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I had plans for tonight, a treat. I dressed up, did my hair, was ready for a little showy fun.

But no. Work had other plans, plans that required me to stay at my desk late, later, latest. And then this storm, reminder of the dreary turn of my events, the washing out of what should have been a fun evening. Sigh.

Night Storm

And the sky cries rain
pours it down in waves, in sheets,
looking like my mood
this grey and ugly Tuesday.
And my plans are smashed
I am sour and prickly,
wishing myself done —
away from anywhere here.
Not as bad as that —
not really. The sound of rain
sings on my windows,
Makes me remember
AC singing Nora Jones
under his tin roof
his laughter making me smile.
Makes me remember
red pants, their dye running down
turning my sneakers
from cream white to fuchsia pink
bringing more laughter.
Good to recall other storms,
changes in old plans,
that the storm isn’t to blame.
Good to remember
these other moments, laughter,
possibilities.
Good to remember myself,
sitting quiet, listening.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



 

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Ode to My Hair

Every kinky curl,
every twist and bantu knot,
every minute of
co-washing or detangling,
every hour tucked
in heat cap or satin wrap,
every braid-out and up-do,
every afro-puff,
every pack of Marley hair,
every wide-tooth comb,
every faux tortoise shell pin,
every bad hair day
that looked good on the outside,
every long, long night
with a head of curlformers,
every month’s length check,
discovering cleansing clay,
that first successful
twist and curl — HALLELUJAH! —
first henna treatment,
and YouTube tutorial.

My excellent mane,
most glorious crown of curls,
gives me daily strength,
earns smiles, nods, compliments —
wraps tight coils ’round my heart.

(Obviously, I pronounce “every” like “ev’ry” … I don’t know if that’s actually standard or just “Stacie standard,” but there it is. Hmm … and “coil” is a 2-syllable word in my head. Funny the things you notice about how you say things when you have to pay attention to syllable counts!)

Not an “ode” exactly, but maybe “ode-adjacent.” And silly.

Last night’s bad news has already been turned upside down, so I’m glad I didn’t spend over-long fussing and fuming about it. On to the next!

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



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April 1st was the 24 Hour Project. I had the pleasure of participating with my IRL and blog friend, Raivenne. We met up in a cold, rainy, windy Times Square and set off. Our first stop was to buy a hat for ridiculous me who’d left hers home and forgotten to zip the hood onto her coat. Can you say “foolish”? Once I was properly hatted, we were ready.

My Saturday had other plans crammed into it: a Girls Write Now genre workshop with my mentee, a friend date for lunch with some VONA loves I hadn’t seen in forever, and a coworker’s improv show. All of it found its way into the Project, my picture of my city for one day in this year.

As I did both of the last years, I wrote mini stories for nearly every photo I posted. It’s what did when I first started on Instagram, use my photos like Duane Michals, like prompts, illustrations. I’ve gotten a little rusty, though. I had a hard time calling stories out of the ether this time. I’ll need to stay in practice so next year’s Project is easier.

Yes, I’m already thinking about next year. I hope Raivenne’s ready!

And now, without further ado, here are the pictures and stories.

This slideshow requires JavaScript.

Spinning Yarns

I tell stories, lies,
made up worlds, dramas, joys.
Characters light up,
dance their tales across the page,
show me where to turn,
how to tell, what’s next to show.
Living in moments,
flashes of bright narrative
gleaming, line by line …
on to the next and again.
A new story. Keep spinning.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.

(Also, Raivenne wrote an arun! It’s not her first one, but I’m always surprised to happen upon one, out there in the wild, off the tip of someone else’s pen. I made a form!)



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I stopped watching Scandal early-ish in Season 5. I was so tired, and it was so convoluted and conniving, and I just didn’t have the energy.

Then last week I went back. The new season is on and I wanted to be able to peek in and understand where everyone was and how they got there. So I went to Netflix and slid into Season 5. From the top.

And you know? Never mind that it’s still convoluted and conniving and crazy and cringe-worthy and all the other alliterative descriptors I might think to use. Never mind that I can’t stand Fitz and have never found that man – the character or the actor, but so particularly the character – attractive. Never mind that even Olivia turns me off and annoys the crap out of me most of the time. Never mind all of that. I need to be watching Scandal, desperately need what this show is giving me.

How have I never noticed the music? How have I managed to watch four seasons and never notice the music? Where have my ears been? This show – which should come as no surprise – is so Black. But sooo Black. Powerfully, unashamedly, doggedly, determinedly. If it had a theme song, it would have to be the fabulously nonsensical yet bizarrely affirming “I’m Black,Y’all.”

And it’s not because Kerry Washington as Olivia Pope is the primary character, although yes, she’s part of it. And Joe Morton as Papa Pope is part of it – he is, after all, everyone’s favorite Brother from Another Planet. But the Popes are barely in the real world, certainly not anywhere near what my real world looks and feels and smells like. They are definitely Black, but they don’t make the show Black. No. For me, all that unapologetic Blackness is in the music. The soundtrack to Season 5 is a glorious celebration of Black music as Black voice, Black mood, Black conscience … and I am so here for it.

Maybe I never noticed this before because I didn’t need it as much in the past as I do in this moment. Maybe I stopped watching in part because I was getting further and further away from Pope-world and the cognitive dissonance was too much for me. And, while I’m still plenty far from Pope-world today, I need to dive in anyway, need to gather as much Blackness around me as possible. So I was drawn back to the show … and found my heart and soul waiting for me there, the running conversation under the scenes.

Just so you know:

  • You Got the Love — Rufus (yes, featuring Chaka Khan)
  • Got to Be Real — Cheryl Lynn
  • Do Right Woman, Do Right Man — Aretha Franklin
  • How Do You Keep the Music Playing — James Ingram and Patti Austin
  • You’re All I Need to Get By — Aretha Franklin
  • Signed, Sealed, Delivered (I’m Yours) — Stevie Wonder

That’s just in the tiniest toe of a dip into the first four episodes, people! So 👏 damn 👏 black 👏.

On Sunday I went to a meeting of an anti-racist group. It was a meeting only for the POC members of the group. They meet monthly, and I’ve been wanting to go for a while, but Sunday was the first time my schedule allowed it.

And then I woke up Sunday, and the weather was awful: iced-over snowy rain and so cold! I didn’t want to leave my cozy apartment, and certainly not to head downtown to a meeting place right by the river!

But the chance to sit in community with a group of POC working for social justice and equity was too great a lure. I got my act together and got myself to DUMBO.

Thank goodness, too. Those two hours were fresh air. I could be as serious, silly, snarky, angry, frustrated, amused, or sad as I wanted, and no one expected me to explain, defend, modulate, or disappear my feelings. I could just have them.

And so I gathered a little more Blackness to me, wrapped myself in it as I would a fleece and mink blanket. Blackness — POC-ness — is the balm for my head and heart these days. I’m not closing doors on white folks. Can’t afford anything like that. There’s too much work to be done.

There is so much work. And I won’t get any of it done if I don’t look out for myself, find ways to take care of myself. I need to remember my sanctuary spaces, need to find myself some peace, need to put some shine on all the Blackness, all the big, bold, bodacious, brazen, blackety, black Blackness. Those alliterative descriptors are set to become my new mantra.

Time to slip back in. Nina Simone, Gil Scott Heron, and more Aretha on deck. Shonda clearly has my back in this fight.

“I’m black y’all, and I’m black y’all
and I’m blackety black, and I’m black y’all …”


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In 2017, I’ve committed to writing an essay a week.

It’s not too late to join if you’re feeling ambitious! Check out Vanessa Mártir’s blog to find out how!

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… so did Snow White. And so do I.

I am allergic to apples. I have been forever. I love apples. What’s not to love about them? Their crispness is a delight. Their juice is so sweet. They’re so good with cheese. They’re so good with peanut butter. They make excellent PIE.

They also make my lips swell and my gums burn and my jaw ache.

It’s not just apples. The list is long: carrots, cherries, peaches, pears, nectarines, plums, hazelnuts, walnuts, figs, apricots, green beans. Yes. Some of these are worse than others. Cherries are particularly painful. Walnuts make it hard for me to breathe. And some things have fallen off the list. I used to be allergic to almonds, but that seems to have faded. I eat almonds now without pain and suffering or anaphylactic shock.

Thank heavens this allergy doesn’t extend to watermelon, pomegranates, and mangoes!

I respect my allergy, but come on — we’re talking about apples, peaches, nectarines, plums … am I really expected to never eat them? That would just be cruel. So I continue to eat most of the things on that list, just in as much moderation as I can manage. (And I have an epi-pen prescription.)

Tonight I learned, for the first time, where all this itchy swelling comes from. Apparently — well, according to this totally random website that I’ve backed up with zero research — I am allergic to birch pollen, and I have Oral Allergy Syndrome! Who knew? I just thought I was an unfortunate freak who couldn’t eat a bunch of delicious things unless she was prepared to suffer.

How do I know it’s birch pollen, you ask? Because there’s a handy chart that lists the foods connected to the various allergens:

oas-chart

Happily, I’m not allergic to all the foods listed in the birch/alder category … and praise be that I’m not allergic to ragweed or mugwort! It’s interesting to me that strawberries and peanuts are on the birch/alder list. Whenever people learn that I’m allergic to apples, they always ask if I’m allergic to peanuts and strawberries. I’m not (just knocked wood). And, allergic to spices? That has to suck. Maybe almost as bad as an allergy to apples.


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I saw a woman harassed and frightened by a man. I was too far away to do anything about it. I wasn’t sure what I was seeing until it was almost over. It was a crowded A train during morning rush hour. I had only just managed to squeeze myself onto the car. I wasn’t looking at people around me, was mostly thinking ahead to the meeting I was headed for. As we pulled into Hoyt-Schermerhorn, I focused. I’d been kind of staring off ahead, not really looking at anything.

At that moment I focused and saw a man, maybe close to my height (5’10”), stocky, doing some kind of bob-and-weave movement. He was about a third of the length of the train car away from where I was sandwiched in, but I could clearly see his weird bob and weave. I looked closer. He was bobbing and weaving into and away from the face of a woman. She was small, maybe five-foot-two or three. She was slight, not waif-slight, but very slender.

I stared at them for a few seconds, trying to tell if they were together. Had I seen the man’s face, I would have known they were definitely not together because when he turned around as the train pulled out of the station, the man’s face gave him away — he looked unstable, looked unkempt … not like a homeless person but like a madman who didn’t waste time pulling his look together.

But I hadn’t seen his face yet. I just saw him diving in and out of the woman’s face. I watched him for several seconds that felt a lot longer. By the time I registered that something was deeply wrong with what was happening, the woman had removed herself from the space, had ducked under the arm of the person on her other side and moved down the car. She was so small, I lost sight of her immediately in the crowded space. That was when her harasser turned around, when I saw that, whatever he’d been doing, it couldn’t have been pleasant for that woman. I would never want that man’s face anywhere near mine.

He turned and started talking to the people around him. Not like excusing his actions, but like bragging. He looked quite proud and pleased with himself, as if scaring that woman was a kind of triumph for him, and I guess it was. I couldn’t hear anything he said. It was loud on the train, and he was quiet, talking for the people directly near him, not for all of us. The train pulled into Jay Street, he took a seat and that was that.

But that wasn’t that. Couldn’t possibly ever really be that.

I was so angry. Angry at him, sure. Of course. More, I was angry at all of the people in that section of the train. I’ll grant that the man’s appearance was unsettling. I wouldn’t have considered it a small thing to confront him. But he was menacing someone. He was all up in that woman’s face, up in the face of a person who was small both in height and size. He was taking pleasure in frightening her — because that was the first thing I saw when he turned around, his big, I’m-the-man smile. He was having a great time ruining that woman’s commute, and maybe her whole day, maybe her week — who knows what that incident may have triggered for her? He was having a great time … and not one person thought of a way to do anything to stop him, to shield her, to defuse the situation.

Everyone stayed in their books and newspapers, stayed on their phones. Everyone chose to ignore what was happening right beside them. When the woman saw her chance to squeeze through the crowd to get free, she moved past the man standing beside her. He was tall and had one arm stretched out to hold the overhead rail. She ducked under his arm, and he bowed his body to make a little more room for her to pass … and then he held that position a moment longer, as if giving the harasser a chance to pass, too. He was prepared to facilitate the woman’s continued abuse by making way for her abuser. WTF? True, he hadn’t tried to help the woman at all, but simply straightening his body, putting a barrier between the woman and the man, would have at least been a protective gesture. Nope. No protection there.

I don’t know what I want from people, what I expect. I’ve had my own experiences with people on the street or the train not coming to my aid. I know it’s easier and certainly feels safer to stay out of a charged and troubling situation. But seeing this moment on the train really upset me. How can you stand next to someone who is being terrorized and do nothing? I was too far away and too tightly packed against other riders to do more than witness. I have no idea what I would have done if I’d been standing closer, but I would have done something. Some thing.

That’s easy to say, of course. But I have receipts. I’ve intervened between abusive men and their partners in the past. I’ve called out harassers on the train, even used some low-grade violence once, though I don’t recommend that. Confrontation isn’t a thing I make a habit of, but it has happened. There seemed to be something wrong with that man, but that doesn’t mean he couldn’t have been stopped, couldn’t have been made to back off.

Full disclosure: a big part of my surprise is because the woman was white, and the man harassing her was Black. Our raison d’etre as a country is to stand up for the safety and honot of white women … especially in the face of a threat from a Black man. And yet no one stepped up for this woman.

But just on the level of basic human decency, I don’t understand what I saw on that train. Do not understand.

This morning I was at a conference and heard NYC Public Advocate Letitia James reframe Michelle Obama’s line, saying: “When they go low, we need to get loud.” She was talking about the opposition (the Resistance) being big enough, forceful enough to “drown out the noise” of harmful policies and ill-conceived decisions (hey, I’m trying to be generous).

I get what she’s saying. It makes perfect sense. But how does that happen, exactly? Where is this solidarity and readiness for the fight supposed to come from when we don’t care enough about one another as individuals to step up when the person next to us is in danger?

People knitted pink hats and came out in the hundreds of thousands for the Women’s March. They felt like, and were, a giant mass of “No!” directed at THOTUS¹. And yet, for all that sisterhood and comradery, there was also silencing, erasure, and exclusion.

Am I wrong to see a connection here? Empathy is going to be central to the success of whatever fightback is strong enough to carry us forward. If we can’t care enough for the woman standing beside us, how are we supposed to be standard-bearers for refugees we’ll never see, Palestinians losing their land in a place we’ll never visit, women denied reproductive care in nations we erase when we think of their continent as a country, Black bodies left in the street for hours?

But then I think about the people who came out for Muslims travelers over the weekend. They put out calls for lawyers, brought supplies, came out and stayed out. They stepped up. They gave me some hope.

I still don’t understand what I saw on the train. It’s just not okay to ignore someone in distress. Not okay.

And I can’t help but believe it’s these small acts of brave kindness and compassion that will help us feel strong enough, able enough to step up in bigger ways. Because we’re going to need to do that. We’re going to have to take risks, put ourselves in harm’s way. We’re going to have to stop pretending not to see what’s right in front of us.

We have to do that for strangers on the train, and we have to do it for this nation of strangers that has never needed us more than it does now.

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In 2017, I’ve committed to writing an essay a week.

It’s not too late to join if you’re feeling ambitious! Check out Vanessa Mártir’s blog to find out how!

__________
¹ Titular Head oThese United States


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I write a lot about racism. And by “a lot” I mean A LOT. And I’ve been doing it for years. Anyone who knows my work knows this, or should know it, would know it if they’d been paying the least little bit of attention.

Since November 8th, much of my writing has had the same message, a message that has made some folks accuse me of being a racist: namely, that you, white people: you are responsible for THOTUS¹. You sided with the Klan, took up the cause of the neo Nazis, voted in a hateful, racist, misogynist, xenophobic, islamophobic, isolationist, elitist government. The who-voted-how numbers tell the tale quite plainly. White men went for THOTUS in droves. And more than half of white women followed.

I kept posting from the heart of my anger, telling white folks to take responsibility for the apocalypse-world they ushered in, telling them to come get their people and start doing the work of eradicating the deeply ingrained racism that is the poisoned lifeblood of this country, work they should have been doing all along.

Surprise! Some people didn’t like what I had to say. Some people felt saddened or angered or attacked by my posts. And I got a lot of pushback saying their feelings were hurt by my “come get your people” demand.

I was caught off guard – not so much by the fact that anyone was hurt, but by the fact that a lot of anyones were hurt. If only a few people had contacted me, I might have seen them as anomalies. But I had more than a dozen emails, a handful of private messages, and a bunch of responses to FB posts – they ranged from sad to offended to passionately self-defensive to curt. Clearly there was something I should take a closer look at.

So I looked. But you know what? I’m not wrong. White people decided this election. Full stop.

Yes, I know. Not all white people. Ob.vi.ous.ly. I never said all-a y’all voted for him. No. What I said was that all-a y’all are responsible. What I said was that white people need to come get their people, need to start doing the hard work. And that’s what I meant.

I get it, the offense. I’ve written plenty about racism, but those other times were easier for my white friends and readers. They could see themselves as separate from the “bad” white people I chastised in those posts, remain comfortable in the knowledge that they were “good” white people. But in my writing since the election, there hasn’t been any room for white folks to hold themselves above the fray. The things I’ve written are the first time I’ve come for white people as a group, a monolith. And being seen as a whole group rather than as individuals makes a lot of people uncomfortable.

Fine. by. me. I’m not interested in anyone’s comfort, or at least not yours. It’s your comfort that made it possible for the election to turn out the way it did. It’s your comfort that enabled you to talk only to friends and family who agreed with you about the issues, who never said anything that rippled the quiet, happy waters of agreement that kept you buoyed and confident. It’s your comfort that kept you from giving credence to the number and socioeconomic diversity of people clearly enamored of THOTUS. Y’all been too damn comfortable for too damn long.

I know. On November 8th you cried. On November 9th you cried. How could the world have betrayed you like this? How could it be possible for that man to win the election?

Yes, you cried. But you know what? I’ve been crying, too … for years. Where’ve you been? You never noticed, never bothered to look, never bothered to care.

And I don’t mean the old-timey crying – when you kidnapped me and forced me into enslavement on your plantations and in your homes, when you sold my children away from me, when you raped and beat and killed me, when you lynched me for sport, when you refused to educate me, when you kept me from moving into better neighborhoods and better jobs … or any of the other ways this list could go on and on.

No, I mean in my own life. I mean the little ways you’ve cut and slapped me, made sure I knew I was “other.” I mean 8th grade when you took hold of my arm and rubbed hard enough to break the skin and then looked at me, puzzled, asking why none of the dirt would come off. I mean that time after college when you fixed me up with a guy from your job who you thought would be perfect for me – he was Black, after all – but you didn’t bother to tell him anything about me, not even the simple fact that I, too, am Black. If you had, he could’ve said to you instead of me that he didn’t date Black women because he found us uncontrollable and disrespectful. I mean every time I tried to tell you about some large-scale manifestation of discrimination, and instead of hearing me, you told me to calm down, to not be so angry. Instead of hearing me, you told me about some time when you, as a white person, had been a victim of reverse racism.

And I mean this moment in my own life. In the bigger ways you’ve let me down and broken my heart. Civil rights activist Johnetta Elzie says it so powerfully in her poem, “Where were you?

Where were you when the media called us “thugs” for protesting?

When I stood outside on those hot summer days, and needed ice water? 

Or a back rub?

Or someone to talk to?

Why weren’t you standing with me?

Where the hell were you?

Where were you when we asked you to #SayHerName?

When Rekia Boyd was killed while playing at the park with her friends?

When Tanisha Anderson, Sandra Bland, Shantel Davis, and others died at the hands of police, with little media attention?

When our trans sisters — Brandi Bledsoe, Rae’Lynn Thomas, Dee

Whigham — were also murdered and also forgotten? 

Where were you?

If you can answer at least one of the questions here, answer me this: We’ve been marching for years — where the hell have all of you been?

Exactly right. Do you see it now? You have been making me cry since the day we met. And you’ve never noticed.

But you want me to pay attention to your tears, need me to understand how my statement of facts is painful to you, how it makes you uncomfortable. You want me to apologize.

Nope. No more. I’m over coddling you. Over biting my tongue when I need to call you out. Over swallowing my anger and hurt when you slap me down with your unconscious bias. Done.

Instead, I’ll be pulling on a brightly colored bathing suit, goggles, a nose plug. I’ll be doing that weird, arm-flailing body-slap Phelps does before a race. And I’ll be diving into an Olympic-sized pool filled to overflow with your tears.

A friend sent me Leah Roberts Peterson’s Facebook note. She wrote it after Saturday’s march, wrote it to her white sisters who had just stepped up in their pink pussy hats of solidarity but who were feeling attacked by questions and comments from women of color. She wrote:

The best thing you can do is take in all those feelings coming from our sisters who are hurting and angry and OWN IT. Remind yourself that yes, you’re trying because THIS is how they feel. You’re doing what you’re doing because it’s RIGHT and it’s how humans with empathy and sympathy and a working heart should live their lives once they figure it out. Not because all the Black women are going to magically start appreciating you. They owe you NOTHING. Mark the date on your calendar when you’ve got as many days under your belt being awake as you did being asleep, and then, maybe, start being a tiny bit impatient when others don’t recognize your efforts. My own date is June 17, 2061. I will be 91.

I tell you this with sincere love in my heart because I KNOW you’re trying. Sit in the discomfort of these moments. It’s ok to not feel comfortable. That’s how lots of people around the world live their lives every single day. Comfort is not our goal. Equality is. ❤

Oh, I am so here for this. When I talk about white fragility and you respond by dm-ing me how that term is divisive and hurtful … know that you’re flat out exhibiting A-grade fragility right there. When I talk about how the safety pins make me feel so much “Meh,” and you tell me I should be happy people are making an effort … just … no. Don’t do that.

When you say these tone-policing, silencing things, I respond as kindly as I can because I’m interested in keeping dialogue going, keeping lines of communication open, because I know and care about you. But I need you to take a moment, think about how microaggressive some of your comments are, think about how much your comments are really asking me to shut up and be grateful, to give you a cookie in appreciation for all your hard work on my behalf.

Yeah. What Imma need is for you to think about what’s making you uncomfortable and examine your discomfort before you come for me. Thank you.

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In 2017, I’ve committed to writing an essay a week.

It’s not too late to join if you’re feeling ambitious! Check out Vanessa Mártir’s blog to find out how!

__________
¹ Titular Head oThese United States


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