Sally, Suddenly on My Mind

Every now and then, I’ll be reminded of Sally. Maybe I see a woman in a suit and heels who moves the way Sally did or cocks her head the way Sally would when she was listening closely to someone. Today it was a woman ahead of me in line at the coffee shop. She was too short to be Sally, but she looked very much like her, so much so that I had to stare at her for a while to convince myself that she couldn’t possibly be Sally.

I worked with Sally a couple of lifetimes ago at one of the worst jobs I’ve ever had. She had both a much better job than mine and an awful job at the same time. She was a salesperson at a wannabe ad agency where I was a customer service rep. Her job gave her a better salary, but it also meant she had to work with my boss, the buffoonish, boorish, pea-brained head of sales, a man she was infinitely smarter than, classier than, more skilled than, a man who couldn’t respect her as a salesperson because she was “just a working gal.” He must have driven her even crazier than he drove me.

She reminded me of Jacqueline Bouvier Kennedy Onassis (yes, I just really wanted to write all of those names out). She had a Jackie O quality, a Jackie O look. She had the same squared brow, the same sweep of hair – blond, not brown – up from her forehead and back. Even the same set to her jaw and the way she held her mouth. And she had style. She wasn’t flashy, but she was noticeable. Her face was striking to look at, and she had a commanding presence. She dressed well – conforming to the late 80s businesswoman style guide, but with her own spin.

Back then, Sally wasn’t the model I aspired to. But I paid attention because I wanted to understand her. She was clever and talented and that made so little sense in that place where we worked. I didn’t want to be her, but I wanted to know why she was in that shoddy office, that low-rent agency, why she put up with the fools who were her superiors.

Yes, of course. Sally, like everyone else, needed a job, needed to get the bills paid and food on the table. Sure. But it’s so hard to believe real ad agencies wouldn’t have snapped her right up if given the chance. If she could be a good salesperson when she was selling our crap ad space, she could have been amazing when working for a real company.

I felt that way about the two other saleswomen at that agency. They were smart and funny and had their shit together in ways the men around them could only pretend to. But I focused more particularly on Sally because she was separated from those women. Every salesperson had a big window with an office, but Sally was in a cubicle like mine. She didn’t take all the working lunches and business trips the others took. She was on the outside, and it wasn’t clear why.

I wonder if it was how fabulous she looked – sharp, pulled together, hair like a lion’s mane, but in a way that still somehow looked sleek, that Bouvier forehead. The men in the office were more than happy to watch her walk, to salivate behind her back, but none of them treated her as a partner, as an equal. They didn’t pull her into their brainstorming sessions and rarely invited her to client meetings.

And I’m not trying to play a tiny violin for the beautiful woman who wasn’t part of what was surely a fairly scummy clique – no one should have wanted to hang out with those terrible, oafish men. But the other two saleswomen were sometimes included, were sometimes consulted. And maybe it’s the island-unto-herself feeling I got from Sally that explains why she’s the one who filters up in my memory from time to time.

And it’s surely also because of what Sally represented. She was young, but not in her 20s like our little customer service crew. Maybe her mid-30s? She was young, single, living comfortably in Manhattan, dressing to the nines. She was the successful businesswoman, the idea we were all sort of trying to be or thinking we were supposed to want to be. More than the other saleswomen, one of whom had ambition but didn’t seem wedded to the idea of the job, the other was definitely a go-getter (ugh, I can’t believe I just wrote that!) but she couldn’t have come close to Sally’s glamorous style and flair. And, too, both of them were married, so they weren’t like us.

But the thing about Sally, and surely another reason she comes to mind all these years later, is that she didn’t seem even the least bit happy. Not at all.

That held a fascination for me. How could she be and have seemingly everything I was supposed to covet … and still have such a bored sadness in her eyes? The set of her face when she wasn’t “on” was melancholy.

I wasn’t friends with Sally. We never spent any time together socially, not even the occasional chat in the breakroom. I didn’t see myself as being in her league and never made an attempt at office friendship. Thinking of that now makes me sad about young me. I was so far from beginning to embrace myself, of course I couldn’t make room for whatever Sally’s story was. But how unfortunate. What, really, would it have taken to include her in our ridiculous jokes, invite her out to lunch or drinks with us? We probably wouldn’t have been friends, but maybe she would have been less of a puzzle to me, a conundrum that continues to hold its secrets all these decades later.


It’s the 16th annual Slice of Life Story Challenge!
Head on over to Two Writing Teachers
and see what the rest of this year’s slicers are up to!

Original Slicer - GirlGriot

What I Didn’t Do

Content warning: Atlanta shootings

I had a crap day today. I’m overtired and cranky. I discovered a huge error in the big project we’re slogging through at work. There was a worsening of a pain in my right arm that feels distressingly similar to how my rotator cuff tear started four years ago. I left work too late to make it to the UPS store, which likely means it’s too late to return a nonsense purchase I made a while ago.

I had a crap day on Monday when I hurt my hip and smushed my finger in a door and had a snarky interaction with a neighbor who refuses to wear masks or respect socially-distant space.

I could have an entire blog dedicated to writing about the crap days I have. The days when I come home feeling defeated. The days when it’s hard to get out of bed because what’s the point when everything sucks. The days when I’m more sad, angry, lonely, tired, fed up than I am anything nicer. I generally have pretty good days, but I have quite a number of super-bad ones, too.

I don’t imagine I’m all that unusual. Don’t we all have crap days sometimes?

I had a lousy day. What I didn’t do was pretend that my unfortunate day was a reasonable catalyst for terrorism. What I didn’t do was go on a killing spree and explain my actions by saying I was in a bad mood. What I didn’t do was make my victims out to be villains who left me with no choice but to end their lives. Somehow I managed not to do any of that.

I had a crap day and this is what I did: some impulse grocery shopping when I was finally on my way home and got back here with watermelon, tortilla chips, and ice cream (hey, my binge doesn’t look like everybody’s binge). What I didn’t do, it bears repeating, was kill anyone and then blame them for my violence.

I’m not surprised that a police officer (one who has been revealed to be — surprise! — a racist) would talk about Robert Aaron Long’s act of domestic terrorism in a way that offered up excuses for the murder of eight innocent people. I’m not surprised that this racist police officer told the killer’s story and erased the victims from the narrative as easily as Long did with his racist, misogynistic violence. I’m not surprised. But I am, too.

I had a bad day. And it was made worse by the reverberations of this latest act of white male violence against people of color. Robert Aaron Long isn’t some lone wolf, some individual crazy guy who had a bad day, some unfathomable mad man. Long is one more in a line of violent white men we are asked to ignore over and over again. This morning I wrote on FB that he looks like all of his brothers — like Dylan Roof, like Tim McVeigh, like Biggo with his feet up on Nancy Pelosi’s desk, like every murdering incel. They all look alike, because they are all alike. And we are asked to ignore everything that is plainly similar about all of them, asked to pretend that each of them is a stand-alone case of mental illness rather than force the conversation about the violence of angry white men, rather than act.

I had a bad day, but I’m still here. I wish I could say the same for the eight innocents who were gunned down yesterday.


It’s the 14th annual Slice of Life Story Challenge!
Head on over to Two Writing Teachers
and see what the rest of this year’s slicers are up to!

Original Slicer - GirlGriot

Cute AF

I am cute. I haven’t always believed it, but I’ve grown into that awareness. While I still say my cuteness peaked at two years old, when I was so adorable I should have been declared illegal, I am happy with the face I have now. (It is, actually, very much the same face, but it has shifted a bit with age.)

I’m not cute all the time, of course. Sometimes I’m grey and exhausted and look just as bad as that sounds. I don’t usually photograph well, and the left side of my face is most emphatically not my good side. Still, overall, I put myself solidly in the “cute” category.

When I say “cute,” I am not being coy because I don’t want to say “pretty” or won’t allow myself to say “beautiful.” There are days when I could cross-post myself under “pretty” – primarily on spectacular-hair-day days – but those are moments. Cute is my steady state. Beautiful is off the table. It was never on the table, not even back at my toddler-fabulous peak. Beautiful is out of the realm of the possible primarily because of my button of a nose, the cuteness of which used to be a cause of consternation, but with which I am now at peace.

I’m not hoping people will read this and respond with choruses of, “You’re so pretty!” or “I think you’re beautiful!” It’s entirely fine with me if people think these things, but I will not be persuaded. This is an I-know-my-lane situation, and I’ll be staying here.

I know what I look like, and I like what I see. That’s the first point. The second point is that my cuteness matters not in the slightest. I acknowledge that there is “pretty privilege” and that I occasionally benefit from it. In many cases in which I might expect to benefit from it, however, misogynoir and/or fatphobia erase the benefit. In things that matter to my life and happiness – am I capable at work, do I have a solid friend circle, can I walk pain-free, do I know all the lyrics to my favorite songs … – the cuteness or not of my face gives me nothing. The ROI on cuteness reveals itself most often in things I don’t much care about.

So, nothing particularly valuable gained from my looks. That’s the second point. And so we reach the third and ultimate point: being told that I am cute (or pretty or beautiful) does not mean I owe the teller a single damn thing. And this is hard for some people to fathom.

When I say “some people,” it will surprise no one to know I mean men, or to know that (some) men think the mere fact of them paying me what they assume is a compliment entitles them to my name, or my number, or my time, or anything at all. Maybe, possibly, it entitles them to a “Thanks,” but definitely nothing more. Those same men then get angry when their acknowledgment of my face yields nothing.

I need to say here that I’m obviously not talking about all men. If I know you, if you and I have been talking and you want to tell me how pretty I am in your eyes, I’m probably going to be just fine with that. If you and I are friends, and you decide to tell me you think I’m pretty, that’s okay, too. Because you’re my friend. Because you’re a man I’ve been spending time with. Because you aren’t expecting me to put out in exchange for a call-it-as-you-see-it compliment.

Not long ago, as I was headed home after a fun evening out, I heard a man on the train say, “Damn, you’re so pretty.” I was reading and didn’t look up. He moved from wherever he’d been sitting to sit beside me, poked my arm (poked. my. arm!) and said, “It’s you I’m talking to. I said you’re pretty.”

N.B. First: if you speak to someone, particularly a stranger, they aren’t required to respond. Second: if you speak to someone when they haven’t already engaged with you even as far as making eye contact, you have no reason to think they will know you’re speaking to them and respond. Third: while it might be acceptable to pat a stranger’s arm to get their attention so you can speak to them, it’s not okay to poke them really hard the way you’d poke a reluctant elevator button. Fourth: why the fuck are you talking to me at all?

I looked at that man. I was in a good mood. I was coming from a reading where I’d shared new work. I’d spent the evening with people I adore. So I gave him half a smile, said thank you and went back to reading.

He slapped my arm. (Slapped. My. Fucking. Arm.) and said, “That’s it? That’s all you can say?”

So much for my good mood. Please refer to the nota bene section above. If it’s not okay to poke strangers, you know it’s not okay to slap them. What in the all-encompassing, over-entitled fuck?

It was night. Not super late, but still nighttime. There were folks on the train, but no one was paying us any obvious attention. (Besides, I know full well not to expect anyone to step up for me if a situation gets ugly.) I didn’t want to set that fool man off. I was almost home. I just wanted to be home.

But I also couldn’t make myself give him my power, couldn’t smile sweetly in my fear of his anger and give him whatever he might want from me. Couldn’t do it. That’s not smart, but it’s real. It’s definitely not smart. There are too many stories of women beaten, women murdered because they didn’t give in to some man they didn’t know. I used to think my size might deter men from thinking they could take me, but I’ve learned that that isn’t true. So I know that to refuse to give in to this fool on the train wasn’t smart. I needed to balance my need to stay myself with my desire to get home.

I looked at him. “That’s all I can say.”

We looked at each other for a minute.

“I was wrong,” he said, sneering. “You’re ugly as fuck. And fat as anything. Should be glad anyone spoke to you.”

Because of course. We are supposed to set aside the fact that he is the one who proclaimed my beauty two minutes ago. Or, we are supposed to imagine that he did it so that a) ugly, fat me would feel a little better about myself and/or b) ugly, fat me would be so grateful for some male attention I’d be willing to give him the validation he wanted. Because, you know, fat women are desperate and easy to pull.

“Yes, exactly,” I said.

“What the fuck’s that supposed to mean?”

“That I’m agreeing with you.”

We were close to my stop. I thought about riding further in the hope that he’d get off soon and I could circle back home. But what if he was headed to Coney Island? I didn’t want to take the chance that he’d be annoyed enough to ignore his own plans and follow me up to the platform, to the street. I also didn’t want to leave the train at an unfamiliar station. I thought about my long-ago decision to carry a smaller key chain, not the school custodian-style monstrosity I’d lugged around for years. My current chain has only two keys. So much easier to carry, but not an effective weapon. I thought about the fact that I hadn’t had any dinner and how that meant I couldn’t use the last-possible-scenario advice of a self defense instructor I’d worked with: vomiting on myself and him to gross him out and distract him.

He stood as we pulled into the next station. “Fucking nasty bitch,” he said as he moved to the door.

I am cute. I’m cute enough. I’ll go so far as to say I’m cute as a button. Even cute as fuck. And I don’t give a fuck. What I’d rather be is left alone. What I’d rather be is free from dealing with scumbag men. What I’d rather be is thinking about my own shit and not having to make safety plans on the fly. Acknowledgment of my face doesn’t entitle you to a damn thing.

The doors opened and my would-be suitor spat in my general direction as he exited the car. Not a single other passenger looked up, looked in my direction. I rode to my stop and walked myself home.


In 2017, I took up Vanessa Mártir’s #52essays2017 challenge to write an essay a week. I didn’t complete 52 essays by year’s end, but I did write like crazy, more in 2017 than in 2015 and 2016 combined! I’ve kept working on personal essays, kept at my #GriotGrind. If you’d care to join, it’s never too late! Find the group on FB: #52Essays Next Wave.

Our Lives Hold No Value

[Content warning: violence, state violence, police killings of Black women]

Korryn Gaines. Say her name.

Is there still any question
that our lives hold no value to the police?
At moments like this,
I think of Korryn Gaines, I think of her son.

Our lives hold no value to the police.
Gaines son, five years old,
I think of Korryn Gaines, I think of her son.
Police knew he was at his mother’s side.

Gaines’ little boy, only five years old,
saw police kill his mother, saw them try to kill him.
Police knew he was at his mother’s side.
His presence didn’t impact their decision to go in shooting.

He saw police kill his mother, try to kill him.
What his mother told him about the police proved true.
His presence didn’t impact officers’ decision to go in shooting.
Our lives hold no value to the police.

What Korryn Gaines said about the police proved true.
They took her ability to broadcast, then killed her in secret.
Our lives hold no value to the police,
they were determined to gun Gaines down.

Police took Gaines’ on-air voice, then killed her in secret.
There to serve a traffic warrant, they decided the sentence was death.
They were determined to gun Gaines down,
and made sure their actions weren’t caught on tape.

There to serve a traffic warrant, they decided the sentence was death.
A young mother, gunned down in front of her baby.
They made sure their actions weren’t caught on tape.
Nothing else mattered.

A young mother, gunned down in front of her baby
because she had the nerve to fear and distrust the police.
Nothing else mattered
except taking her out, punishing her audacity.

She had the nerve — the intelligence — to fear and distrust the police,
and they proved her right,
taking her out, killing her as punishment for her audacity,
for a traffic violation.

They proved Gaines right
and proved it to her son by shooting him, too.
For a traffic violation.
They couldn’t have cared any less for that woman or that baby.

They showed Gaines’ son that his mama had been right —
they wanted to shoot her, wanted to shoot him, and they did.
They couldn’t have cared less for the welfare of that woman or that baby.
Gaines and her son’s lives had no value.

They wanted to shoot Korryn Gaines and her son, and they did.
That baby has learned his lesson.
His life had no value to the police.
He’ll know it for the rest of his life.

That little boy learned a horrific lesson,
his mother murdered before his eyes.
He’ll know it for the rest of his life.
The wounds will scab over, but will they heal?

I think of Korryn Gaines’ son. Will he heal?


Pantoum — A poem of four-line stanzas in which the second and fourth lines of each stanza become the first and third lines of the next stanza. The final line can be a repeat of the first line of the poem.

Say Her Name — A movement calling attention to police violence against Black women, girls and femmes. Fill the void. Lift your voice. Say her name.


It’s National Poetry Month! Every April for almost the full life of this blog, I have taken on the challenge of writing a poem a day. A year or so in, I upped the ante ton the challenge and decided to choose a specific poetry form each year and write that form for the month — 30 tanka, 30 rhyme royals, etc. It’s been a hard slog most years, as I struggle mightily with writing poetry, with feeling “allowed” to try writing poetry. So why make it harder by adding onto the base 30/30 challenge? Well, that’s kind of who I am, isn’t it? I continue.

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Her Last Breath

[Content warning: violence, state violence, police killings of Black women]

Shereese Francis. Say her name.

Imagine the terror of running through your house
chased by four police officers,
when you’ve done nothing wrong,
when what you need is mental health care.

Chased by four police officers,
Shereese Francis must have been terrified.
She needed mental health care
but instead received brutality.

Shereese Francis must have been terrified.
Does “Protect and serve” only go for white folks?
Shereese Francis received brutality.
Her life squeezed out as she lay face down on a bed.

Is “Protect and Serve” only for white folks?
It certainly wasn’t on offer for Shereese Francis
as her last breath was squeezed from her body.
One more beautiful life taken.

There was no protection or service for Shereese Francis,
only the loss of her last breaths under the weight of four cops.
One more beautiful life taken.
Keep that count grinding down to zero.

The loss of her last breath under the weight of four cops.
Imagine Shereese’s desperation and fear
as the count kept grinding down to zero.
One more beautiful life taken.

One more beautiful life taken.


Pantoum — A poem of four-line stanzas in which the second and fourth lines of each stanza become the first and third lines of the next stanza. The final line can be a repeat of the first line of the poem.

Say Her Name — A movement calling attention to police violence against Black women, girls and femmes. Fill the void. Lift your voice. Say her name.


It’s National Poetry Month! Every April for almost the full life of this blog, I have taken on the challenge of writing a poem a day. A year or so in, I upped the ante ton the challenge and decided to choose a specific poetry form each year and write that form for the month — 30 tanka, 30 rhyme royals, etc. It’s been a hard slog most years, as I struggle mightily with writing poetry, with feeling “allowed” to try writing poetry. So why make it harder by adding onto the base 30/30 challenge? Well, that’s kind of who I am, isn’t it? I continue.

napomo 1