talented Viola Davis. Having her call out Impostor Syndrome just moments after being handed her Academy Award was kind of amazing.

I read  about this thing years ago, maybe as long ago as 2011. I recognized myself then, recognized the ways I tear myself down, doubt myself, struggle against the fear that I’ll be unmasked at any moment. On one level, I was relieved to discover that I wasn’t alone, that there was actually a name for the way I thought about myself. At the same time, it was disturbing to discover the realness of what I was doing. I recognized it, but I didn’t try to do anything about it. I didn’t know what to do about it. Yes, there were things I’d learned about stopping a thought, replacing it with a better, kinder, more based-in-reality thought. I’d seen that work when I tried it with bad body thoughts (it’s a body/fat acceptance thing … fodder for another post). But I don’t seem able to catch myself when I sank into Impostor fears, at least not immediately, not quickly enough to stop myself from sinking. I figure out what I’m doing only after I’ve fully shot myself down.

I may have only learned about Impostor Syndrome a few years ago, but I’ve been letting it hold me back for so much longer. All those times I didn’t stand up for myself, just accepted whatever awful treatment was doled out to me …Yeah, that was me believing I deserved to be treated like crap, that whoever was cutting me down was simply seeing me for who and what I really was and letting me know. When a supervisor lost confidence in me and stopped backing my play, I never questioned it. It made perfect sense to me. Clearly she had finally realized I was a fraud.

I had been planning to write that I’ve been losing the fight against Impostor Syndrome for my whole life. But I’ve been trying to track back to when I first felt unworthy, and it’s definitely not my whole life. But it is easily the last 15 years, and that’s a painfully long time.

I shrugged it off a moment ago, but stopping the thought really does have to be step one here. I can’t fight the cycle if I don’t see it coming and cut it off at the knees. I need to see those moments as they happen and shut them right down.

And, in some ways, this is a perfect time to be pushing myself in this way. I’m about to be putting myself out in the spotlight in a couple of ways that will surely trigger Impostor Syndrome again and again. Ramping up my vigilance now, at the start of this “spotlight season,” will be good for me … and it will be challenging, and exhausting, and demoralizing … and so helpful in the long run.

Yes, I can already see that this has to be part of my Be Your Own Cabana Boy self-care plan. Maybe one of the most important parts. Seeing myself clearly, not putting myself down, not standing in my own way … these things are as important as feeding myself well, as getting enough sleep. It all comes back to that comment I threw in so casually at the end of yesterday’s post: I’m worth it. Those L’Oreal ads were clearly onto something. I’m worth this hard work, so it’s time to put in the time.

Is Impostor Syndrome something you’ve dealt with? If so, what have you done to push back against it? If you’ve never faced this, I’m super happy for you, and I’m also super curious about you! How do you think you’ve avoided it?



In 2017, I’m on my #GriotGrind, committed to writing an essay a week.
I’m following the lead of Vanessa Mártir, who launched #52essays2017 after she wrote an essay a week for 2016 … and then invited other writers along for the ride!


It’s the 10th annual Slice of Life Story Challenge!

Head over to Two Writing Teachers to see all of today’s slices!

Before You Come for Me

I write a lot about racism. And by “a lot” I mean A LOT. And I’ve been doing it for years. Anyone who knows my work knows this, or should know it, would know it if they’d been paying the least little bit of attention.

Since November 8th, much of my writing has had the same message, a message that has made some folks accuse me of being a racist: namely, that you, white people: you are responsible for THOTUS¹. You sided with the Klan, took up the cause of the neo Nazis, voted in a hateful, racist, misogynist, xenophobic, islamophobic, isolationist, elitist government. The who-voted-how numbers tell the tale quite plainly. White men went for THOTUS in droves. And more than half of white women followed.

I kept posting from the heart of my anger, telling white folks to take responsibility for the apocalypse-world they ushered in, telling them to come get their people and start doing the work of eradicating the deeply ingrained racism that is the poisoned lifeblood of this country, work they should have been doing all along.

Surprise! Some people didn’t like what I had to say. Some people felt saddened or angered or attacked by my posts. And I got a lot of pushback saying their feelings were hurt by my “come get your people” demand.

I was caught off guard – not so much by the fact that anyone was hurt, but by the fact that a lot of anyones were hurt. If only a few people had contacted me, I might have seen them as anomalies. But I had more than a dozen emails, a handful of private messages, and a bunch of responses to FB posts – they ranged from sad to offended to passionately self-defensive to curt. Clearly there was something I should take a closer look at.

So I looked. But you know what? I’m not wrong. White people decided this election. Full stop.

Yes, I know. Not all white people. Ob.vi.ous.ly. I never said all-a y’all voted for him. No. What I said was that all-a y’all are responsible. What I said was that white people need to come get their people, need to start doing the hard work. And that’s what I meant.

I get it, the offense. I’ve written plenty about racism, but those other times were easier for my white friends and readers. They could see themselves as separate from the “bad” white people I chastised in those posts, remain comfortable in the knowledge that they were “good” white people. But in my writing since the election, there hasn’t been any room for white folks to hold themselves above the fray. The things I’ve written are the first time I’ve come for white people as a group, a monolith. And being seen as a whole group rather than as individuals makes a lot of people uncomfortable.

Fine. by. me. I’m not interested in anyone’s comfort, or at least not yours. It’s your comfort that made it possible for the election to turn out the way it did. It’s your comfort that enabled you to talk only to friends and family who agreed with you about the issues, who never said anything that rippled the quiet, happy waters of agreement that kept you buoyed and confident. It’s your comfort that kept you from giving credence to the number and socioeconomic diversity of people clearly enamored of THOTUS. Y’all been too damn comfortable for too damn long.

I know. On November 8th you cried. On November 9th you cried. How could the world have betrayed you like this? How could it be possible for that man to win the election?

Yes, you cried. But you know what? I’ve been crying, too … for years. Where’ve you been? You never noticed, never bothered to look, never bothered to care.

And I don’t mean the old-timey crying – when you kidnapped me and forced me into enslavement on your plantations and in your homes, when you sold my children away from me, when you raped and beat and killed me, when you lynched me for sport, when you refused to educate me, when you kept me from moving into better neighborhoods and better jobs … or any of the other ways this list could go on and on.

No, I mean in my own life. I mean the little ways you’ve cut and slapped me, made sure I knew I was “other.” I mean 8th grade when you took hold of my arm and rubbed hard enough to break the skin and then looked at me, puzzled, asking why none of the dirt would come off. I mean that time after college when you fixed me up with a guy from your job who you thought would be perfect for me – he was Black, after all – but you didn’t bother to tell him anything about me, not even the simple fact that I, too, am Black. If you had, he could’ve said to you instead of me that he didn’t date Black women because he found us uncontrollable and disrespectful. I mean every time I tried to tell you about some large-scale manifestation of discrimination, and instead of hearing me, you told me to calm down, to not be so angry. Instead of hearing me, you told me about some time when you, as a white person, had been a victim of reverse racism.

And I mean this moment in my own life. In the bigger ways you’ve let me down and broken my heart. Civil rights activist Johnetta Elzie says it so powerfully in her poem, “Where were you?

Where were you when the media called us “thugs” for protesting?

When I stood outside on those hot summer days, and needed ice water? 

Or a back rub?

Or someone to talk to?

Why weren’t you standing with me?

Where the hell were you?

Where were you when we asked you to #SayHerName?

When Rekia Boyd was killed while playing at the park with her friends?

When Tanisha Anderson, Sandra Bland, Shantel Davis, and others died at the hands of police, with little media attention?

When our trans sisters — Brandi Bledsoe, Rae’Lynn Thomas, Dee

Whigham — were also murdered and also forgotten? 

Where were you?

If you can answer at least one of the questions here, answer me this: We’ve been marching for years — where the hell have all of you been?

Exactly right. Do you see it now? You have been making me cry since the day we met. And you’ve never noticed.

But you want me to pay attention to your tears, need me to understand how my statement of facts is painful to you, how it makes you uncomfortable. You want me to apologize.

Nope. No more. I’m over coddling you. Over biting my tongue when I need to call you out. Over swallowing my anger and hurt when you slap me down with your unconscious bias. Done.

Instead, I’ll be pulling on a brightly colored bathing suit, goggles, a nose plug. I’ll be doing that weird, arm-flailing body-slap Phelps does before a race. And I’ll be diving into an Olympic-sized pool filled to overflow with your tears.

A friend sent me Leah Roberts Peterson’s Facebook note. She wrote it after Saturday’s march, wrote it to her white sisters who had just stepped up in their pink pussy hats of solidarity but who were feeling attacked by questions and comments from women of color. She wrote:

The best thing you can do is take in all those feelings coming from our sisters who are hurting and angry and OWN IT. Remind yourself that yes, you’re trying because THIS is how they feel. You’re doing what you’re doing because it’s RIGHT and it’s how humans with empathy and sympathy and a working heart should live their lives once they figure it out. Not because all the Black women are going to magically start appreciating you. They owe you NOTHING. Mark the date on your calendar when you’ve got as many days under your belt being awake as you did being asleep, and then, maybe, start being a tiny bit impatient when others don’t recognize your efforts. My own date is June 17, 2061. I will be 91.

I tell you this with sincere love in my heart because I KNOW you’re trying. Sit in the discomfort of these moments. It’s ok to not feel comfortable. That’s how lots of people around the world live their lives every single day. Comfort is not our goal. Equality is. ❤

Oh, I am so here for this. When I talk about white fragility and you respond by dm-ing me how that term is divisive and hurtful … know that you’re flat out exhibiting A-grade fragility right there. When I talk about how the safety pins make me feel so much “Meh,” and you tell me I should be happy people are making an effort … just … no. Don’t do that.

When you say these tone-policing, silencing things, I respond as kindly as I can because I’m interested in keeping dialogue going, keeping lines of communication open, because I know and care about you. But I need you to take a moment, think about how microaggressive some of your comments are, think about how much your comments are really asking me to shut up and be grateful, to give you a cookie in appreciation for all your hard work on my behalf.

Yeah. What Imma need is for you to think about what’s making you uncomfortable and examine your discomfort before you come for me. Thank you.

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In 2017, I’ve committed to writing an essay a week.

It’s not too late to join if you’re feeling ambitious! Check out Vanessa Mártir’s blog to find out how!

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¹ Titular Head oThese United States


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Click on the badge to visit Two Writing Teachers and see what the other slicers are writing today!

What can the matter be?

Here is a thing. There’s been a lot of commentary on my FB feed today about Baltimore. Tonight, a friend posted a great note about her privilege as a white woman and the things she’s able to do without fear of rousing the suspicions or violence of police. Another woman — a friend? a co-worker? — commented, “Not all cops behave in the same manner.” I responded to my friend’s post and then in parentheses mentioned to the other woman that I wasn’t sure what point she wanted to make. That was all I said. I bit back the first thoughts I had. I wanted to leave her some room to help me understand. Instead, she came back with: @Stacie: “Not all cops behave in the same manner.”

Seriously? I tried to act as if I couldn’t see you the first time, but this? Oh, I see you just fine. My response: “Yes, M_____. I read your comment. Twice now. What point, in relationship to K____’s point, are you trying to make?”

Dig me, making a halfway attempt to stay level-headed, skating on the inside edge of my politeness. Because really, your response is to just repeat your nonsense as if I was too dense to understand it the first time, or that perhaps I can’t read well or lack sufficient comprehension skills? Right. But I kept it gentle, still wanting to give this woman a chance to say something that has some meaning, that maybe offers a window into another mindset, that moves this painful conversation forward. Because really, she could have meant any number of things, many of which could have been not at all problematic or derailing. So of course it makes sense to give her a chance to say any of that.

Her response:

I’m not really interested in communicating with you unless we do so over coffee. We don’t know each other, so perhaps it’s best we meet and chat. I really don’t think I want to have a long discussion behind my computer. Things always get lost in translation. We may agree, we may disagree, but via a Facebook post I may be misunderstood and so could you. Good night!

Right.

So yes, she’s 100% correct: we don’t know each other, and these conversations are charged even among friends, and having them anonymously online is neither easy nor ideal. But you know what? If that’s the way you feel, why are you commenting on such a difficult subject from “behind your computer” in the first place? You commented because you a) thought you could put something out there and just leave it and no one would call you on your mess, or b) because you were hoping for someone to agree with you and push back against K____’s nicely-stated point about white privilege and the myth of a post-racial society. Instead you got me, the dreaded option c: Completely seeing the mess, Calling you out, Cordially asking you to explain yourself.

And then you’re suddenly uninterested in talking online. Suddenly you want to have coffee with a stranger so you can be understood … except, of course, that you don’t really want to have coffee with this stranger, because you end your response by closing the door, not suggesting a message or that K____ introduce us or anything that makes your coffee foolishness sound real.

(Which makes that comment read a little differently to me: “I’m  not really interested in communicating with you unless we do so over coffee. We don’t know each other, so perhaps it’s best we meet and chat. I really don’t think I want to have a long discussion behind my computer. Things always get lost in translation. We may agree, we may disagree, but via a Facebook post I may be misunderstood and so could you. Good night!” You know, or something.

Then she deleted the comment and replaced it with: “And note that many of my family members are african american and trying to make a real difference in our society.”

Really. Of course that “trying to make a real difference” is stuck in my teeth. And yeah, some of my best friends …

The words we choose, people. The words we choose. Because she’s right: things get lost in translation. Things like my patience. Lost.

A Smattering of Mattering

Again, people. Again and again, and then again. Today Baltimore. Tomorrow, anywhere. Anywhere. Is that clear yet? You insist on hastagging about “all lives,” insist that this isn’t about race, insist that the problem is the looters, the “thugs” who just make it bad for everyone. You do a lot of insisting. I’m not trying to force anything down your throat. Neither do I want your insistences forced down mine. I just want to breathe. I just want to live. You want me to walk your line, take up your call. Why can’t you shift to my side of that line, why can’t you let yourself say the words, use the tag #BlackLivesMatter? In the multiverse of this history of pain, denial, and erasure, why can’t you see that your “all lives” chant is a crushing blow, a negation, a boot on my throat? Why are you so invested in writing my narrative, in telling me what I should care about, what “really” matters? 

Because when I saw today’s poetry prompt, the first two things that came into my head were — in order: #BlackLivesMatter and “Dear, dear, what can the matter be? Dear, dear, what can the matter be? Dear, dear, what can the matter be? Johnny’s so long at the fair.”

Way too long at the fair. Left you home to start figuring out all this racial prejudice stuff on your own. Damn that Johnny.


As I did last year, I’ll be following along with the Poem-A-Day challenge at Robert Lee Brewer’s Poetic Asides Blog. Today’s prompt is the final two-for-Tuesday prompt:

  1. Write a matter poem. Matter is what things are made of.
  2. Write an anti-matter poem. The opposite of a matter poem.

You can post your daily poems on Brewer’s page. The top poem from each day will be included in an anthology later this year!

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Are you writing poems this month? Where can I see them?
Let’s share this craziness!