Feeds:
Posts
Comments

Posts Tagged ‘where we’re from’

Say what now? Yes, Yoctosecond. A yoctosecond is one septillionth of a second. That’s right, a unit of time equaling 10-24 seconds. Apparently, “yocto” is a prefix that attaches to a bunch of things, things like “newton,” “volt,” and “watt.”

I chose it because not only does it sounds silly and I am a fan of silly-sounding things, but also because yesterday I met a family member for the first time, and a yoctosecond was about as long as it took for me to know how much I was going to love her.

I have a small family. Painfully small. Various issues and estrangements on both sides have left us with precious few connections. We’re tight as can be with the few of us there are, but that wider circle decoupled a long time ago, and for pretty much my whole life, we’ve been our small unit. My mom has reconnected with some of her cousins, and I met the granddaughter of one of the cousins. And I’m so happy I did.

It’s definitely not a given that I would adore any family member I got to meet. There was a reunion of sorts when I was in my 20s, and those folks were kind of awful. My cousin is from a different branch of the family tree, so I wasn’t worried she’d be like those cranky, classist, petty folks I’d bumped up against 30 years ago, but still. You don’t know what you’re going to get until you get it.

And what I got was a lovely, smart, funny young woman with whom it turns out I have a lot in common.

Feels nice to stretch out a little, make room for more family in our tiny circle.

Our tiny circle —
mother, brother, sister, me.
Small, smaller, smallest.
The shrinking net around us
now stretching open,
now stretching wider, wider
welcoming new ties,
our whole makes a greater sum.
We are expanding,
spreading our arms, embracing,
opening our hearts to love.

__________

Only one more day of writing chōka left! I’d be lying if I said I wasn’t looking forward to the end of this challenge, but I’d also be lying if I said I hadn’t enjoyed this month. I’ve really liked exploring this form. I might just have to continue chōka-writing after April’s done. I’ll take that fun offline, though, and certainly won’t be aiming for a poem a day! It’s time to turn my attention back to the #52essays2017 challenge, start playing catch up with all these missed weeks that are glaring at me from my calendar.

____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



Read Full Post »

“Land is power.” Ruby McGee

Tonight I had the distinct pleasure of watching an amazing documentary, Dirt and Deeds in Mississippi. It tells another amazing “hidden figures” kind of story, some Black history that was rolled up in cotton wool and tucked way out of sight. In this case, the story of Black land-owning farmers and the role they played in the fight for rights — civil, voting, human — in Mississippi. It is an eye-opening, painful, powerful, important document of history. I could watch it on a loop for days.

Ruby McGee was the first Black person to be registered to vote in her county. Today, she owns and operates the family tree farm that gave her the freedom to take some of the chances she took as a young woman, that enabled her parents to run a Freedom School. She talks about what being a landowner gave her, says that it meant she didn’t have to work in white people’s kitchens. She talks about the idea of “knowledge is power” … and says no, “Land is power.”

And that resonated so deeply in my chest. I wanted to clap my hands and shout, “Yes!” It reminded me:

Got land to stand on,
then you can stand up,
stand up for your rights
as a woman, as a man.

“Achin’ for Acres” by Arrested Development was about exactly this, the power of owning where you live, owning the ground beneath your feet.

And it reminded me of my sadness, my personal heartache when family land has been lost, on my mother’s side, on my father’s. Those are pieces of ourselves we can never get back. I feel the empty spaces left by each even now, years later.

It reminded me of something I heard John Boyd Jr. say a while ago in an NPR profile piece: all of us are no more than two generations removed from somebody’s farm.

It reminded me of Constance Curry’s amazing book, Silver Rights, also about Mississipi.

This movie touched so many chords. And it spilled over into tonight’s chōka.

I have so much pride
seeing my ancestors fight
seeing them stand up
refusing to cave, to give.
This is what it means:
strength, power, faith, love, honor.
This is who we are,
fierce, unendingly stubborn
and sure. Sure of us,
sure of the fact we were right.
Sure that — live or die — we’d win.

My family isn’t from Mississippi — at least no one I’ve found yet — but Dirt and Deeds felt like home all the same.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



Read Full Post »

“Home” is wherever my mother lives. Which means home has been places I’ve never actually lived like Boulder, Colorado, and Rockville, Maryland. Anywhere she is, when I go there, I’m going “home.”

And here I am for this Easter weekend, for the belated celebration of Fox’s birthday. Home. With my family. The place I can always be the absolute, 100%, full, entire Stacie. I can say every nonsensical thing, can be as unclever as I sometimes am, can look a mess, can just breathe deeply. I have that ease with some of my friends, but it’s still not the same as what I feel at home. Even when it’s tense here, there’s still that comfortable pocket of freedom to be myself. I feel supremely lucky to have this space.

And tonight, Fox and I are hanging out, listening to music, watching videos … and it’s all I want.

__________

Orishas

A Lo Cubano
pulsing on the stereo —
this music, my heart
every beat calling my name.
What is the secret
connecting this to my soul?
Piece of history
or a piece of who I am:
under my skin, beyond words.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



Read Full Post »

I had another long overdue friend date tonight. Make that L-O-N-G overdue. I met up with Michele, someone I hadn’t seen since I was in my early 20s. For realz.

I was nervous, waiting for her. What if we couldn’t find a way to talk or be comfortable with one another, what if being friends in our teens wouldn’t translate into being friends in middle age, what if?

(I will be honest and say up front that there aren’t a lot of folks I knew in my teens who I would risk meeting today. I knew Michele was one of those few I’d be safe meeting, but I was still nervous.)

But then I looked up and she was walking toward me, and I knew we would be fine. Her face, that smile. And then we were hugging and laughing, and there we were, just talking and talking.

Great evening. And a great exhibit that I need to go see again, take a closer look.

_____

Reunion

With so much to say —
all the years in between us,
the years to catch up,
all the things to remember.
Story on story,
a jumbled, hurried telling
decades in hours,
an ever-pouring fountain.
This conversation
interrupted by our lives,
floods back with a welcome ease.

No envoi on this one. I thought it was going to fall into place, but the poem clearly had other ideas. I think the poem works well enough without the envoi, but I miss it, miss the rhythm of having that final tanka.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.



Read Full Post »

April 1st was the 24 Hour Project. I had the pleasure of participating with my IRL and blog friend, Raivenne. We met up in a cold, rainy, windy Times Square and set off. Our first stop was to buy a hat for ridiculous me who’d left hers home and forgotten to zip the hood onto her coat. Can you say “foolish”? Once I was properly hatted, we were ready.

My Saturday had other plans crammed into it: a Girls Write Now genre workshop with my mentee, a friend date for lunch with some VONA loves I hadn’t seen in forever, and a coworker’s improv show. All of it found its way into the Project, my picture of my city for one day in this year.

As I did both of the last years, I wrote mini stories for nearly every photo I posted. It’s what did when I first started on Instagram, use my photos like Duane Michals, like prompts, illustrations. I’ve gotten a little rusty, though. I had a hard time calling stories out of the ether this time. I’ll need to stay in practice so next year’s Project is easier.

Yes, I’m already thinking about next year. I hope Raivenne’s ready!

And now, without further ado, here are the pictures and stories.

This slideshow requires JavaScript.

Spinning Yarns

I tell stories, lies,
made up worlds, dramas, joys.
Characters light up,
dance their tales across the page,
show me where to turn,
how to tell, what’s next to show.
Living in moments,
flashes of bright narrative
gleaming, line by line …
on to the next and again.
A new story. Keep spinning.

_____

A chōka is a Japanese form poem with a specific syllable count per line. The shortest form of chōka  is: 5 / 7 / 5 / 7 / 5 / 7 / 5 / 7 / 7. The 5- and 7-syllable lines can repeat as many times as needed. The poem’s end is signaled by the extra 7-syllable line. The final five lines can be used to summarize the body of the poem.

(Also, Raivenne wrote an arun! It’s not her first one, but I’m always surprised to happen upon one, out there in the wild, off the tip of someone else’s pen. I made a form!)



Read Full Post »

I have posted a few paeans to my block. I love where I live and the apartment I live in. I love my neighborhood. This is the first place I’ve felt at home in many, many years. Because a post earlier this week tracked my path from my mother’s home to this one, I was remembering my experience of finding this apartment … and that got me thinking about David.  While it’s true that I loved this apartment the moment I saw it, it’s also true that it wasn’t the only really nice place I looked at in Crown Heights.

I saw another apartment first, a big two-bedroom with great light that cost about $300 less a month than where I live now. Why don’t I live there? Part of the reason is that this lovely block and the surrounding blocks felt better to me than that other apartment’s immediate neighborhood … but mostly the answer is David.

David is the man who showed me the apartment, the man who did double duty as realtor and building manager, the man with whom I would have had to interact on something like a regular basis if I lived in that apartment. David failed “The Test.”

I saw David’s apartment on Craigslist and called to learn more. David was pleasant. Gave me lots of information about the place, happily set up a time for me to see it. So I took off on a super-cold, “wintery mix” kind of day … only to find that David had given me lousy directions, had told me to get off at a subway stop four long stops too soon for his apartment, had told me to walk the wrong direction once I came up from the subway. I kept calling him to figure out what was going on, to find out where I was supposed to be. He finally admitted that he was a driver and wasn’t sure of the directions. (Seriously. Where they do that at?)

So I finally got directions from someone who actually knew what they were talking about and got myself turned around. On my way to the building from the train, I called David one last time to let him know I was almost there.  He said he was right outside the building entrance, keeping warm in his car. I got to the building and looked around. There was a man parked right in front of the building, sitting in his car. He wasn’t stepping out and announcing himself as David, but he was the only guy anywhere near the building, so I walked up to the window. He made a half-glance at me then quickly looked away. He turned his body slightly toward the passenger side of the car, clearly bent on not acknowledging or interacting with me. I knocked on the window and he turned an angry face to me.

“What do you want?” This comes muffled, through the glass because he hasn’t put his window down even the tiniest bit.

“Are you David? It’s me, Stacie.”

“Stacie who was just on the phone?”

No, some totally random other Stacie who just happens to be showing up outside your building knowing your name, you jackass. Yes, that Stacie.”

He still didn’t leave the car.  He opened his window … I finally got that “tiniest bit open” I’d been expecting from the start. He put down his window seemingly to get a better look at me.

“Stacie who called about the ad?”

“Look, it’s cold out here.  Are you going to show me the apartment or not?”

“You’re the one who just called.”

“Yes, you completely hideously annoying man.

You know the big, you’re-a-loser “X” that flashes on Family Feud? Imagine that coming into play now, except in this quiz, you only get the one strike. It’s all I need to count you out. David had completely and utterly failed The Test. He heard my voice on the phone and thought he knew who would be coming to see his apartment. I showed up, and he needed to process that he had been talking all that time to a Black person without realizing it.

And up to that point, I’m not angry with him. People regularly assume I am a white person when they hear me but don’t see me. And I can be fine with that, depending on where you go once you realize that I am, in fact, a Black person, once you know that I’m the person who comes with the voice you profiled. The fact that David couldn’t manage to process the reality of me — or at least take himself through his slow and painful process in some way that was vaguely graceful and not so obvious — is where he went off course.

Yeah, the fact that processing reality ended in him being quite clearly displeased to discover my Blackness makes that big, you’re-a-loser “X” glow in a hot, red neon.

(Of course, it’s my fault, you understand. His displeasure. It’s my fault. I should have warned him. Should have said, within seconds of greeting him on the phone, “I, as a Black woman, would like to see the apartment you’re renting on Union Street.” See how simple that is, how completely normal and like actual human conversation?)

I still wanted to see the apartment.  I knew I didn’t want David to be my landlord, but I’d come all that way, through the wintry mix and everything. I wanted to see the apartment. And it was as nice as it sounded online: big rooms, lots of sunlight, new fixtures in the bathroom and kitchen. Lots of closets. A large entrance hall (with a coat closet!). I think there was even a laundry room in the basement. Lovely. Too bad I wasn’t going to live there.

I decided to waste a little of David’s time and asked him to tell me about the neighborhood, asked him who lived in the area. He gave me an informative description of the Orthodox Jewish community … and stopped. Please remember that we’re in Crown Heights. Yes, there is a large Orthodox Jewish community here. But they are not the only folks this neighborhood is known for. There’s a reason the Caribbean Day Parade is held over here, after all. But he talked about the Hasidim and stopped.

“Ok. So that’s the whole population?”

“No, no, there are other people.”

“Oh, ok, great. Who else?”

“…”

Please know that here he could, really, have said anything. He could have told me there’s a large Caribbean community, could have said something straight to the point like, “Oh, a lot of black people,” or something a little more “cute” like, “Oh, a lot of people who look like you.” He couldn’t do it. He just stared at me for a minute then looked away and hemmed and hawed for another couple of minutes.

“Oh, you know … oh, there are … oh, a lot of … you know … neighborhood people.” (his emphasis)

Neighborhood people? Neighborhood people?

Oh, I could have played with him a little longer, asked him to explain what that meant. But he’d already failed the test, forcing him to add glitter and blue flame to his “X” was pointless.

Neighborhood people.

What, really, could be his problem? (Not an actual question.)

Let’s play compare and contrast. The morning after seeing that beautiful apartment, I rode back over to Crown Heights to see the place in which I am sitting to write this. I had been on the phone with the woman who would be one of my landlords. She had given me directions and asked if I knew anything about the neighborhood. We’d chatted a little and then scheduled my visit. I followed her clear, accurate directions and walked down the block toward the house. As I got closer, I saw a couple standing half on the sidewalk and half in the driveway of a house. A woman, a man, two small girls. I figured they were who I’d come to meet. As I walked up, the woman smiled and said, “Stacie? Hi, I’m L____.”

See how easy that was? It’s pretty much 100% likely that Leah (we’ll call her “Leah.” I’ve always disliked those “L____”s) made an assumption about who I was going to be when she talked to me on the phone. When I walked up and turned out to be me instead of who she imagined, she said hello and kept it moving. Like. a. normal. person. would. Like a not-racist person would. Yeah, of course I went there. That was the only “where” we were every going to go.

I’d have saved some money renting from David. I’d have had to pay for basic utilities, plus heat and laundry at his place, so the $300 difference in rent would really have been more like $100, but that would still have been more cash in my pocket. But no. That place wasn’t an option. I was never going to live in David’s building, and that was clear as soon as he didn’t greet me outside the building, as soon as he couldn’t wrap his small, racist mind around the fact that I was me and not whatever version of a white woman he’d had in mind when he’d talked to me on the phone. I had no intention of saddling myself with David, of having to do regular business with a man who didn’t trust me based on nothing but what I look like, a man who acted as if he was afraid to be alone in the apartment with me the whole time I was looking at the place, a man who turned his back when I walked up to his car so that he wouldn’t have to interact with me. No. So much wiser to rent from a family for whom my Blackness wasn’t cause for alarm.

There are plenty of things that make this apartment the better option: the back yard, my own washer and dryer, space in the basement to store my too-much-stuff and set up my sewing table, a full-on pantry closet in the kitchen … and just the general feeling of coming home that settled into me the moment I set foot in the door.

Leah and her family passing The Test wasn’t the only reason I wanted to live here, but it was one of the important reasons. The fact that they have turned out to be nice, intelligent people who I like talking to and knowing is an excellent bonus. Getting to watch their kids grow up, getting to sometimes hang out with their dogs … bonus, bonus.

I joke about David’s inability to name Black people. Mopsy and I talk about “neighborhood neighborhoods” sometimes, or whether or not there’s a good mix of neighborhood people at an event. It’s silly, and we sound silly saying it, and that’s why I like it. But David? Nope, not getting any love from me.

I save my love for Crown Heights. I’m super happy to have wound up in this neighborhood neighborhood. ❤



It’s hard to believe that the 10th annual Slice of Life Story Challenge is almost over!
How does March go by so fast!
Head over to Two Writing Teachers to see all of today’s slices!

Read Full Post »

Determined to write more than two sentences tonight, I went back through the daily writing prompts that Lisa (aka Satsumaart) sent me a couple of years ago to see what would catch my eye. The first prompt I saw had me composing my post even before I clicked onto this page: Moving

I’ve moved a lot. I moved once a year for the first six years that I lived in New York. I once moved after only nine months.  I hate moving house, and yet nothing seemed strange about the fact that I was changing apartments so often.

The place a moved to from my mother’s house was an apartment on the Lower East Side of Manhattan, on the edge of Chinatown. An apartment I shared with a friend and a guy I didn’t know who was eventually swapped out for a woman I didn’t know. It was a great place — an almost 1600sf loft with lots of sunlight and a roof we could hang out on. I loved living down there, but I left so I could look for a place my sister, Fox, and I could share. I found a big, cheap, two-bedroom apartment in Washington Heights: $50 less rent than I’d been paying for my one room on Ludlow Street! That was when we started calling ourselves The Poverty Twins. We had so much nothing. One chair, futons on the floor, my old stereo, and the cast iron skillet we found in the apartment. We were a little pathetic, but we had a good time living there, a good time living together. We left when we learned that we were living above drug dealers who didn’t hesitate to murder one neighbor as an object lesson for the rest of us. That was a lesson we learned quickly. We moved to Brooklyn.

That first Brooklyn apartment remains, to this day, the biggest, most extraordinarily beautiful place I’ve lived.  It was the bottom 2/3 of a house. The house was bigger than a brownstone, maybe half again as wide, and Fox and I had the parlor floor, the ground floor, the basement and the back yard (complete with grape vines!). We had more room than our furniture-less selves knew what to do with: two bedrooms, living room, formal dining room, sun porch, and mud room. We had ceiling fans, built in book shelves and desks in the bedrooms, decorative and working fireplaces and a fabulously-appointed kitchen with an extra large fridge, tons of cabinet space, windows onto the back yard and counter space for miles (seriously, about fifteen feet of counter, plus an extra little 2-foot side counter and a counter top in the pass-through to the dining room that was bigger than the entire cook space in Jill Santopietro’s kitchen 4b cooking videos). We also had what a friend of mine called a “love-making tub” … a big, jacuzzi-like thing in a room with dark wood and slate-tiled walls and little sconces with soft-glowing bulbs that were great for ambiance (but crap for putting on make up).

I was hugely spoiled by living in that house.  I love where I live now, but I still think longingly of all the space I had there, of the craziness of our grapevines taking over the yard, of having our first Christmas tree (a tall, half-spindly thing that we made all the decorations for, including popcorn garlands), of how at home I felt immediately. Of how comfortable we were living there with all that space we didn’t need (we had two large rooms we never even used, that’s how much too much space we had).

We didn’t want to leave that place, but any thought of putting down roots were quashed almost immediately when our new landlords told us they wanted to sell. When we left, Fox moved to Eastern Parkway, and I moved across the street to my first on-my-own apartment. That apartment was a hot mess: fleas, collapsing walls, corroded plumbing, strangers with keys (a scary, early morning discovery!) and some creeping brown sludge that bubbled up from the baseboards and ruined my futon. That was the nine-months place … and only my complete lack of money made my occupancy last so long. I couldn’t afford to move.

When I finally left, I moved to a place on Lafayette that I really liked. That was the first apartment in which I had the thought of actually settling. I had good landlords — kind, considerate, attentive to problems — and the place got lots and lots of wonderful light. There wasn’t even half enough closet space for a near-hoarder like me, the floors slanted, and the bathroom was small and awkward and shower-only. Still. I loved it there. I had good neighbors, had both north and south-facing windows, including a room-wide picture window with a nice sitting ledge that the cats and I enjoyed equally. I probably could have lived there happily for years. It looked like this:

Two closets? And not even big closets? As if that would ever have worked for me. So that little room on the side, instead of being my bedroom, which would have made all the sense in the world, became my storage room. The room at the top was my giant I-could-cook-for-an-army-in-here kitchen, and the picture window room was my everything else room. I kept thinking of things I would do to make the place more like home: build an island for the kitchen, get bookshelves, paint, get carpeting, unpack the little room and set it up as my writing/craft space … so many plans that came to nothing. I unpacked hardly anything, and then it was time to move. A friend got me interested in the idea of sharing an apartment, and I liked the thought of paying less rent, so I left my pretty, sunny little place behind.

Next, it was on to Eastern Parkway (Fox had already left for Park Slope). My friend and I found a place right across from the Botanic Garden. I enlisted my brother and sister-in-law’s help, hired a man with a van (a funny Russian guy I got along with so well my brother thought he was a friend, not a hired hand) and schlepped my life over to a big duplex apartment with two bathrooms and a garden. The entrance was into the upper floor. My room mate took the bedroom on that level, a space she shared with the kitchen, bathroom and our living/dining room. Downstairs was a huge open space with a smaller, shower-only bathroom and the door leading to the garden. I took that space for my room. We had some wacky notion that we would eventually set things up so that we had a living room area downstairs, too, but in my heart I knew that was never going to happen. That would have meant I was living in public, and I wouldn’t have liked that. Basically we shared the upper floor, and I kept the downstairs to myself. A very uneven distribution of territory. I also got the garden, but that was mostly because I was the only one interested in working it.

After 18 months of swanky duplex living, an out of town friend came to visit and when I brought her down to my space, she gave me a funny look, asked how long I’d been living there. When I told her, she shook her head. This is kind of how our conversation went:

“Why haven’t you unpacked?”

“What are you talking about?  Of course I’ve unpacked.”

“Stacie.  Look around.  This space is full of boxes.”

“Oh that.  I just haven’t gotten to that yet.”

“In all the years I’ve known you, I’ve never seen you unpacked.  What do you think that’s about?”

In that moment, I thought it was about her being nuts. Of course I’d unpacked in every placed I’d lived … except then I thought about it and realized how very much that wasn’t true. Not only was I moving like I had the law on me, I was keeping my life in boxes so I’d be ready for the next move. So I freed my possessions. That was the first apartment into which I fully moved … and then I only stayed there another year and a half before moving to Park Slope. Fox had moved to DC, and I moved into her old apartment, with her old room mate.

I almost let myself believe that I’d learned my lesson about unpacking, that I should stay in boxes because obviously I was going to keep moving. Instead, I forced myself to unpack, to set up my bookshelves and find places on them for all my stuff. And I stayed there for about five years, so it was good to be unpacked, to walk into my rooms at night and see all my stuff.

After that it was a move downtown to a too-small apartment into which I should never have moved. I entered that place under a cloud: one of my cats had just been euthanized, my decision to move had put a strain on one of my best friendships, I’d just broken up with my crazy Russian boyfriend, my awful mover couldn’t get the job done until after midnight — which meant that, even before I was in the apartment, I’d had a fight with one of my new neighbors. I closed the door at the end of the move-in and sat down and cried.

I was never able to unpack in there. It was too small to hold all my things — I’d exiled almost all of my furniture to a storage unit in Vinegar Hill, and there wasn’t enough space to unpack the things I kept with me. I did the best I could, but still felt like I was living out of boxes. I hated that place, and yet I was there the longest I’d lived anywhere since leaving my family. Years of living in a place I hated simply because I couldn’t bear the thought of another move.

And now I’m here. While it’s true that I wouldn’t have found this  apartment if I’d left the last one any sooner, finding a place as nice as this one makes me that much more sad to have stayed in the last one as long as I did. But now I’ve lived here longer than any place since leaving home, and that feels just right.

Have I settled in here? Let’s see: I rescued all my furniture from storage (full disclosure: I opened that storage unit door and almost cried to see my things after seven years away from them!), I’ve bought book shelves, arm chairs and … a sleeper sofa! In my mind, that last is a real indicator of making the place you live into a home, having a sofa and having the ability to comfortably host sleepover guests must mean you have a real home, yes?



It’s the 10th annual Slice of Life Story Challenge!
Head over to Two Writing Teachers to see all of today’s slices!

Read Full Post »

Older Posts »