The Queen of Oversharing

I like describing myself as the Queen of Oversharing. This naming is kind of a lie. I tell a lot of stuff about myself … but not really. When we were crashing and burning for the final time, one of the things The Morphine Man accused me of was talking too much and saying nothing. He said I told a million stories about myself, but they were all surface, I never let people get close to my real self. This is pretty true … but it’s also kind of a lie.

I do tell a lot of stories about myself—practically this whole blog is stories about myself. A lot of my stories are told for entertainment value. My stories about traveling, about my various experiences with hitchhiking, about bad boyfriends (The Morphine Man included, of course), about growing up in a very particular kind of small, insular town—these are the kind of stories that fall into this category. They’re almost like long-form jokes, told to amuse the listener, show you how funny, or silly, or charmingly naïve, or comically vain … or whatever I can be.

Some of my stories are “Learn from my wacky mistakes!” stories, instructive but comical at the same time. When I was teaching, there were a lot of stories about that, and I still tell some of those. I loved teaching, and I learned so much from my students, and so many of my experiences in the classroom make for good stories. Those are generally more heartwarming or educational than comical, but there’s plenty to laugh about in those anecdotes, too.

So The Morphine Man wasn’t wrong. I absolutely do tell a lot of stories. I talk a LOT. And most of that telling doesn’t reveal the deepest, darkest corners of my soul, but I would argue a) that no one wants to have to look at the cluttered back rooms of my soul all the damn time, b) that there’s more to seeing and understanding who a person is than watching them take rib-spreaders to their own chests and dump their heart on the table for you every time they open their mouths, and c) if you actually listen to the stories I choose to tell about myself—even the foolish ones—there’s a lot you can see about who I am and what’s important to me and how I tick.

Do I also keep people at arm’s length? Yes. A lot of the time I do. I’ve had a lot of experience with people showing e how totally they couldn’t be trusted with my confidence, with not feeling safe showing much more than my surface. So I got good at learning to look as if I was sharing while keeping my soft underbelly well protected. So The Morphine Man was right on that score as well. I don’t think this skill, this form of protection, is particularly unusual. Don’t we all hold our vulnerabilities close to our chests? With luck, we meet people we begin to feel close enough to, begin to trust enough that we stare more of the deep-dark-corners stuff. I am glad that I have a strong circle of these kinds of friends now. I wish I’d had them in the past, but the storytelling helped me muddle through.

Which was, in the end, the problem with and for The Morphine Man, wasn’t it? He clearly hadn’t become one of those people for me. Or, he had, during our first go-round … but he proved unworthy, using some of the painful things he learned about me to inflict more pain. So during our last go-round, I withheld myself a little more adeptly, waiting to see if I would feel safe with him again.

But this blog is one place where I truly am Queen of Oversharing. I tell things here that I never say to anyone. Those are the other stories I tell, the “full-disclosure” stories where I share some close-to-the-bone stuff.

Those are the stories I write and, just before I post them, I send my family a heads-up email, cluing them in to this information about me that they didn’t know so they can hear it before I make it insanely public.

So what the hell is that? Why do I feel entirely comfortable telling ugly, painful stories about myself online when I’ve never told my family or closest friends those stories? I mean, sure, there’s the anonymity aspect of “telling it to the internet.” No one is sitting across a table watching and listening. You don’t have to see or hear anyone’s response in real time. You create distance simply by choosing to write rather than tell.

All of that makes sense to me. But, like the things I said at the start of this essay, it’s kind of a lie, isn’t it? It isn’t as though I’m writing anonymously online. My friends and family know where to find me and some of them regularly read what I post. That’s precisely why I send my family those heads-up emails before I publish the worst of my mess. I want them to hear it from me directly rather than stumble across it on FB or during their occasional scan of my blog.

But, if I want them to hear these stories directly from me, why haven’t I told them any of these things directly? Why do I only choose to tell them because I have suddenly decided to share the stories with the world?

Last week I wrote a post about my current experience with apartment hunting. It quickly ballooned into a post about a lot of other things—my infertility, the mass of debt I struggle under, racism, fear of homelessness. A jumbled mix of ways I clearly don’t have my shit together. It was hard to post that because I like looking like a person who most definitely has her shit together. I know that under the surface and behind closed doors, I am an entire mess, but I don’t like showing that off. But that house hunting post pulled back the curtain on my well-crafted façade.

It’s a weird set-up to have created: now, people I don’t know well or at all can do the most basic level of search and learn all kinds of unkempt, ugly things about me. If these were the things I kelp close to my vest in the past, does my sharing them here mean I’m no longer doing that … or that this is just another form of TMI performance and I have an even deeper, darker set of personal truths that I’m holding onto?

Of course, the answer to both questions is yes. And I also suspect I’ll eventually get around to writing those stories here.

I already know there are things I am both itching to write about and desperate to keep buried. These are things I hide because they make me look bad. But hiding them also holds me back, and that’s frustrating.

Yeah. So … stay tuned?

__________

I am lucky in that my family have never responded badly to anything I’ve shared  or to the fact of my sharing. Their response is always a reaffirmation of how much they love me. (As I said: lucky.) Sometimes my mother worries about what parts of myself I expose because she doesn’t want anyone to use information against me. And I suppose there are ways info I share could be used against me, but I’m pressed to come up with a likely scenario for that.

I’m wondering how other people navigate this king of sharing/not-sharing line-straddling. Do you just dive in and tell all the things? Do you keep your telling strictly surface? How do your families respond when you go deeper, telling your more private-seeming stories in a public forum?


I’m following Vanessa Mártir’s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I fell months behind on my #GriotGrind, and it seemed highly unlikely that I’d write 52 essays by year’s end. But then I decided to dedicate my NaNoWriMo writing to writing essays, and I’ve been catching up! Whether I reach the goal or not, I’ve written more this year than in the last two combined, and that adds up to a solid WIN in my book! Get ready for #52essays2018!

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Fat Talk: Giving Over My Body

I’ve been having  lot of physical therapy the last few years. I’ve had a handful of knee surgeries, and now some new knee business and a rotator cuff injury, so PT comes with the territory. A few weeks ago, as Yu-Lan was manipulating my shoulder, I had a little epiphany: I don’t trust people with my body. I don’t relax in other people’s hands.

Yu-Lan needed my arm limp so she could move my shoulder the ways she needed to. I couldn’t relax it. I kept thinking I had relaxed it, and then she’d shake her head and my arm and say, “Let it go.” This went on for a while.

My past PT experiences have been similar. First Daniel, then Mark, tried really hard to get me to relax so they could do their work. I’ve been working with Jeremy for my shoulder–was seeing Yu-Lan because Jeremy was sick that day–and have had the same story play out with him.

With Daniel, I chalked up my tension to the fact that Daniel is beautiful. He looks like Takeshi Kaneshiro in House of Flying Daggers. Really. To have this unreasonably-pretty young man put his hands on me was both pleasant and alarming. But–with no intention to throw shade–that wasn’t the issue with Mark. And, as cute as Jeremy is, he’s not the kind of cute I go for, so I definitely can’t blame my libido.

*

I’m middle-aged. I got fat at 15. I’ve spent pretty much my whole life paying very close attention to my body. I’ve learned to be hyper-aware of how much space I’m taking up at any given time, and of how I’m taking that space. I’ve learned to be aware of how my body exists in relationship to other people’s bodies, to other people’s thoughts and feelings about my body.

I’ve spent years choosing to stand so as not to force other passengers on the train or bus to accommodate my size. When I have chosen to sit, I’ve used the things I’ve learned about how to angle my body so that it fills less space, even though all of those tricks leave me uncomfortable.

But all of that, all of those ways of focusing on my body, are different. What I realized with Yu-Lan is something other. Not trusting people to handle my body with care points past the body-awareness I’ve had to develop as a fat person. Points, instead, to the root catalyst of my fat. I don’t trust people with my body because people haven’t shown themselves to be trustworthy when it comes to my body.

It’s not a particularly surprising point, of course. Surely the fact that I’ve been writing so much about my body lately is why working with Yu-Lan illuminated this point for me. But what does it mean? What has it meant over time in my life?

It’s little things: Removing myself from any professional development or team-building activity that would or could possibly include trust falls or other intense physical contact with co-workers. Refusing a hand up when climbing walls or trees, when mounting horses, preferring to risk myself by managing on my own rather than risk myself by relying on someone else’s ability to make me safe.

It’s little things: I am a lousy partner dancer, incapable of letting a man lead. I’ve had one male partner who  was able to lead me without me fighting against his gentle guide. One. Every other time I’ve tried partner dancing, it has ended badly. I literally resist my partner’s movements, move in opposition to him as if we are adversaries. It’s never been confrontational, but it sure as hell has made for awkward, clashing dance. I’ve always chalked it up to the fact that I am a crap dancer–because I am a crap dancer–but I think there’s more to it than that. When I dance alone, I’m a far less crappy dancer. When I took belly dance classes, for example, I was totally dance dyslexic–always moving in the exact opposite direction from the one the instructor indicated–but the moves were fluid, came naturally out of my muscles without resistance.

It’s not-so-little-but-entirely-obvious things: Struggling with medical exams, fighting against doctors’ requests for access to my body the way I fight a partner’s dance moves. Struggling to fully relax in the arms of a lover, in bed with a lover. Struggling to trust that person not to morph into someone else, someone untrustworthy, someone dangerous, having my mind play the mean trick of showing my lover change faces as he lies beside me in bed, turning into a stranger, into a demon, into the devil.

*

I’m wondering about the fact that I am extremely ticklish … which makes me think about cats. And Elmo. (Yes, of course. Elmo.) But first cats.

Cats have this thing where they use their purring as protection. When they are stressed or nervous or frightened, some cats will purr to appease, to signal the need for help. Purring appeals to us, makes the cat seem kinder, sweeter, makes us–if we aren’t monsters–less likely to harm the cat. If the cat is afraid of you and purring inspires you to pet the cat, to show it kindness and offer it food or care, that fear response is helpful, protective.

And this is why I’m thinking about my ticklishness and Elmo. I thought Tickle Me Elmo was incredibly annoying, but also creepily manic. That crazed, fake, flinching laughter was a lot like my own response to being tickled, something I’m only seeing now, and I wonder if that was another reason I loathed that toy.

When we are tickled, we are at the mercy of the person tickling us. We are in their hands, literally. And the places where they touch us, where we are sensitive to tickling, aren’t the places casual acquaintances would normally touch us: our waists, the backs of our knees, under our chins, the bottoms of our feet, our stomachs. People who tickle others force an intimacy that may or may not be welcome, desired.

Is then, the response to tickling–manic laughter–like the cat’s purr? Is my hysterical laugh my fear response masked as cuteness? My way of inspiring the person touching me to treat me kindly?

*

I have one strong memory of giving myself over to strangers’ hands, of going completely limp and letting other people manage my body.

Years ago, my sister and I went to an Echo and the Bunnymen concert at the old Felt Forum. Fox, my sister, and I went to a lot of concerts back then. We were good at getting right up in front of the stage. But Fox never stayed at the front. There would always be a moment when she’d look at me and say she was headed to the back of the venue. I, stubbornly, refused to go with her–we were right at the front!–so we’d pick a spot to meet after the show, and she’d disappear through the crowd.

The Echo and the Bunnymen show was no different. She told me it was time for her to go, we picked our meetup spot, and she left. Almost immediately, the crowd turned violent–because that’s Fox’s spidey-sense super power: she knows when a crowd is about to turn. People were pushing and elbowing and punching to get those of us in front out of their way. I was knocked to the ground and the people around me began kicking me. I couldn’t get myself up, and I was pretty sure I was going to die.

From nowhere, a stranger was cradling my head and then pulling me up, some man I didn’t know. He got me on my feet and kept his arm around me, asked me what I wanted to do. He said I could stay, and he’d keep me beside him, keep me safe, or he could get me out. I didn’t see how he could manage it, but I opted for getting out.

He said I’d have to go hand over hand up to the front barricade and then out. That didn’t make any sense, but I said okay, and somehow he lifted me and lay me across the top of the crowd and the crowd passed me–hand over hand–up to the security staff at the barricade and they pulled me down and helped me get out.

That whole passing-hand-over-hand part? I was rag-doll limp. I didn’t assist in my rescue even enough to lift my feet so that my big, combat-booted feet didn’t smack folks in the head as I was passed forward.

Never mind the fact that I still believe that man didn’t actually exist, that he was my guardian angel in corporeal form intervening because it wasn’t my time yet. I certainly never saw him after the show. And there’s no way he should have been able to lift me as easily as he did and settle me on top of the crowd. There’s no way the crowd–which seconds earlier had been kicking the life out of me–should have come together to pass me up to the security guards. Clearly Divine intervention.

But never mind all of that. How was I able to be so handle-able? How did I manage to go fully limp at a moment when I knew I was at the mercy of dangerous strangers?

*

In my PT visit after working with Yu-Lan,, Jeremy needed me to trust him. He needed to test the movement of my pelvis, hips, and knees. To do that, I had to be limp, had to let him take my leg in his arms and bend and twist and swing and pull it in many different ways. I had to lie limp while he pressed down on my pelvis and into the space where my thighs meet my torso. Some of these movements are awkwardly intimate, but Jeremy is wonderfully professional. While being gentle and sure-handed, he basically manipulates my body as if I were a large mound of bread dough–no danger of mistaking the intent of his touches.

I kept freezing up. Seizing up. Tried several times to pull away from him. He was worried that he was hurting me, but I assured him he wasn’t.

“So quit fighting me,” he said, laughing.

Yeah. Would that it could be so simple.


One in a series of essays inspired by reading Roxane Gay’s memoir, Hunger.
If you haven’t read my ground rules, please take a look before commenting. Thank you.

I’m following Vanessa Mártir‘s lead, she launched #52essays2017 after writing an essay a week in 2016 … and then deciding to keep going.
I’m months behind on my #GriotGrind, but I’m determined to catch up, to write 52 essays by year’s end.


 

G is for: Gratitude

Gratitude

I’m remembering
to be grateful, to hold hope.
Remembering all
those moments, shining graces.
I’m remembering
the power in gratitude,
the ways it lifts me
spreads shadowless, golden light
through all my windows
cleansing, filling, building up.
I’m remembering
the love in my life, the love
I am grateful for,
energies that embrace me
all the ways to say, “Thank you.”

Yesterday’s research is still bearing fruit. The openness of this form with the structure of the tanka-envoi ending is really interesting to me. I’m still struggling with my poems, but that problem isn’t about the form. I have to think that through a bit. Maybe I’ve just found the topic for tomorrow’s post …

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



Sometimes, the impostor steps off.

(While it would be nice to think my Impostor Syndrome was cut down in the Senate chamber today, I’m pretty sure what I’m about to describe is but a temporary leave-taking. Hope your Ides of March passed smoothly!)

I realized in a conversation today that the other person was trying to impress me, was actually a little nervous talking to me. Me. And at first that made me want to laugh … because … well, you know, it’s me.

But then a thing happened.

I realized he was right: he should want to impress me. Because … well … it’s me. And I thought yes, he should be a bit nervous, too. There was no telling how I might respond to what he had to say after all.

That has certainly not happened before, that kind of all shall love me and despair moment. 😉

In truth, I think where I’m aiming is somewhere between the poster child for low self-esteem and the beautiful and terrible queen. But perhaps it wouldn’t hurt to walk around believing I’m stronger than the foundations of the earth. And all that.



It’s the 10th annual Slice of Life Story Challenge!
Head over to Two Writing Teachers to see all of today’s slices

The Spur of the Moment

I don’t know if I’ve ever been a particularly spontaneous person. I’ve had moments here and there, but mostly not so much. Not an impulse buyer. Not a pick up and fly to Tahiti in the middle of a quiet Tuesday traveler. Not.

And I started out writing this because I was going to talk about my extremely mild run at spontaneity today — suddenly throwing out a dinner invitation and meeting up with a dear friend instead of heading home — but then I got distracted by “spur of the moment.”

What an odd thing to say: on the spur of the moment. And I went to The Google to find out the origin, and got this:

Spur of the moment is in the OED along with other definitions of the word “spur”. The first recorded usage was in 1801. Spur also means at haste so perhaps spur of the moment – something done impromptu or with out deliberation grew out of spur in that sense, as in a quick decision.

Something in the moment (the brief period of time when a decision is made or an action is begun) acts as a spur-an incentive, an impetus-much as the literal spurs impel a horse to go. What motivates a “spur of the moment” decision arises quickly, as opposed to long forethought.

And that’s all well and good, but Google gave me something much better. “Spur of the Moment” is, it turns out, the name of one of my favorite episodes of The Twilight Zone, an episode I’d only seen once but thought was really clever. In my head, it’s always been the “Face of Fear” episode, but that would have been way too heavy-handed as a title. Good thing Rod and Richard didn’t ask 18-month-old me!

“Spur of the Moment” was Season 5, episode 21, originally aired on February 21, 1964. As soon as I saw it in the search results, I set my slice-writing aside, went to Hulu and watched the episode. It holds up well enough, I guess. It’s not “The Invaders,” or “Eye of the Beholder” or anything, but it works. As was true when I saw it the first time, what really stands out for me is the repetition-with-a-twist of the opening scene. I like that shift in perspective, like using the same image to say something very different.

Ending my unplanned evening with an unplanned re-acquaintance with some classic TV. My variety of spontaneity is pretty seriously boring! But it pleases me.

Are you a “spur of the moment” kind of person? What things have you done spontaneously? Is your history with spontaneity as undramatic as mine? Do tell!



It’s the 10th annual Slice of Life Story Challenge!

Head over to Two Writing Teachers to see all of today’s slices!

Deadlines, Doubt, and Dealing with Impostor Syndrome 

I had an important deadline Saturday, had to submit something or I’d miss my chance. I found out about this deadline in January. Jan.u.ar.y. I’ve had many weeks to make this happen. Here’s how I worked on it:

  1. Stared at the information.
  2. Thought about how much I wanted that thing.
  3. Stared at the information.
  4. Wondered why anyone would ever consider me for that thing.
  5. Clicked away from the page, telling myself I couldn’t work on it then because I had so much going on and I had to do some homework before I’d be ready to work on that.
  6. Ignore it for a few days.
  7. Repeat from step one.

Over. And over. And over again.

I finally started working on this on Sunday. Yes, when I had hardly any time left to get my work in order. Of course.

Every night last week, I sat down to work, and every night I pushed away from my computer, telling myself I would never finish and shouldn’t be trying anyway because I’m all wrong for this opportunity.

Needless to say, this is horrifically frustrating.

So what’s my story? Clearly, as is true for so many people, particularly women, particularly women of color, I keep running smack into the solid granite wall of Impostor Syndrome.

There are plenty of reasons to love the amazingly talented Viola Davis. Having her call out Impostor Syndrome just moments after being handed her Academy Award was kind of amazing.

I read  about this thing years ago, maybe as long ago as 2011. I recognized myself then, recognized the ways I tear myself down, doubt myself, struggle against the fear that I’ll be unmasked at any moment. On one level, I was relieved to discover that I wasn’t alone, that there was actually a name for the way I thought about myself. At the same time, it was disturbing to discover the realness of what I was doing. I recognized it, but I didn’t try to do anything about it. I didn’t know what to do about it. Yes, there were things I’d learned about stopping a thought, replacing it with a better, kinder, more based-in-reality thought. I’d seen that work when I tried it with bad body thoughts (it’s a body/fat acceptance thing … fodder for another post). But I don’t seem able to catch myself when I sank into Impostor fears, at least not immediately, not quickly enough to stop myself from sinking. I figure out what I’m doing only after I’ve fully shot myself down.

I may have only learned about Impostor Syndrome a few years ago, but I’ve been letting it hold me back for so much longer. All those times I didn’t stand up for myself, just accepted whatever awful treatment was doled out to me …Yeah, that was me believing I deserved to be treated like crap, that whoever was cutting me down was simply seeing me for who and what I really was and letting me know. When a supervisor lost confidence in me and stopped backing my play, I never questioned it. It made perfect sense to me. Clearly she had finally realized I was a fraud.

I had been planning to write that I’ve been losing the fight against Impostor Syndrome for my whole life. But I’ve been trying to track back to when I first felt unworthy, and it’s definitely not my whole life. But it is easily the last 15 years, and that’s a painfully long time.

I shrugged it off a moment ago, but stopping the thought really does have to be step one here. I can’t fight the cycle if I don’t see it coming and cut it off at the knees. I need to see those moments as they happen and shut them right down.

And, in some ways, this is a perfect time to be pushing myself in this way. I’m about to be putting myself out in the spotlight in a couple of ways that will surely trigger Impostor Syndrome again and again. Ramping up my vigilance now, at the start of this “spotlight season,” will be good for me … and it will be challenging, and exhausting, and demoralizing … and so helpful in the long run.

Yes, I can already see that this has to be part of my Be Your Own Cabana Boy self-care plan. Maybe one of the most important parts. Seeing myself clearly, not putting myself down, not standing in my own way … these things are as important as feeding myself well, as getting enough sleep. It all comes back to that comment I threw in so casually at the end of yesterday’s post: I’m worth it. Those L’Oreal ads were clearly onto something. I’m worth this hard work, so it’s time to put in the time.

Is Impostor Syndrome something you’ve dealt with? If so, what have you done to push back against it? If you’ve never faced this, I’m super happy for you, and I’m also super curious about you! How do you think you’ve avoided it?



In 2017, I’m on my #GriotGrind, committed to writing an essay a week.
I’m following the lead of Vanessa Mártir, who launched #52essays2017 after she wrote an essay a week for 2016 … and then invited other writers along for the ride!


It’s the 10th annual Slice of Life Story Challenge!

Head over to Two Writing Teachers to see all of today’s slices!

I cook like Olivia Pope.

Yes, you read that right.

I am a single woman. I live alone. And, while I love to cook, sometimes it’s just too much. With just me in the house, some nights the production of dinner-making is taking up time that could be spent … well … on just about anything else. So, that’s what I’m saying. I get her, Olivia Pope. Popcorn and wine is not a lie.

More often, for me, it’s popcorn and herbal tea. Sometimes popcorn and ginger ale. But you get the idea.

I’ve gone through many popper styles — electric, air, microwave. But the best is made on the stove.

I used to have this old-school beauty:

This is the Wabash Valley Farms™ Original Whirley Pop™ Stovetop Popcorn Popper (they clearly needed to use the word “pop” at least one more time). I loved it. And I used it so much, I wore it out. Now I just use an old stock pot. It’s not as fun as turning the crank, but it definitely gets the job done.

It gets the job done because it’s popcorn, and it’s really not that serious … except that, maybe it is. If you fire up the Google, you will, in fact, get 47,900,000 hits for “how to make popcorn.” Really. Nearly 48 million hits. But sadly, only 3,400,000 returns for “how to make caramel popcorn.” Why so few? How are we living, people? Surely, caramel corn should play a larger role in our lives. And the results tumble down from there. Only 1,880,000 for kettle corn.

So yes, all of this is quite silly. But it’s also reminding me of popcorn balls (7,040,000 hits!), specifically, the popcorn balls my grandmother used to make. She didn’t make them often, so they were an extra especial treat. And they seemed like magic. No one else ever had them, and I never actually saw how she made them, so they just seemed to become … there’d be a big bowl of popcorn, and then <snap of fingers> there’d be popcorn balls! She was a kitchen magician.

And now I have my pick of recipes, and I might have to give them a try.

Um …

But not tonight. If I can’t work up the gumption to boil some pasta and throw on some bottled sauce, am I really going to take on the decadent extravagance of popcorn balls?! I think not.

I am more likely to go on the hunt for the Brooklyn Popcorn truck!



original-slicer-girlgriot

It’s the Slice of Life Story Challenge — posting a little bit of something every day in March!

Go check out the hundreds of slicers over at Two Writing Teachers!