Failure to Launch

I wasn’t sure I’d post this one. I wrote it the day after the poems I shared last week but held it back. Not that I haven’t written about this in past posts, but maybe precisely because I have written about this in past posts.

Sheltering-in-place has been sucking me dry. I keep trying to push myself back to the page, and I keep not getting there. I have been doing plenty of other things, but I miss my writing, miss finding my way through my thoughts on the page. I know it will come back, but I’m feeling it today.


Try and Try Again
Forty-one

The nurse held your hand.
She looked into your face and smiled.
“I’m saying the fertility prayer over you,” she said.
Her face was kind
was sad.
You had seen the waiting room.
Most people came here in pairs
not like you, alone.
She must have said her fertility prayer
for all of them.
And sometimes it must have worked.
Not for you.
You left as you’d arrived, alone.

I can feel your heart rise
then fall.
I can feel your anticipation,
the way you tried not to dream
and dreamed all the same.
And I can feel the crash and burn
the sting of it,
the finality.

It would have been easier, maybe,
to get a registered letter.
“No, you aren’t meant to be anyone’s mother.
As you were. Thank you.”
Easier than all those hopeful days,
Easier than all those tears.
Easier.

Still.
You accepted it.
It took two false starts
and three failures.
It took all the money you never had.
It took all of you.

Not anyone’s mother.
It can still make you cry,
but you have accepted it.
Because what else is there but acceptance?

You think about the nurse
her wedding ring hard and cold against your hand
her eyes sad
her smile sad, too.
Her fertility prayer
over you like a shawl,
slipping from your shoulders
to pool on the cold, tile floor.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

One picture … nearly a thousand words

I’m back. I’m sorry for disappearing when I live in the epicenter of the outbreak. I’m totally fine, still safely working at home.

I’ve written a couple of poems in this off-blog time. Most of them I think I’ll leave in my notebook. Last night I was busy, however, and I want to share. Last night, I was part of an hour-long writing group on Zoom. It was the everything’s-moved-online version of an ongoing writing workshop series that is run at the National Portrait Gallery in Washington, DC. The facilitator was a woman I know from VONA, so that felt comfortable and made me confident that I’d enjoy myself.

I invited RedEmma to join me because I thought she’d like it and also because I’d had to cancel our writing date from last week.

We started with an image from The Outwin 2019 exhibit, a photo by Genevieve Gaignard called “Trailblazer (A Dream Deferred).” We were given some time and invited to write something using the image as inspiration. I’m not surprised that I was inspired by the photograph. It’s an interesting, lush, and beautiful piece. Its subjects are compelling. Being inspired by it almost seems like a given. I wasn’t expecting to be so inspired that I would write three poems, however. Three. Poems. Just like that. Three poems. All called “Foremother.” Here they are.


Foremother 1: Trailblazer

I see you
walking over that hill
with Abraham, Martin, and John.
What weight do they give you
what do you carry,
how long the road?
I want to tell you
don’t go.
Don’t take that path
stay.
Keep safe here
with me.
Stay.
I know you’re listening.
I know you know.
But I see you choosing,
see you walking up
over that hill.
The light in your face is clear
is bright, is warm.
I want to hold you back
turn you away from the light.
They need you
of course they need you.
But stay.
I need you more.

Yes, I am that selfish,
I am that grasping.
Yes, I would hold you back
for as long as I could.
As long as I could.

The hill will always be there.
The path will always be there.
But stay.
I need you more.

∞ ∞ ∞

Foremother 2: Recognition

When I travel back,
I stop short of you
always stop short of you.
Yours is the story I can never see
will never tell.
How far from you do I need to be
to let myself look behind that curtain
to finally learn the whole story?
My past is your future.
The two cannot meet
and yet —
the two have always met.
You are still here, in me.

I know the story ends badly.
How else to explain my fear
my refusal to open my eyes.
The story ends badly
but without that end
there would be no place for me,
no me,
no place.

If I could write to you
I wouldn’t ask
would never ask.
But I’d want to know.
And I’d want to hold out my hand
offer a path, a way, protection.
Anything you need.
Anything to guide you home.

∞ ∞ ∞

Foremother 3: Treasure

They would have made you bind your hair.
You would have missed the good oils,
the butters.
They would have made you bind your hair,
told you it was dirty,
was ugly,
was wrong.
They would have made you bind your hair,
wrap it in rags
and made you braid and adorn theirs.

Was it the first thing you freed
when your journey ended?
Was it the first thing you freed
after you stole yourself from bondage?
Was it the first thing you freed,
letting water flow through it,
oil smooth over it?

How often in all the years since
did you run fingers through it,
glide your palm from crown to nape?
How often
did you buy a ribbon you didn’t need
a frivolous comb
a paste-jeweled circlet?
How often
did you detangle your tresses in the sunshine,
aware of that warmth
and the play of red highlights through brown?

They would have made you bind your hair
so you shook it loose
shook it wild,
unbound
every morning
every evening
every day for the rest of your freedom
the rest of your life.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

That’s not how love works, redux.

I’m gonna sit right down and write myself a letter …

Yes, almost half a month into epistolary poems. I haven’t reached that crossover point, the moment that happens a lot of the time in April when I suddenly realize I’m enjoying working with the form, even when I have so much still to learn and work through. I’m no longer feeling as if I’m in a pitched battle with the form, and that seems like for-real progress.


Unscarred, Not Unscathed
Twenty-five, power and control

I want to sit with you
on the train ride home after the first date.
Could I warn you,
convince you?
I want to say
stop, sweet girl.
That man will hurt you.
Not with his hands —
he will never strike you.
But you will be years recovering.
I am still recovering.

I want to sit with you
and tell you the sick you feel in your gut
isn’t a giddy tickle of new love.
That’s your fear response,
your body sensing a predator,
just as he scented prey
the first time you smiled at him.
I am still recovering.

I want to say
you deserve so much better
than his shaming, his belittling, his insults.
He is the story you’ll never tell anyone.
He is every cruel question,
every angry blame you’ll hurl at yourself.
I want to shield you
call out his lies.
I know you learn so much in these two years,
but your soft heart shouldn’t bear the cost.
I am still recovering.

I want to sit with you,
I want to say you are strong.
I know you will resist him,
won’t give over the total control he’ll demand,
you’ll stand and walk away when you finally see him.
And that will save your life.
I am still grateful.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

NOLA, Darling

The second trip I took with my mother was a tag-along trip. She was headed to New Orleans for a conference and invited me to share her hotel room. “I always get a double queen,” she explained, and said I should get a plane ticket and come on down. So I did. She was at work all day, but we had our nights to roam the city together, and it was pretty delightful. Because it was New Orleans and because it was my mother. And so …


Sense Memory
(or, Dreaming inside Her Dreams, 2)
Forty-eight, traveling with my mother

Is heat the secret, the magic key?
Those nights in New Orleans
unlocked new doors
slipped her back and back,
into her childhood
into memories you’d never heard before.

That first night, walking through the Quarter
searching for dinner
settling, heat-flattened
in a tiny, crowded spot.
She was tired, a little depleted
enjoying her meal but subdued.
Then she tried the bread pudding.
One taste —
her face opened.
She smiled, closed her eyes, smiled more deeply.
It wasn’t just good
it was memory.
It brought her mother to the table.
You watched her change,
leaned in as the stories began.

That night on the tram,
windows open to thicken the stifling air
both of you half conscious
the heat drawing you down, under.
Then the story began again —
her first visit to New Orleans as a child,
her aunt who lived in
working for a fancy family on the avenue.
Stories from behind the scrim,
the curtain she kept drawn over her past,
spilling one over the other,
what she knew, what she saw,
what she dreamed, what she lived.

And what you wouldn’t give
to take her back and back again
into her memories
into the stories you’d always wanted to hear.

Every night of that mid-summer trip,
both of you soft and wilted in the heat.
It let her guard slip,
let the girl of her come out
come quietly out and into your arms.
Your sweet mother,
a woman you’d never known playing behind her eyes.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

Pause for Tradition

I wrote two poems yesterday, one in keeping with this year’s NaNoWriMo theme, and the other in keeping with my April 9th tradition of writing a poem for my best-beloved niece for her birthday. This year’s poem isn’t as strong as some of the ones I’ve written for her in the past, but it has its moments.


Loving You, Like a Rock
T, turning 21

I want to write
to all of your past selves,
to every younger you
and to all the wonderful women
you are set to become.
Such a bright and delightful magic
you are in my life.
From the first time I held you
twenty-one impossible years ago.
You have always seen me —
both with a beloved’s rose-colored glasses
and clear, honest eyes.
Every version of you has been safe with me
and sacred to and savored by:
wise and smirky baby you,
wild abandon toddler you,
clever, adventurous kid you,
compassionate, progressive young adult you.
This is a love note to you all
a praise poem to who you’re growing into,
a proud, shout-from-the-rooftops,
a pep-squad cheer.
And a prayer that we can be face-to-face
in some soon-coming day
in our apocalypse world.
You give my heart light.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

Unlocking Doors

Whoo, in a much better mood than last night. Thank goodness. 🙂

Sometimes it’s just like that. You get cranky, and it is what it is. I can’t do anything to change people who get on my nerves, but I can for-sure change how I respond. Again, thank goodness.

Today I started a writing, meditation, and self-care challenge (yes, because I have soooo much time on my hands, while working more than time and trying to write these poems and keep up with the forever essay challenge … yeah). I started thinking about two vacations I took with my mother years ago and how wonderful it was to see her slide out of herself and into a woman I’d never seen before. The trips were very different, and what I saw in her was very different one trip to the next, but both pleased me enormously. So I thought I’d write today’s poem for the me who did that traveling with her. Then I realized I didn’t want to cram both trips into one poem, so I’ve pulled them apart. Tonight is the first trip, a week on the southern coast of Jamaica. Just thinking about it makes me smile.


Dreaming inside Her Dreams
Forty-seven, traveling with my mother

The first morning in Jamaica
you found her on the verandah
her eyes full of the sea
her face soft and open.
Yes, you thought. She understands now.
Yes, she said. I see what you meant.
She relaxed into the heat,
chatted up fishermen
played dominoes
drank from a coconut fresh from the tree
drank in the quiet
drank in the comfort
showed you a face you’d never seen
so still, so at ease, so beautiful.

Maybe she was the woman you would have met
had she chosen that road not taken.
You watched her, fascinated
in love
and also sad
denying that life not taken
made your life possible.
Did she give up ease to give you everything,
to give you the chance to find this place
to dream a life so different from hers?

But here, this perch above the waves
this lavender heaven,
this you can give her
can share with her
and watch her sigh and smile,
be waiting for her when she arrives
whole and happy
sun glittering through her silver curls.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020

Shimmy Like Your Sister Kate

I will probably go ahead and post the poems I wrote over the last few days. I’m annoyed to have let myself be sufficiently bothered by nonsense to stop me from keeping up with something I want to be doing. Alas, despite all the rumors, I’m actually human.

I was thinking about times when I’ve been able to shoot down La Impostora, times when I’ve gotten past her and just gotten on with the business at hand. And all of that led me to tonight’s poem. This form is still irking the mess out of me. It is what it is. I continue.


Body Roll
Thirty-seven years old, Bellydance classes

The surprise,
accepting visible vulnerability,
facing down a familiar fear.
You, God’s own rhythm-less girl,
enrolling in dance class?
You’ve always known you couldn’t move fluidly,
with grace.
You’d long since stopped dancing in public —
shame is so cruel,
closing you off from our loves, from yourself.
But you pushed past, through.
Gave yourself that freedom, that gift.

The discovery —
every movement made for you,
every movement full, round, voluptuous.
Revelation,
reintroduction to your physical self.

I stay grateful for your refusal,
rejection of doubt.
The line from that first hip circle,
that first undulation
traces through to the jigida I wear today.
That embrace of body,
embrace of self.
Finding the way home with no turning back.
You brought me here
with grace.


It’s National Poetry Month!

As I have done for the last forever, I’ve chosen a poetic form, and I’m going to try to write a poem in that form every day for the month of April. I don’t always succeed, but I always give it my best shot. This year, the form I’ve chosen is the epistolary poem — poems written in the form of an epistle or letter. They are also called verse letters and letter poems. I’ve also chosen a theme for the month. Each “letter” is going to be written to a younger me: 12-year-old me on the first day of junior high, 5-year-old me navigating the overt racism of her kindergarten class, etc.

National-Poetry-Month-2020