Continuous Passive Motion

Today, in a BIPOC antiracism group I co-facilitate, we talked about Atlanta, and one of the women in the group brought up the belief that Black people and Asian people don’t get along. She talked about some of the responses to the Atlanta attack that were coming up in her friend circles and in her family. And that conversation reminded me of this:

After my first knee surgery in 2016 (not my first knee surgery, but the first one I had that year … it’s a long and un-pretty story), I left the hospital and did the first couple of weeks of my recuperation in a really nice rehab facility in Manhattan’s Chinatown. Most of the nursing assistants in that place were Asian women. Many of the patients were Asian, too, but not all.

I had brought a lot of pass-the-time stuff with me, imagining that I’d need the distractions, that I wouldn’t just be doing physical therapy or sleeping, which is generally what one does after knee surgery. One of the things I brought with me was the baby blanket I was knitting for a friend’s newly-arrived first child.

Everyone was interested in my knitting. They would all ask what I was working on, and I’d tell them, and they’d say it was a nice gift. One morning, I’d gotten some super adorable pics of my friend and her baby, so when the first person asked me about the blanket, I decided to also show her the picture of the gift recipient. I pulled up the photo on my phone and handed it to the nursing assistant. She looked shocked, which wasn’t the response I was expecting. She turned the phone to face me.

“Your friend is Chinese!”

And that was true, but so? I acknowledged the yes, my friend was Chinese. She nodded and handed back my phone. “Wow,” she said quietly. I’m not sure she actually looked at the baby at all. I was puzzled, but let it go. I showed the picture to some of the other Asian women who took care of me and got almost the same response each time.

Months later, after my second knee surgery that year (as I said, a long and un-pretty story), I was back in the same rehab place. A friend had come to visit me, and then another friend arrived. Both are women I knew from my old job. The first woman who’d come by is white. The second woman who came by is Chinese — not the mother of the baby, whole different friend group. For the purposes of this story, I’ll call the white woman Anne and the Chinese woman Miao. While we were hanging out, one of the nursing assistants came in to check on me. She looked stunned to see Miao and immediately excused herself. Thirty seconds later, another assistant came to the room, got a look at Miao and dashed away. This continued. Maybe five or six more times.

Anne remarked on the incredible attentiveness of the CNA staff. It seemed pretty clear, however, that the staff were coming to see Miao with their own eyes, some in-the-flesh proof of my having Chinese friends. When I said this and told Miao and Anne about the baby photo, Miao nodded. “Yes,” she said. “It’s surprising that you have Asian people for friends. I was taught to think Black people don’t like us. Maybe they were, too.”

Which made me feel sad and naive at the same time. The idea that Black and Asian people don’t get along wasn’t new. I just hadn’t thought about it or seen it play out in such a glaring way in my own life.

my friends wondered if seeing Miao would mean I’d get better treatment. I waved that off as ridiculous, and am happy to say that I was proven right. I was already getting fabulous care. The only way they could have improved on their treatment of me would have been for one of them to morph into my mom and come sing me lullabies to put me to sleep each night.

The idea that Black and Asian people don’t like one another is absurd … or it should be. In the BIPOC group today, we talked about the ways anti-Black racism builds walls between groups, keeping everyone under its thumb, keeping everyone busy laying blame on one another rather than looking at White Supremacy. The careful and intricate constructions of racism keep doing their work, keep humming along under everything.

One of the tools used to support recuperation after knee surgery is a CPM machine: Continuous Passive Motion. You put your leg in this device and it moves your knee through its full range of motion until you turn it off. I both loved and hated that machine. And in our BIPOC group today, thinking about the shocked women in the rehab center, I made the connection that one of White Supremacy’s powerful tools is that it functions like the CPM machine. You don’t have to move a muscle. You are strapped into the apparatus, and it cycles you through the various ranges of hateful motion. It functions in the background with no need for your awareness and will continue to do so until you take deliberate action to shut it down.

When will we be ready to turn off that switch?


It’s the 14th annual Slice of Life Story Challenge!
Head on over to Two Writing Teachers
and see what the rest of this year’s slicers are up to!

Original Slicer - GirlGriot

White Women’s Work

So, we had those midterms. The results are both good and troubling. There are a lot more women, POC, and LGBTQIA electeds today. People all across the country stepped up and made some excellent choices. They voted a raft of women into office, including Muslim women, Native American women, trans women, and young women. All of those votes for all of those women are heartening. Truly.

You know that isn’t all I’ll say, though, right? I am thrilled by many of the results, but I can’t miss the rest, or pretend that what happened on Election Day is enough. I can’t ignore the significance of the many Republican efforts at suppressing the Black vote and the poor vote — or the clear success of those efforts. I can’t ignore how comfortably many candidates and their supporters slid into straight-up, full-frontal racism in their push to the polls. No need to have a talk about dog whistles and coded language. People just said everything they were thinking about the uppity Black and brown folks who had the audacity to challenge a white person for office.

“Don’t monkey this up.”
“So cotton-pickin’ important.”
“Someone in the mansion who can take care of it.”
“His family participated in 9/11.”
“She’s encouraging people to break the law.”
“I’m a white racialist.”
“Send her back to the reservation.”

None of this is surprising. It’s not surprising because we as a country have always used prejudice and racism to keep people of color out of office. We as a country have always been racist, always been xenophobic, always been ready to fight for White Supremacy and the holding of power in white, male hands. And it’s certainly not surprising given the current administration and the fact that the country is led by a man who speaks in slurs, who built his political brand on racism.

There was one thing from Election Day that did surprise me … well, surprised me a little. Some woman tweeted out a plea, called on Black women to step up and save the country at the polls that day. (Don’t worry, she was quickly and roundly dragged.)

The idea that a white person would call on Black women — Black people, period — to save this country is amazing to me. First, it’s a numerically stupid plea. African Americans make up about 13% of the US population. Even if all of those people were adults of voting age and every single one of them went out to vote and didn’t have their vote thrown out, Black votes really can’t be an overall strategy for electoral success.

The bigger issue here, however, is the fact that how Black folks are going to vote is, for the most part, not a question. We — especially Black women — do an excellent job of voting in our best interests. We step up and vote to protect our children, our parents, our ability to find and keep decent jobs, our ability to exercise sovereignty and autonomy over our own bodies. We do this again and again and again. We do it because our lives depend on it and we know that. We do it because we don’t have a vested interest in supporting white male patriarchy. That has never been a place of safety for us, and we know that all too well.

The numbers from the 2016 election made the truth of Black women’s votes starkly clear for people. Nearly 100 percent of Black women voted for the Democratic candidate. Nearly 100 percent. Those numbers — and the numbers in Roy Moore’s race — make Black women look like a solid voting block for the left. These numbers are what prompted that white woman to call on Black women to save the day.

But what’s also clear from those powerful numbers is that Black women can’t, alone, win elections. Nearly every Black woman who voted in 2016 voted the same way, and yet the election went the other way. If Black women alone controlled election results, we’d be living in a very different world. We’d have a white house, a congress, and state and local officials who actually represented our interests as opposed to electeds put in place specifically to work against our best interests.

No one should be calling on Black women when the polls open. Ever. No. The people who need to be called in — obviously — are white women. Punto.

White women consistently vote in the majority for while male power, for White Supremacy, for a world in which their rights are erased and their voices silenced. They so strongly align with men and believe their proximity to white male power will translate into their own power, that they come out again and again and again for the upholding of White Supremacy. (Well, that and the fact that many of them are straight-up racists.)

That woman’s tweet on Election Day surprised me because of its willful blindness. This woman was looking over at Black women and hoping some Mammy-savior would come to the rescue, ignoring the reality that she needed to look in the mirror and then at her ya-ya sisterhood of white women.

Because of course this comes back to the truth that white people need to get their people. The work that needs to be done needs to be done by white people with white people. White people have to get down in the dirt and make that happen. Black women aren’t the answers to the questions white people have been refusing to ask for far too long. Black women are out here trying to stay alive, trying to get our kids home safe and our sisters and brothers and husbands and mothers. We can’t also be cleaning up white people’s messes.

The hard task of reaching out to the white women who stand behind Trump lies at the feet of white women. Not another soul can get that shit done.

Get. the. fuck. to. work.


In 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I didn’t complete 52 essays by year’s end, but I did write like crazy, more in 2017 than in 2015 and 2016 combined! I’ve decided to keep working on personal essays, keep at this #GriotGrind. If you’d care to join in, it’s never too late! You can find our group on FB: #52Essays Next Wave.

Magical Negresses, Robocalls, Ballot Boxes and American Greatness

A white supremacist group created a robocall for Georgia’s white voters. The call script is fascinating. Someone, doing what I’m sure they thought was an excellent and excellently funny impression of Oprah, talks about the plot to elect Stacey Abrams. Not-Oprah introduces herself as “the magical negress Oprah Winfrey” and talks about her own rise to fame being created by simple-minded white women and how that same constituency of simple-minded white women — “especially the fat ones” — will allow themselves to be duped into voting for Not-Oprah’s sister in struggle, the magical negress Stacey Abrams.

Well, this magical negress found herself full-on surprised by this ugly audio postcard … and surprised by her surprise. The campaign against Stacey Abrams as she runs for governor of Georgia has been nothing but bald-face lies, ugly snark, unscrupulous behavior, and disenfranchisement from the start. This call is nothing new and certainly shouldn’t be in any way surprising.

I don’t live in Georgia. I live in a racist northern state instead of a racist southern one. I don’t live in Georgia, but I’ve spent time and a tiny bit of money supporting Stacey Abrams. I would be thrilled to see her win today. She is one of what is — thrillingly — much more than a handful of Black, non-Black POC, and LGBTQIA Democratic candidates I’m pulling for this election. Their rise to the offices they seek wouldn’t be magical, wouldn’t mean the end of racism (see above, re: not magical). But their elections would each be important steps in a better direction than the one we’ve been headed the past 21 months.

I think my surprise with this robocall is in how comfortable the racists who created it feel. They are so comfortable, they don’t worry about alienating a large voting block of the Republican base. The call script is racist, sure, but that’s too basic a description. One that doesn’t do justice to the layers of hate and ignores the other ugliness on display.

First, the voice recording the call seems to be a man’s. Because of course. Because any Black woman who wields power and is proud and confident and talented is depicted as a man.

The script takes an old story and gives it an updated twist: as has ever been the white supremacist plot line, white women are held up as needing to be protected. The 2018 twist is that, in these modern times, rather than needing protection from the sexual rampaging of brutish Black men, white women need protecting from the cleverness of magical negresses (bearing gifts of free cars). Sweet.

The protection of white women in this call to action isn’t the protection of purity as we’ve grown accustomed to seeing. This script calls out the need to protect white women from their own stupidity. White women, apparently, are so addlepated they can be seduced away from the fight for White Supremacy by Black women and their magical negritude.

White women are weak … and the fat ones are weakest of all. The excess adipose tissue must put too much pressure on their wee little brains. Because, even if it has nothing to do with the subject at hand, if there’s an opportunity to throw in a little fat hate, why on earth would you let it pass?

It was the insult to white women that surprised me. White women have shown themselves to be pretty solid supporters of White Supremacy, gender inequality, and misogyny. Did the writer of this call script not see the results of the 2016 election, or the white women supporting Roy Moore or Brett Kavanaugh or any number of other candidates and ballot issues that were entirely against their own best interest as women? Given that voting history, why come for white women?

But, of course, white women are a safe target, a safe tool to use against Black women … precisely because white women have been solid supporters of White Supremacy and violent patriarchy. White women have chosen to support white men over and over again. No matter how much evidence can be shown of a white man’s guilt, vileness, basic unfitness for a job, white women will stand up in support of him. So I really shouldn’t be surprised that the creator of this call felt entirely comfortable painting his womenfolk so insultingly.

 

I don’t know what Georgia (or Florida, or Minnesota, or Michigan, or New York …) voters will do today. I hope they will send a flood of Democrats to local, state and national offices. I hope everyone who cares about human rights, human decency, equity, and the values we like to think this country was founded on understands the threat we’re facing and has stepped into this fight with both feet, stepped in fully-armed and prepared for the long slog. Because despite the legendary magic of negresses, this fight needs more than our votes alone.

We are people for whom and to whom America has never been particularly great, but who choose to believe that it could be great if enough people stood with us to hold the line, to force back the noxious sludge flowing in the streets. We will show up, because we do. We will cast votes aimed at protecting our families and communities and keeping this country from tumbling further into hell.

Who’s with us?


In 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I didn’t complete 52 essays by year’s end, but I did write like crazy, more in 2017 than in 2015 and 2016 combined! I’ve decided to keep working on personal essays, keep at this #GriotGrind. If you’d care to join in, it’s never too late! You can find our group on FB: #52Essays Next Wave.

Building Sanctuary

I have been following the progress of the National Memorial for Peace and Justice since the Equal Justice Initiative (EJI) first announced plans to create it. America’s history with lynching is deep and ugly, rooted firmly and hidden from view, glossed over. We, as a country, turn our backs on this history … even as we nod and wink at the carnival spectacle of it.

I don’t know my family’s full history, have no idea if any one of my ancestors was lynched, but lynching is a power evil in my consciousness all the same. I learned about lynching when I was a child, was already aware of it by the time I made the mistake – at nine years old – of reading Uncle Tom’s Children. That collection of stories is a classic but  definitely not meant for fourth grade reading.

(Nine, of course, is years older than other children have had to learn about lynching. And they have learned through the experience of of dying because of it, of losing a family member to it, of being uprooted from their homes to flee it. I fully recognize the privilege in my own experience, in the fact that I didn’t grow up in a place where I needed, realistically, to worry about lynching. That didn’t eliminate the fear, but the fear never needed to be active, never needed to be daily. I am grateful for all of that.)

As a country, we act as though lynching wasn’t pervasive, wasn’t a tool used to punish, terrorize, and control communities of color. At the same time, we pretend not to see or understand the impact lynching had on communities and the ways that impact is still seen and felt today. And we pretend that we can’t see the way people use calling the police to “handle” Black people today as a proxy for rounding up a lynch mob.

In 2000, when James Allen’s photo exhibit, Without Sanctuary: Lynching Photography in America was touring, people expressed shock and horror at the images on display. That seemed, at best, pathetically disingenuous. Who did these people think they were kidding, acting as though they didn’t know about lynching, acting as though they hadn’t thought it was “that bad.” It continues to surprise me how surprised white people are when confronted with the facts of whiteness in this country.

The title of that exhibit and the book that followed referenced the painful truth that, even in death, lynching victims were mistreated – bodies mutilated or dressed, made up, and posed for photos. No sanctuary.

I thought about Allen’s work when I learned about EJI’s plans for the memorial. And part of what I thought – especially after I saw the artist’s rendering of the design last summer — was that finally there would be sanctuary. Finally, these murdered innocents would be held with dignity, with grace. Finally, they would be respected.

The design of the memorial is stunning and majestic. The concept of the double set of county markers is so bold and inspiring. I think about those duplicate markers, the ones that are meant to be taken away from the memorial and placed in the counties they document. The idea of having this way of bringing the monument home to the sites of the killings is so moving. But it will also be very telling. I will be surprised if more than a few of the more than 800 markers are claimed by their respective counties. Those few blank spaces at the memorial will tell a story, but the hundreds and hundreds of remaining markers will tell an even more significant one.

Of course, I want to be wrong. I want to be entirely wrong. I want each and every one of those localities to shock the mess out of me and collect their markers and put them on prominent display in the county seat. I want that more than I can say. It won’t actually mean we’ve turned a corner on race. There will still be decades and decades of work to do. But it will be meaningful all the same. I want that. But I’m not naïve enough to allow myself to expect it.

I was never able to see Allen’s photo exhibit. I waited in the block-long lines in the cold to get into the gallery on Manhattan’s Upper East Side. Waited three different times. I wasn’t deterred by the cold but by the knowledge that I couldn’t bear the photos. I knew myself well enough to know that, but still tried to force myself into the gallery. Three times. It was an exhibit that needed to be witnessed – by every white and non-Black/non-native person of color, but also by me.

Every time was the same: I’d get within half a dozen people of the gallery entrance – only twelve people were able to be in the gallery at a time – and I’d pull myself out of the line and head back to work.

Several years later, I bought the book. I came on it by chance in a Brooklyn Barnes and Noble. There was just one copy. I didn’t want it. I knew I’d never be able to look at it. But I couldn’t leave it on the shelf, either. Couldn’t leave it to be picked over, to be ignored. It felt wrong to pay for it, wrong to have money change hands over it the way professional photos of lynchings were sold as souvenirs. But I bought it. To this day, I have barely handled it, have only turned a few of it’s pages.

This history is so painful inside of me.

The closer today’s date came, the more news articles appeared about the memorial. I avoided most of them, read part way through a few, chose other articles for erasure poem source text as I worked through my National Poetry Month writing challenge.

But here we are, today, and I have to say something, write something.

I don’t believe I will ever be able to visit the memorial. Just as I can’t look at the pictures Allen collected, my heart and head wouldn’t do well at the Montgomery site. I’m not ruling out a visit, but it seems highly unlikely.

I won’t rule out a visit because the power in that space is undeniable. The weight and pressure in that pavilion horrifies me and calls me, too. Maybe one day I’ll be strong enough to under that display.

For now, I am grateful for Bryan Stevenson, for the Equal Justice Initiative, for the design, realization, and opening of the National Memorial for Peace and Justice. This is something every white person needs to see, every non-Black/non-native person of color needs to see, and however many Black folks choose to see. And, maybe one day, something for me to see.

The source text for today’s erasure poem is a Times editorial about the memorial.

Building Sanctuary
(An erasure of a Times editorial about the National Memorial for Peace and Justice.)

Before you know it,
Hundreds surrounding you,
watching.
Lynchings carried out with impunity.
more than 4,400 killings,
racial terror
lasting more than seven decades.
An accounting
of those lost to history.
Devastating,
unreadable and unreachable.
A growing pressure
to include the role of racism
in American history.
Anyone in this country
has inherited a narrative
of racial difference,
a slow accumulation of evidence
leading to an inevitable conclusion:
America’s “reign of silence”
around slavery, lynching,
racial subjugation.

Deliberativeness,
attention to detail —
only lynchings that could be verified
by two contemporaneous accounts.
Such a damning exhibit,
a kind of liberation,
a kind of redemption.

To face up
to America’s brutal, racist past
with open eyes,
to understand how it lives on today.


It’s National Poetry Month! Every year, I choose a specific form and try to write a poem a day in that form. This year, I am trying erasure poems and I want to use news articles as my source texts. I’ve practiced a few times, and it’s already feeling difficult! We’ll see how it goes.

Here’s an edited version of the Wiki definition of this form:
Erasure Poetry: a form of found poetry created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. Erasure is a way to give an existing piece of writing a new set of meanings, questions, or suggestions. It lessens the trace of authorship but requires purposeful decision making. What does one want done to the original text? Does a gesture celebrate, denigrate, subvert, or efface the source completely? One can erase intuitively by focusing on musical and thematic elements or systematically by following a specific process regardless of the outcome.
Also, Robert Lee Brewer at Writer’s Digest has some good points to add about ethics and plagiarism:
Quick note on ethics: There is a line to be drawn between erasure poems and plagiarism. If you’re not erasing more than 50% of the text, then I’d argue you’re not making enough critical decisions to create a new piece of art. Further, it’s always good form to credit the original source for your erasures.

Image result for national poetry month
Washington International School

In 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I didn’t complete 52 essays by year’s end, but I did write like crazy, more in 2017 than in 2015 and 2016 combined! I’ve decided to keep working on personal essays, keep at this #GriotGrind. If you’d care to join in, it’s never too late! You can find our group on FB: #52Essays Next Wave.

Once more for everybody in the back.

One more poem inspired by that Starbucks in Philadelphia White Supremacy:

Weighted by Fear
(An erasure of Renée Graham’s excellent piece in The Boston Globe.)

To be Black
is to always be
in the wrong place at the wrong time
in America.
In America,
there is never
a right place for Black people.
For Black people,
this is what we live
every damn day.

Everything Black people do is weighted,
weighted
weighted
by irrational white fear.
It’s exhausting.
When you’re Black,
you just know.
You just know
not to do anything,
that would further escalate.

Nothing will ever change
until a majority of white people
stop perceiving Black existence as sinister,
suspicious.
Talking about racism
may hurt white people’s feelings,
but unchecked racism
continues to endanger Black lives.

__________

Oh, I’m taking all kinds of liberties with this form now. It’s still wholly, uncomfortably unwieldy in my hands, however. Halfway through the month, and I still feel like I’m losing the greased pig contest.


It’s National Poetry Month! Every year, I choose a specific form and try to write a poem a day in that form. This year, I am trying erasure poems and I want to use news articles as my source texts. I’ve practiced a few times, and it’s already feeling difficult! We’ll see how it goes.

Here’s an edited version of the Wiki definition of this form:
Erasure Poetry: a form of found poetry created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. Erasure is a way to give an existing piece of writing a new set of meanings, questions, or suggestions. It lessens the trace of authorship but requires purposeful decision making. What does one want done to the original text? Does a gesture celebrate, denigrate, subvert, or efface the source completely? One can erase intuitively by focusing on musical and thematic elements or systematically by following a specific process regardless of the outcome.
Also, Robert Lee Brewer at Writer’s Digest has some good points to add about ethics and plagiarism:
Quick note on ethics: There is a line to be drawn between erasure poems and plagiarism. If you’re not erasing more than 50% of the text, then I’d argue you’re not making enough critical decisions to create a new piece of art. Further, it’s always good form to credit the original source for your erasures.

Image result for national poetry month
Washington International School