Fat Talk: Fit-Modeling and Clothes-Shopping while Fat

My dear friend Lisa (who you can find at satsumabug.com) sent me a note about a shop looking for plus-sized fit models. I emailed back and forth with the shop and decided to take myself up there and try on their clothes.

It could be a fun thing to do, but mostly I was incredibly nervous. Did these women know anything about plus sizes? Did they know anything about being fat and what clothes shopping can be like for fat folks? Was their idea of “plus-sized” really not “plus” at all (I see all you, shops that have the audacity to call an 18 a 3X)? How would they address my body?

So many questions. So many things to worry about.

Clothes-shopping-while-fat can be fine. It can also be a nightmare. There are over-perky sales people who talk to you as if you’re painfully dim-witted as they try to tell you all the parts of your body you should be trying to hide, all the ways you shouldn’t show yourself in public. There are the sister-girl salespeople who think you need to be told you’re smoking hot every five seconds if you have any hope of feeling good about yourself. There are the clothes, abundant in sizes 14 to 20 … and then scarce, scarcer, scarcest the farther up the numbers you go. There are the clothes in your size that are always buried behind every other thing like undesirables that must be hidden.

There are the clothes-makers and their inability to understand body differences. There is a universal belief among manufacturers of clothes for us fatties: we all have the exact same shape. Depending on the company, the belief is that we are all shaped like Marilyn Monroe writ large, or we’re all shaped like fireplugs. Fireplugs win out most often.

Meanwhile, what is true is that none of us are shaped like fireplugs. And, even for those of us with hourglass figures, it’s not as simple as just sizing up from a thin hourglass. Also, we fat folk (hint: like all folk) come in more than two basic shapes. It is possible to be both tall and fat. It is possible to be fat and have a flat butt. It is possible to be fat and not need armholes that open to our waists. It is possible to be fat and have small breasts. It is, let me just say as plainly as I can, possible to be fat in MANY different ways. MANY. MANY.

And yet the clothes are made in basically two ways. I have no idea if non-fat people have this problem. It’s likely they do. It’s also likely, however, that it’s less pronounced because there are so many more places where non-fat people can find clothes in their size, so they have a better chance of finding things that will work for their bodies.

And then, of course, there are the prices. There is the obscenity of having to pay more – a lot more in some cases – for the same items non-fat people buy. Having to pay more for what are often poorly made clothes, for clothes that don’t fit us properly because they’re made for some version of a fat body that isn’t ours.

It’s a lot. Trust me that this is only the briefest description of what clothes shopping can be when your body doesn’t conform to society’s beauty standards.

_____

So I set off on my adventure and rode uptown. I walked into the shop and smiled at the beautiful young woman who smiled at and greeted me. And then at the young woman who came out from the back when she heard me say my name. They were both warm, and neither did a spit take at the sight of me, so I figured that might bode well for what the experience would be like. I took off my coat.

Young Woman #1 (YW1) was working with a customer, so she turned back to her. YW2 and I chatted for a moment: what size did I wear, where did I usually shop, do I have any favorite brands … And then she brought out the samples. One was green, the other red. To my great pleasure, she had me try on the red. Both were beautiful colors and patterns, but the red was just a little more stunning and fab, a little more yes-yes-a-thousand-times-yes than the green.

I slipped my arms in. I buttoned up. I turned to look in the full-wall mirror … and I loved it.

Oh, sure, there were little problems here and there. YW2 and I went through them in detail so she could understand how the pattern should be changed. We went through the flaws, but, even as I nit picked about one thing or another, all I could think was how much I loved the dress, how I could already see myself wearing it, how much I didn’t want to take it off and give it back.

We went over more details about the dress, and I kept loving everything about it. Finally we were done, and I slipped it off and handed it back to YW2.

This was definitely not a typical CSWF (clothes-shopping-while-fat) experience. I had talked easily and comfortably about my sizes and what parts of me are hardest to fit. I had let YW2 put her hands on me without tensing up or pulling away. YW2 had talked to me about the look and fit of the dress in a way that didn’t condescend or artificially inflate. No one – YW1, YW2, the other customer – behaved as if my looking good in the dress was shocking or anything other than entirely normal and expected.

That experience definitely ties for first place with the one other truly lovely CSWF experience I’ve had. Yes, that’s right: I am a middle-aged woman who’s been fat since early high school … and I’ve had exactly one great clothes-shopping experience before this fit-modelling moment. That is a true statement. That is how bad it can be out here in these sartorial streets for us fatties.

To be clear. This experience wasn’t great simply because I liked the dress and looked good in it, though that certainly helped. No. I find clothes I like and clothes that mostly fit me quite often. I’ve even had plenty of entirely wonderful clothing finds. (Do not get me started on the day I tried on my first Christian Siriano dress. Do NOT.) This experience was special because of how I was allowed to experience it, because of how I was treated, because of how I was seen and valued, because of how I was treated respectfully and not like someone’s dirty secret.

The experience was special because it was a reminder of how simple CSWF can be, of how easy it is to just treat people like people and provide quality service.

I’ve gotten good at CSWF. I can deflect unwanted sales help quickly and deftly. I am easily able to ask for whatever I need to make my shopping experience work well for me. I also do a fair amount of shopping online … for the convenience of having things I want show up at my door, and to spare myself CSWF foolishness.

While it’s true that designers of large-sized clothes need fat fit models so they can make their designs with actual women’s bodies in mind, they aren’t the only ones who would benefit from this service.

I want store staff to go through a training with a fat fit model, want them to have to work with that mock customer until they can get through a full sales process without fat-shaming, without saying one offensive or irksomely insincere, perky thing.

I would take on that fit-model job. Not because my skin is thick enough to handle the fat-phobic nonsense – although I think it is – but because I would enjoy getting to school people on all the ways they aren’t getting their pitch right.

“Let me stop you right there, Marny,” I can imagine myself saying. “You shouldn’t assume there is any part of my body that I want to hide. I’m fat, and however “slimming” or “camouflaging” you want to think this outfit is, everyone will see that I am fat. You need to talk to me about how well it fits, how comfortable and intelligently made it is, how good I look in it.”

“Hold up, Tiffany, it’s not at all helpful for you to bring me clothes that are a size too large. Wearing things that hand awkwardly off my body because they’re too big isn’t flattering, it’s annoying. You have clothes in sizes that fit me. Your job is to help me find them, not to try covering me in a tent.”

Of course, I am only one size and style of fat woman. I don’t want designers and stores to exchange one fat body idea for another. I want the idea of what is a fat body to diversify, to encompass as many types of bodies as we have. Yes, this sales training would need a whole team of willing fatties to really get the job done.

AS much as I love the idea, I’m pretty sure this program wouldn’t work, however, no matter how many fat shoppers were up for the challenge, no matter how many sales staff were trained. It would be about as successful as the single-day racial bias training Starbucks is gearing up for will be. Well-meaning, but one day of real talk can’t undo a lifetime of programming. Not about race and not about fatphobia.

_____

The almost-end of this story is that I took off the dress, YW1 and YW2 thanked me for helping them, and I left.

The real almost-end of this story is that I couldn’t stop thinking about the dress and emailed to suggest that I should be given said fabulous item, that it would be good for the store because I would get a lot of compliments and would talk up the shop every time that happened. It was a pretty brazen email. I don’t know who I was in that moment!

But it worked! I got a reply right away saying the dress was mine! As a friend said when I told her about it, “If you don’t ask, you don’t get.” Can’t deny the truth there.

So, the actual-end to this story came yesterday, when I wore this lovely dress out in the world. The weather didn’t much cooperate before now, and then I had a big work event on my schedule, so I saved the debut for that. And here I am at the end of the day (photo cropped so you don’t see the stacks of still-unpacked boxes that are the primary décor in my apartment!), a totally happy camper:

Zuri dress

It’s as if I’m wearing a coral reef! And yes, it has pockets! The dress is from Zuri. I don’t think the plus sizes are out yet, but the smaller sizes are there for the having. Plus sizes — up to 3X — should be available late spring/early summer.



One in a series of essays inspired by Roxane Gay’s, Hunger.
If you haven’t read my ground rules, please take a look before commenting. You can find all of the essays in this series under the Fat Talk tab. Thank you.

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In 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I didn’t complete 52 essays by year’s end, but I did write like crazy, more in 2017 than in 2015 and 2016 combined! I’ve decided to keep working on personal essays, keep at this #GriotGrind. If you’d care to join in, it’s never too late! You can find our group on FB: #52Essays Next Wave.

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Yes, we have no ageism today.

I stopped at a bodega on my way home tonight. The man behind the counter asked me some silly question, and my answer let him know that women my age don’t get up to such nonsense. He looked stricken.

“Dear lady,” he said, “don’t say that. You are beautiful. Believe me.”*

???

Because you know, in my book, my being middle-aged does not in any way impact the fact of my beauty. I told him as much, said I was well aware that I’m beautiful, that I had simply been pointing out that I am also old.

Again, he had the stricken face, told me not to speak so harshly about myself.

“No,” I said. “This isn’t harsh. I embrace every minute of my age. I am totally fine with being exactly the age I am.”

He just stared at me. He couldn’t process my comfort with myself, so he gave me three bananas for free. Seriously. He insisted I take them.

This is all ridiculous, of course. Both his part in this conversation and mine. I’m sad for him that he equates age with loss of beauty. But it’s also true that a large part of my comfort with my age is the fact that I know I don’t actually look my age. If I were truly comfortable, I’d say goodbye to my henna and let my silver tresses glisten in the sun. I don’t. (I thought I’d do it when I turned 50. Now I’m telling myself I should wait until I’m 60. Yeah, we’ll see what happens.)

___
* Also, no one can really use that “Believe me” anymore, can they? Now that Trump says it to punctuate every bit of bullshit he spews, it no longer has any meaning. I hear that and the first thing that comes to mind is: “Believe you? Are you kidding?”

(And also, I hope you see what I did there with my title and the free fruit …)


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Dignity and Equality

Something that seems to be true as I read news articles to find my source texts for these erasure poems is that I am increasingly critical of and disappointed with the writing of the news. Today I was annoyed and angered by what felt lazy, seemed precious and coy. The Times editorial board wrote a piece about the attack on voting rights and how we’re in a perfect moment for the Supreme Court to do something about it.

For real? For real? A Supreme Court that is led by a man whose early career was dedicated to the dismantling of the Voting Rights Act and who had the gall in the Shelby decision to claim that we as a country had changed so dramatically that we no longer needed to hold states accountable for their discriminatory voting rights laws and procedures? That Supreme Court?

The Case for Dignity and Equality
(An erasure of Times editorial on the Supreme Court, racism, and voting rights)

African-Americans
are determined to be people.
A fact, evident
in the fight for voting rights.
The history of the United States
is the history of white people devising ways
to keep Black people from casting a ballot.
Disenfranchisement,
silencing the foundation for political action,
fundamental of all privileges of democracy —
to protect white power.

In the resurgence of overt racism and white nationalism,
Republican lawmakers make voting harder for minorities.
Redistricting and disenfranchisement — justified on race-neutral grounds —
targeted Black voters.
The insidious legacy of the Shelby decision:
free rein to discriminate.
The Supreme Court has willful blindness
and let discrimination flourish.

America was an apartheid state
in living memory.
Fact.
A dangerous notion.

I’m still struggling with this form, in addition to discovering my displeasure at the writing of the news. It’s only day three, and already I am cranky as hell. Sigh. Maybe I need to change the kind of articles I’m using as source text? I don’t know. We’ll see how tomorrow shapes up.


It’s National Poetry Month! Every year, I choose a specific form and try to write a poem a day in that form. This year, I am trying erasure poems and I want to use news articles as my source texts. I’ve practiced a few times, and it’s already feeling difficult! We’ll see how it goes.

Here’s an edited version of the Wiki definition of this form:

Erasure Poetry: a form of found poetry created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. Erasure is a way to give an existing piece of writing a new set of meanings, questions, or suggestions. It lessens the trace of authorship but requires purposeful decision making. What does one want done to the original text? Does a gesture celebrate, denigrate, subvert, or efface the source completely? One can erase intuitively by focusing on musical and thematic elements or systematically by following a specific process regardless of the outcome.

Also, Robert Lee Brewer at Writer’s Digest has some good points to add about ethics and plagiarism:

Quick note on ethics: There is a line to be drawn between erasure poems and plagiarism. If you’re not erasing more than 50% of the text, then I’d argue you’re not making enough critical decisions to create a new piece of art. Further, it’s always good form to credit the original source for your erasures.

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Un Rêve Parisien

In the wee small hours of Monday morning, I dreamed this wonderful, crazy dream:

I was in Paris, and I was with Lisa Ko. We were walking along the Seine, and decided to scale a building — one we had apparently scaled once before, back when I was in my 20s. We wanted to get to someplace on the top floor, no idea why we didn’t just go inside and up the stairs. We climbed the façade, then had to shimmy along a ridiculously narrow ledge the full length of the building. We reached the uppermost corner and had to go up and around it. There were decorative touches to the architecture that made crossing it hard — weird bits poking out that should have made good foot and handholds, except they were made of wood instead of stone, and they were frighteningly rickety. Lisa was behind me, giving me encouragement, but I was terrified. I made it about halfway then froze because the next several decorations moved when I tested them, and I knew they wouldn’t support me. Lisa was really good at giving me a pep talk, but I was still convinced I was going to fall. Finally, I decided to just go for it, that if the decorations had withstood big storms, surely they’d withstand me. [Writing this, it’s so clear how much sense that doesn’t make! My logic was that the storms had to have had at least 100 mph winds … first, I doubt Paris has had a single storm like that, let alone many … and, too, I weigh a good deal more than a hundred pounds, so how would any of those storms have been relevant?] I told Lisa that, if I died, I wanted her to “tell everyone I love them,” and then I started up the last bit, which turned out to be quite simple: I swung my leg up over the top of the corner — bypassing the scary bits entirely — and pulled myself over to slide down the smooth back side onto a much wider ledge. Lisa came over easily — despite the fact that she was wearing six-inch metallic gold platform heels! — and together we came down from the ledge and directly into someone’s apartment. Lisa looked a little sheepish and said, “We should probably get some writing done,” and I agreed. But first, she said, we should get some food. She led the way through the beautiful apartment to the great room. there were people at the dining table — a young woman and a teen-aged boy — and an elderly and middle-aged woman in the kitchen. The middle-aged woman was dishing up food while the older woman watched. Lisa went up and took a seat at the breakfast bar, and the woman put a plate in front of her. “Jay’s mother always feeds everyone,” Lisa explained, and that was when I realized the woman was Jay-Z’s m other. She put a serving of deep, green, delicious-looking cucumber soup into a tall plastic cup and set it beside Lisa’s plate then started on my plate. The older woman leaned over to read the side of the cup, which said: “Happy birthday, Bitch,” then looked at Jay-Z’s mom and asked, “Are you the bitch?” And Jay-Z’s mom nodded and said, “That’s right.”

And then I woke up.

I find this dream supercalifragilisticexpialidociously fabulous for a few reasons:

  1. I love that I was in Paris. I haven’t been in many years, so it was a lovely gift from my subconscious to suddenly be on the streets (and the façades!) of that city.
  2. I love that I was traveling with Lisa of all people. It’s true that we’ve been on a trip together once before and are planning a trip for early 2018, but nothing so grand as spontaneous wall-climbing in Paris!
  3. I love my subconscious’ decision to make Jay-Z’s mother so generous and welcoming. Other than the fact that she’s Jay-Z’s mom, I don’t know a single thing about Jay-Z’s mom — not even her name — so her appearance in my dream is both wonderful and hilarious.
  4. I love Lisa’s six-inch heels and here ability to scale that wall while wearing them. Lisa is fabulously talented, but I had no idea how for and in which directions her talents would manifest!
  5. I also love how patient and supportive she was when I was afraid to start the last piece of the climb. I generally tend not to tell people when I’m afraid of something, and don’t often ask for or admit the need for help (yes, that’s a problem, and it’s on the “Work on This!” list). So that moment in the dream was a nice illustration of what it can be like to let your friends step in and be your friends and help or encourage or support you when you need it.
  6. I love that, even in the dream world, Lisa – who is one of my writing accountability buddies – was still thinking about writing, and reminding me that I should be doing more of it!
  7. I love that the food that made the deepest impression on me was the cucumber soup. It was so green and pretty, and I just knew it would be cool and clear and tart and yummy.

One of the things I love the most is that I tried to encourage myself to remember this dream. Someone recently told me that if, as you’re falling asleep, you tell yourself to remember your dreams, you have a better chance of remembering. I don’t know why that would ever be true, but why not, right? So I said that to myself a few times as I was drifting off … and here I am, recounting this wacky dream. Obviously, I’ll be trying that again!

The other thing I love most is that being able to remember the dream also means being able to see all the places where my conscious self steps in to mess with whatever’s happening in the dream. Because I’m a lucid dreamer.

I’ve written a few times about my dreams and specifically about lucid dreaming. I got interesting in studying lucid dreaming … but then I got busy and tired and captivated by something else. So I didn’t do much study. I’ve learned the tiniest sliver of a bit about lucid dreaming. But this Paris dream makes me want to pick up the research where I left off.

In one of my older posts about lucid dreaming, I mentioned that it was a long time before I knew there was a name other than “dreaming” to describe what I experienced because I thought that was the way everyone dreamed, thought everyone dreamed and was aware that they were dreaming. It never occurred to me that there was anything special about it. Once I learned that it wasn’t so common, I won’t lie: it started to seem a little shinier, a little more special.

Because I’m aware that I’m dreaming, my conscious mind can alter things about the dream or pause and think (or, as is often the case, laugh) about particularly odd things I see and do in the dream. In the Paris dream, my consciousness stepped in a couple of times. First, I gave myself a play-by-play as Lisa and I climbed the building, wondering what the hell I thought I was doing climbing some building in a dress and pumps. I don’t have a great history with climbing things. I fell from a rock wall in southern Portugal. I got stuck on a different rock wall in Jamaica, hanging on for dear life above from unfriendly-looking surf, terrified to move forward or back. I’m not a climber, not really, so what did I imagine myself to be doing scaling that façade with Lisa?

The second consciousness intervention was during the scary part of the climb, the part where I convinced myself to take a chance because, if those weird and rickety wooden decorations could withstand 100-mile-per-hour winds, they could certainly support me and my not make of wind self. That was clearly my conscious mind on drugs, desperate to get me over that wall, even if the “how” of it made no sense.

The final moment of consciousness came when Lisa and I found ourselves in Jay-Z’s mom’s apartment. I laughed as I came down from the wall and saw that I was in a room. I have had so many dreams in which I wind up in strangers’ homes uninvited. And quite often I wind up in the kitchen. In one, I broke into someone’s house just so I could cook. In that dream, I was busy making a big pot of spaghetti sauce. Clearly, there’s something that needs interpreting about me and kitchens, me and breaking and entering, me and strangers’ houses …

* * *

Generally speaking, my conscious self only comments on what she’s watching dream-me do. There have been a few times when I’ve changed the course of the dream action. I usually only do that when things aren’t looking good for dream-me. I remember a dream in which I was being chased – when I think about that dream, I always say I was being chased by a monster, but as I type this, I’m remembering that I was actually being chased by the first wife of my most awful ex (talk about things to unpack!!). She was armed, I think with a knife, and wanted my blood. I was running through a wooded area and found myself face to face with a wall. There was no way around or over it (I guess I wasn’t aware at that time of my fabulous wall-scaling skills). I could hear her closing in … and then I just moved myself to safety on the other side. I didn’t want to see where that story was headed. I literally narrated myself beyond the problem: “Well, somehow I got over it,” conscious-me said in the dream as dream-me reoriented herself on the safe side of the wall and made her getaway. I do love the Deus-ex-machina-ness of that.

In a comment conversation on one of my other lucid dreaming posts, someone talked about being able to bring other people into her dreams and pointed out that I could use my ability to control the dreams to give myself a little Jamaica vacation whenever I wanted one. I haven’t tried either of these things, but now I’m inspired anew by the pleasure I felt at seeing Paris – the Paris I remember from living there decades ago, the Paris I know does and doesn’t still exist. I was happy, at home.

I’m interested in dream interpretation – because of course I want all this wacky fabulousness to also mean something – but I’m okay with the mystery of that. For now, I want to play with this blurred and blurring line between my conscious and unconscious mind, learning what kind of fun I can have poking into my dream world.


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I decided to dedicate my NaNoWriMo writing to writing essays, and I’ve been catching up! Whether I reach the goal or not, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

Moon in the Seventh House

Or … you know … somewhere that put it in the sun’s path.

What were you doing during The Great American Solar Eclipse (and were you as weirded out by the crazy branding of this natural phenomenon as I was)? I don’t live anywhere near the fabulously-named Path of Totality, but we had good viewing all the same.

I was at work yesterday, but I was totally prepared to ditch obligations and get into a position to experience this moon shadow business. (Oh, and that should have been my title, right? “I’m being followed by a moon shadow …” But “Age of Aquarius” seems more fitting for all the brotherly love that was going on during the viewing party yesterday, so I’m sticking with what I’ve got. Also, I couldn’t stop thinking about A Connecticut Yankee in King Arthur’s Court. Am I the only one?)

So at about 2:10, my coworker and I led the exodus. We took advantage of our privilege-carrying office ID cards and got uncrowded viewing space inside the gated courtyard across the street. I didn’t have glasses, but the team we share space with had some of those Warby Parker viewing boxes, and they were up for sharing. I was alternatively prepared, however. I’d gone online and determined that I could turn my back to the sun and use the selfie mode on my phone and get some pics that way. And that worked … even though I didn’t realize it had worked until I was home last night. But folks in the courtyard were super generous with sharing their glasses, so I got to see plenty, and I took some pics that way, too.

Here are some of my coworkers in their Warby Parker boxes. I think part of the point of these boxes was really just to make folks look as silly as possible! I couldn’t love this picture more, though. 🙂

I took this by putting some borrowed eclipse glasses over my phone’s camera lens and zooming as far in as I could. Good on my Galaxy 7 for getting this shot for me!

And now it’s #eclipseselfie time! I couldn’t see a thing when I put the phone in selfie mode, so I figured my internet research was a fail. I took a handful of pics anyway, just to show how much nothing I could see. Then I got home and took a closer look and saw that, in every one of the selfies, there was an excellent eclipse reflection captured along with the sun’s glare!

This one’s my favorite. First because I love selfies like this where you can’t really see me because the sun blots me out. But also — because of the angle I’m holding the phone, I guess — the eclipse reflection is so low in the picture and comes out so nicely against the building in the background and right at cheekbone level with me!

What was your eclipse day like? Did you get some of those super fun colander and leaf-shadow pics? (I saw a great one of the eclipse through a vegetable steamer — looked like a mandala!) Hope you were able to get out and enjoy it. We’ll be much closer to the Path of Totality in 2024. Can’t wait!



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Meeting old friends for the first time.

Lucky happy day, this. My lunch hour was spent with Bonnie and Tara! I’ve been reading both of their blogs for such a long time that it seems impossible that we haven’t actually met in person. And now it is impossible because we have met! My excellent slicing friends came into Manhattan today and met me for lots of conversation and a yummy lunch.

This is only the fourth time in ten years that I’ve met someone I know from blogging. And, as with each of those other times, it has pleased me enormously. I like that, after reading bits and pieces of someone else’s life over a period of years, I feel so completely familiar with them. Yes, there is still a moment of, “Oh, how nice to meet you!” formality, but then it drifts away and you remember that you already know so much about the other person, that you have known them for so long. Of course, there are so many things you don’t know about one another, but writing has knitted you together quite comfortably.

I left Bonnie and Tara to head back to my office while they headed off to find a place to write together. That pleased me (and made me wish I could go off to write with them, too!). I’m looking forward to our next meeting!

We’re grainy (and I’m annoyingly slouchy), but happy!



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U is for: Unplanned, Upsetting the Apple Cart, Unexpected

I had plans for tonight, a treat. I dressed up, did my hair, was ready for a little showy fun.

But no. Work had other plans, plans that required me to stay at my desk late, later, latest. And then this storm, reminder of the dreary turn of my events, the washing out of what should have been a fun evening. Sigh.

Night Storm

And the sky cries rain
pours it down in waves, in sheets,
looking like my mood
this grey and ugly Tuesday.
And my plans are smashed
I am sour and prickly,
wishing myself done —
away from anywhere here.
Not as bad as that —
not really. The sound of rain
sings on my windows,
Makes me remember
AC singing Nora Jones
under his tin roof
his laughter making me smile.
Makes me remember
red pants, their dye running down
turning my sneakers
from cream white to fuchsia pink
bringing more laughter.
Good to recall other storms,
changes in old plans,
that the storm isn’t to blame.
Good to remember
these other moments, laughter,
possibilities.
Good to remember myself,
sitting quiet, listening.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.